NOTE IMDb
6,1/10
16 k
MA NOTE
Ajouter une intrigue dans votre langueAn ambitious young woman, determined to build a career in television journalism, gets good advice from her first boss, and they fall in love.An ambitious young woman, determined to build a career in television journalism, gets good advice from her first boss, and they fall in love.An ambitious young woman, determined to build a career in television journalism, gets good advice from her first boss, and they fall in love.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 3 victoires et 3 nominations au total
Lily Gibson
- Star Atwater
- (as Lily Nicksay)
Avis à la une
While this is definitely a "women's movie," a man can enjoy this, too. I did, but not enough to see it twice or to purchase it. Supposedly, it's the story of former television news reporters Jessica Savitch and Ron Kershaw.
Robert Redford is good at playing the veteran newsman teaching Michelle Peiffer (Savitch) the business. He does more than that, of course, being her lover and then her husband. With Redford, you know you are going to get a dose of Liberal politics in the mix and in here, it's let's-feel-sorry-for-the-prison inmates. The preaching is "they are in jail to be rehabilitated." Well, that sounds nice but whatever happened to jail as a form of punishment for someone committing a crime against someone else? Liberals - like Redford, who is never shy about giving us his views in movies like this - sometimes seem to have more compassion for thugs than they do victims of crime! He goes so far in here as to preach that if you don't treat prisoners with kid gloves you deserve to have a riot on your hands.
Outside of all that heavy-handedness, you get a nice romance with solid acting all around, not only from the two leads but the supporting case with people like Stockarrd Channnng, Joe Mantegna, Kate Nelligan, Glen Plummer and James Rebhorn.
Robert Redford is good at playing the veteran newsman teaching Michelle Peiffer (Savitch) the business. He does more than that, of course, being her lover and then her husband. With Redford, you know you are going to get a dose of Liberal politics in the mix and in here, it's let's-feel-sorry-for-the-prison inmates. The preaching is "they are in jail to be rehabilitated." Well, that sounds nice but whatever happened to jail as a form of punishment for someone committing a crime against someone else? Liberals - like Redford, who is never shy about giving us his views in movies like this - sometimes seem to have more compassion for thugs than they do victims of crime! He goes so far in here as to preach that if you don't treat prisoners with kid gloves you deserve to have a riot on your hands.
Outside of all that heavy-handedness, you get a nice romance with solid acting all around, not only from the two leads but the supporting case with people like Stockarrd Channnng, Joe Mantegna, Kate Nelligan, Glen Plummer and James Rebhorn.
It has been a long time since a film has made me cry. I can't remember crying like this since Beaches and Steel Magnolias years ago. To be honest the movie seemed a little boring and overacted to start with - Pfeiffer was very much as she had been in Dangerous Minds, controversial and unique (not that that is a bad thing, just repetitive). However, once you move past the 'a star is born' bit, the developing relationship between Warren Justice (Redford) and Tally Attwater is a beautiful and believable one. It is also interesting to get a look at how the TV news may operate behind-the-scenes.
Unlike so many star couplets today, Redford and Pfeiffer have true on-screen chemistry and are at their best in this film.
Unlike so many star couplets today, Redford and Pfeiffer have true on-screen chemistry and are at their best in this film.
Even though I feel Robert Redford is getting a bit old to play the romantic hero, I did enjoy this movie. I liked the newsroom setting. I felt Michelle Pfeiffer gave a very good performance and that she and Mr. Redford had a very likeable chemistry. I didn't care for the ending, but it was good viewing on the whole. A good love story.
"Up Close and Personal" proves again that charismatic stars and good production values can overcome a weak story. This story of two television journalists (Redford and Pfeiffer) has few surprises, no fresh insights about the news business, and its big moments are both predictable and overblown. Nevertheless, Redford and Pfeiffer provide enough star power to make for a reasonably entertaining couple of hours. There is one particularly funny line, though. When the Pfeiffer character says of a co-worker, "He's so stupid!" her boyfriend, the Redford character, with a quizzical expression on his face, says, "He's an anchorman." 6 out of 10, marginally recommended.
The film tries to give an idea of the difficulties of TV journalists to succeed and the problems they may face during the job. The director of the film seems to be interested of what may happen in Cuba, and the film touches partially the ethic of contra group in Miami. It also shows how mass media are always behind sensation of the news, sometimes sacrificing the life of the reporters, and this is what happened to Robert Redford, one of the heros of the film. This is not an easy film to be seen, but the argument is acceptable.
Le saviez-vous
- AnecdotesThe line Bucky Terranova (Joe Mantegna) used when he first meets Tally Atwater (Michelle Pfeiffer) - "Your voice is full of money" - was from F. Scott Fitzgerald's novel, "The Great Gatsby". In Gatsby le magnifique (1974), Robert Redford played the title role.
- GaffesTally is supposedly in the prison with one camera, yet shots beamed live from her include shots of her camera crew holding a camera. In addition we see cutting of shots between Tally and Fernando as if there were two cameras there.
- Citations
Tally Atwater: Do you want to be with me?
Warren Justice: So much it hurts.
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- How long is Up Close & Personal?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Up Close & Personal
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 088 705 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 101 955 $US
- 3 mars 1996
- Montant brut mondial
- 100 688 705 $US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Personnel et confidentiel (1996) officially released in India in English?
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