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Barb Wire

  • 1996
  • 12
  • 1h 38min
NOTE IMDb
3,6/10
32 k
MA NOTE
Pamela Anderson in Barb Wire (1996)
Home Video Trailer from PolyGram Video
Lire trailer1:15
1 Video
99+ photos
SuperheroActionSci-Fi

Pendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fug... Tout lirePendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fugitive Corrina Devonshire, réintègre sa vie.Pendant la Seconde Guerre civile américaine en 2017, Barb Wire possède une discothèque appelée le Hammerhead. Les choses se compliquent lorsque son ex-amant Axel Hood, qui est marié à la fugitive Corrina Devonshire, réintègre sa vie.

  • Réalisation
    • David Hogan
  • Scénario
    • Chris Warner
    • Ilene Chaiken
    • Chuck Pfarrer
  • Casting principal
    • Pamela Anderson
    • Amir AboulEla
    • Adriana Alexander
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,6/10
    32 k
    MA NOTE
    • Réalisation
      • David Hogan
    • Scénario
      • Chris Warner
      • Ilene Chaiken
      • Chuck Pfarrer
    • Casting principal
      • Pamela Anderson
      • Amir AboulEla
      • Adriana Alexander
    • 140avis d'utilisateurs
    • 86avis des critiques
    • 40Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 7 nominations au total

    Vidéos1

    Barb Wire
    Trailer 1:15
    Barb Wire

    Photos247

    Voir l'affiche
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    + 240
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    Rôles principaux60

    Modifier
    Pamela Anderson
    Pamela Anderson
    • Barb Wire
    • (as Pamela Anderson Lee)
    Amir AboulEla
    Amir AboulEla
    • Patron
    • (as Amir Aboulela)
    Adriana Alexander
    • Redhead
    David Andriole
    David Andriole
    • Goon #2
    Vanessa Lee Asher
    • Emily
    Ron Balicki
    Ron Balicki
    • Customs Agent #1
    Jennifer Banko
    Jennifer Banko
    • Spike
    Candace Kita
    Candace Kita
    • Dancer
    • (as Candace Camille Bender)
    Xander Berkeley
    Xander Berkeley
    • Alexander Willis
    Tony Bill
    Tony Bill
    • Foster
    Alex Bookston
    • Man in White Suit
    Gil Borgos
    • Old Man
    Andre Rosey Brown
    Andre Rosey Brown
    • Big Fatso
    Mark Collver
    • Manny
    • (as Marc Collver)
    Tina Cote
    • Woman in Bar #1
    • (as Tina Coté)
    Vinnie Curto
    • Aide to Pryzer
    Shelly Desai
    Shelly Desai
    • Sharif
    Miles Dougal
    Miles Dougal
    • Goon #1
    • Réalisation
      • David Hogan
    • Scénario
      • Chris Warner
      • Ilene Chaiken
      • Chuck Pfarrer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs140

    3,632.4K
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    Avis à la une

    3Enchorde

    Fortunately, it is not this easy...

    Wow. Now this is not good. However, the movie sets its level right away, by having a stripping, dancing wet Barb (Anderson) already in the introduction of the movie. So, there you have what this movie is all about. Sure you get some violence, explosions and bad costumes as a bonus. Clearly, there is no relevant story in the movie, all revolves around (Barb) to show her off in different ways. The mentioned costumes are almost offending to the audience. Whoever responsible for them clearly did not work very hard. Barb competes with herself to wear some leather-thing that shows off as much as possible, but actually must be considered well dressed as compared to other ladies. The villains wear something that bear a striking resemblance to nazi-uniforms. Well sure, we know who's the bad guys, thank you. And some other people wear broken calculators and other piece of machinery that you'll find in a scrap-heap as hats, and are automatically dressed up like guys from the future. If it was this easy to make a good movie, I could have made it myself. Fortunately it is not, and Barb Wire is not a good movie.

    But, and this is a mysterious but, I actually didn't get bored out of my mind and switched off. The movie actually, in some way, had some small piece of entertainment value throughout that made me stay. And that something, whatever it was, is what ultimately saves the movie from being complete junk.

    So, if you have absolutely nothing else to do, you may want to watch this one, once. You may get some ideas how to (or not to) dress for the next masquerade.

    3/10
    7guisreis

    A distopic remake of 'Casablanca' with Pamela Anderson: surprisingly, it is not bad

    Although based in comic book series, the "Barb Wire" movie intends to be a remake o classical "Casablanca". It keeps the core elements of the 40's film, but adapts it to a distopic sci-fi action futuristic movie. Pamela Anderson plays Barb, a role similar to Bogart's Rick. The gender of the love affair from the past and of the third part of the love triangle have also been changed. The fictional town of Steel Harbor in the United States replaces Casablanca and the story is held during a futuristic Second Civil War rather than in the beginning of World War II. Both protagonists own a bar/nightclub, but Barb Wire is also a bounty huntress. As this remake is a sci-fi film, special contact lenses that cheat retinal scans substitute the letters of transit kept with Rick. As predictable, acting is worse in this remake, which has much more action. Off course "Casablanca" is much better, but surprisingly "Barb Wire" is not bad, in spite of the bad critics it has received.
    bob the moo

    Pam's got nice breasts.....and that's the end of the film

    Barb runs a bar and is also a mercenary out for herself in the civil war. However when her ex-boyfriend Axel comes to se her she takes a job helping a scientist get across the country to expose a government cover up. However will she remain a mercenary or will she pick sides?

    When people are famous for being naked – that's pretty much what they should stay doing. Do we want porn actresses doing serious Hollywood roles? No – let them stick to what they know. I'm not calling Anderson a porno star but lets be honest, she famous for having great breasts right? So how can we harness this star power? Lets put her in tight clothes in a futuristic remake of Casablanca!

    The plot is a sheer rip off and still manages to be poor. It is only an excuse for tight clothes and silly big explosions. As a dumb Saturday night special it still barely cuts it for me, although it is noisy, if that's all you want.....

    Anderson isn't an actress – if it wasn't for a good publicity agent and a boob-job, she wouldn't even be offered the roles that Shannon Tweed gets! She doesn't convince as an actress as she can't get above the range required by Baywatch – look scared, look happy, look sad, look determined, oh and poke out your boobs! The rest of the cast have nothing to do and it's a shame to see reliable bit part players like Howard and Xander Berkley appearing in this.

    Overall it has some pretty explosions but really this is like a Playboy video – it's all designed for the purpose of capitalising on Anderson's body.......why should we be surprised that it does nothing else.
    7The_Movie_Cat

    "Have you ever heard of overkill?"

    Picture this: a Pamela Anderson science fiction double bill on television. I mean, you'd just HAVE to watch it, wouldn't you? Just to see how bad it was.

    1995's Naked Souls kept making me look for the "TV Movie" credit that wasn't there. A cheap and exploitative "erotic thriller" where Pammie exposes her left breast within the first three minutes of the movie. Anderson is an artist, specialising in plaster-casting nude women, rubbing mixture over their breasts while they proclaim "it feels kinda sexy". Her boyfriend, decently played by Brian Krause, is studying brain wave patterns and accidentally crosses his own with that of a serial killer. It's all very silly and derivative, also involving a Faustian pact with a mysterious benefactor. What disturbs is that all the victims of the killer are nude women – I mean, who gets into a swimming pool naked? – meaning the film uses sexual violence as titillation. Dean Stockwell, in a minor role, is wasted in stuff like this.

    If Anderson's role in the predictable Naked Souls was peripheral (and also completely irrelevant to the plot), then Barb Wire sees her take over the screen. Released the following year, this saw the now Pamela Anderson Lee as the titular character, a Barbarella of the 90s. Of course she can't act – she only manages one expression throughout the whole two hours – but her assured performance is wonderful here. While it's easy to lump both these films together as trash entertainment, Barb Wire is so much more than that. A vibrant, witty and well-directed cartoon for the screen, its constant energy is a delight. What really appeals is in seeing the sheer amount of cinema pastiches the film rigs up. Batman, Never Say Never Again and even The A-Team are all parodied. But most significantly, it shares multiple plot similarities with Casablanca, and I honestly suspect that this was intentional. Or would its 2017 planes really be so old-fashioned? Barb is a neutral bar owner during a war by day (ring a bell?) a vixen for hire by night. The landscape she occupies is an excitingly neon world of legalised prostitution, engineered diseases and sophisticated contact lenses.

    Maybe the opening moments – Anderson Lee exposing her bare nipples while water washes over them to a baying crowd – are tacky and unnecessary. The scenes that follow also contain a torture sequence that is not only misguided in its attempt to arouse but also transparent in its purpose for expository dialogue. Yet beyond those first few scenes we have an action movie that contains above-average scripting for the genre, and some fun moments. It's amusing to try and guess whether Pam knew she was being kitsch or whether she genuinely believed she was giving a good performance. But whatever the answer, it still gets a laugh when a rowdy customer finds his genitals in the mouth of her rabid Rottweiler. "Sit", she tells the dog, much to the drunk's displeasure. "Now, you don't want to see her roll over, do you?"

    All the criticisms that can be made against this film – that it's badly acted, appallingly scripted, dumb and sexist (even though none of them are 100% true anyway) – can be disputed by the fact that it's SUPPOSED to be badly acted, appallingly scripted, dumb and sexist. This is a film that never pretends to be anything other than a pumped-up, camp and downright silly movie. What's more, it succeeds in being more entertaining and convincing than many of the "straight" versions of the same format, with particular note drawn to it's fight scenes. They may be excessive and lack maturity, but they're shot beautifully and are fun to watch. I'm not a huge fan of action pictures, but I thoroughly enjoyed this one. If you want a film that possesses depth and integrity, then see something else. If you want a lovably stupid movie, with Pamela Anderson sticking out her little finger as she burns rubber on a motorbike, then watch this. Tremendous fun.
    DJ Inferno

    Babewatch

    What do you really expect from a chick like Pamela Anderson..? That she´s performing character roles Meryl Streep is normally meant to play?!? In this film you get her usual qualities in a sufficient amount: Pam is pretty, Pam is sexy and she´s joking in a self-ironic humor for the whole film. So what do you want more?!? The opening sequence is great and Udo Kier, one of the most culty German actors next to the deceased Klaus Kinski is also in! Of course, if you expect a great film you certainly will be disappointed: the set decoration is pretty cheap and the plot is stolen from "Casablanca". Nevertheless "Barb Wire" is very entertaining and should be regarded as funny action trash with an attractive main actress - nothing more, nothing less! Just be glad that David Hasselhoff is not in!!! (6/10)

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The opening "wet strip," in which Barb dances in a strip club with her breasts hanging out of her rubber dress, while being sprayed with water, was suggested by Pamela Anderson after she was inspired by a nightmare she had, in which she was being sprayed with champagne while performing a "nasty dance." David Hogan, who was under pressure to include more nudity, liked the idea, and threw out the movie's original opening to include it.
    • Gaffes
      As the girl is being electrocuted on the table, her hair, which is spread out on the table, keeps changing position.
    • Citations

      [repeated line]

      Barb Wire: Don't call me babe!

    • Crédits fous
      A scene of an additional longer opening title sequence, which is just a longer video of Barb Wire dancing topless, following in the credits.
    • Versions alternatives
      Unrated version is slightly longer, where Pamela Anderson Lee is partially topless during the opening credits. Several of the partially topless scenes are taken from the "sexy outtakes" extra scene and re-edited into the opening credits.
    • Connexions
      Edited into Time Under Fire (1997)
    • Bandes originales
      Word Up
      Written by Larry Blackmon and Tomi Jenkins

      Performed by Gun

      Courtesy of A&M Records Ltd., London

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    FAQ21

    • How long is Barb Wire?Alimenté par Alexa
    • What are the differences between the R-Rated and Unrated Version?

    Détails

    Modifier
    • Date de sortie
      • 17 juillet 1996 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Cinopsis: Belgian official web site
      • Dark Horse Entertainment
    • Langues
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • Barb·Wire
    • Lieux de tournage
      • Long Beach, Californie, États-Unis(Dockyards scenes)
    • Sociétés de production
      • Polygram Filmed Entertainment
      • Propaganda Films
      • Dark Horse Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 9 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 3 793 614 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 844 426 $US
      • 5 mai 1996
    • Montant brut mondial
      • 3 793 614 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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