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Swing Kids

  • 1993
  • PG-13
  • 1h 52min
NOTE IMDb
6,8/10
18 k
MA NOTE
Christian Bale, Robert Sean Leonard, Frank Whaley, and Tushka Bergen in Swing Kids (1993)
A group of teens adores forbidden music in Nazi Germany just before the outbreak of World War II.
Lire trailer2:16
1 Video
76 photos
DramaMusic

Juste avant le début de la Seconde Guerre mondiale, de jeunes allemands revendiquent leur engouement pour de la musique interdite par les nazis.Juste avant le début de la Seconde Guerre mondiale, de jeunes allemands revendiquent leur engouement pour de la musique interdite par les nazis.Juste avant le début de la Seconde Guerre mondiale, de jeunes allemands revendiquent leur engouement pour de la musique interdite par les nazis.

  • Réalisation
    • Thomas Carter
  • Scénario
    • Jonathan Marc Feldman
  • Casting principal
    • Robert Sean Leonard
    • Christian Bale
    • Frank Whaley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    18 k
    MA NOTE
    • Réalisation
      • Thomas Carter
    • Scénario
      • Jonathan Marc Feldman
    • Casting principal
      • Robert Sean Leonard
      • Christian Bale
      • Frank Whaley
    • 125avis d'utilisateurs
    • 19avis des critiques
    • 39Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 2:16
    Official Trailer

    Photos76

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    + 69
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    Rôles principaux75

    Modifier
    Robert Sean Leonard
    Robert Sean Leonard
    • Peter
    Christian Bale
    Christian Bale
    • Thomas
    Frank Whaley
    Frank Whaley
    • Arvid
    Barbara Hershey
    Barbara Hershey
    • Frau Muller
    Tushka Bergen
    Tushka Bergen
    • Evey
    David Tom
    David Tom
    • Willi
    Julia Stemberger
    • Frau Linge
    Jayce Bartok
    Jayce Bartok
    • Otto
    Noah Wyle
    Noah Wyle
    • Emil
    Johan Leysen
    Johan Leysen
    • Herr Schumler
    Douglas Roberts
    Douglas Roberts
    • Hinz
    Martin Clunes
    Martin Clunes
    • Bannfuhrer
    Jessica Hynes
    Jessica Hynes
    • Helga
    • (as Jessica Stevenson)
    Carl Brincat
    • HJ Thug
    Mary Fogarty
    • Mama Klara
    Karel Belohradský
    • Bismarck Owner
    Peter Baikie
    • Bismarck Bandleader
    Jennifer Chamberlain
    • Swing Girl with Thomas
    • Réalisation
      • Thomas Carter
    • Scénario
      • Jonathan Marc Feldman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs125

    6,817.8K
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    Avis à la une

    ivonnsche

    it is authentic enough

    i have read the comment about SWING KIDS not being authentic. well, after doing a bit of research on this topic (swing scene in germany in the third reich) i have to say that there was quite a big scene there. yes, the film might have exaggerated a bit (the hair was not quite as long and they had to cut down on the way they dressed even though they tried as much as they could on the zoot suit front). but it is a fact that there were dances in different cafes and they didnt like the Nazi regime. so i would say give the film makers some slack and a bit of artistic freedom! they tried to portray a group of youngsters that found cure in music and stuck together in a difficult time. i really appreciated this film as normally you wouldnt know about them at all!!! two thumbs up from me as well!!!
    Tin Man-5

    Uneven, but powerful

    Four German teenage boys (Leonard, Bale, Whaley, and Batrok), living under Nazy reign in World War II, secretly play Swing music, American stuff that's been forbidden, and embrace the concepts of the musical heritage. But this is clearly an act of rebellion, so they must do it in secret clubs at night, avoiding the Gestapo. Their relationships and the outcomes are the study of this film, which is both uneven and, ultimately, very powerful.

    Roger Ebert detested this film for the fact that, to him, is unclear in it's message. He feels that the motives behind these teen's rebellion are stupid: It seems as if Hitler hadn't banned Swing music, then they would have thought that he was a swell guy.

    Actually, this observation on Mr. Ebert's behalf might be the film's point. They thought Hitler was a loser because of he didn't let them play their music. Through this fact, they learn that there is a much bigger problem here, and they know that they can't conform to it. So how do they rebell? Through the music that they cherish.

    Along the way, two of the boys, Leonard and Bale, are forced to join the Gestapo. Leonard doesn't embrace the teachings, but Bale is slowly brainwashed into conforming. Whaley is a cripple, and he therefore observes the Nazis from a different position. He soon begins to despise his two friends for their uniforms. While his character might be an arrogant jerk, it is clear that he's got a better idea about the evil that's going on than anyone else. Bartok is just sort of along for the ride, just wanting to hang out with his friends and play in his music...oblivious to what happens with the Jews or Nazis.

    So here we have four chief characters that pretty much represent probably the most basic attitudes of German citizens during the war: Brainwashed, aware, torn in between, and indifferent. The characters are well acted, and the balance and chemisty between them work. The message at the end is very clear and VERY powerful....I am often reminded of its subtle excellence, though I haven't seen it in a good while.

    Unfortunately, the film itself is uneven. Almost too much time is spent on the swing music itself. So much that it takes away from the message of the film. The music should have only served as a backdrop, and endless scenes of dancing almost threaten to take away from the impact of the theme. "Almost" is the key word. All in all, this is a most intriguing film. Kenneth Branagh appears unbilled, as a central Gestapo character.

    *** out of ****
    pipgirl

    entertaining and poignant, a great film

    I'm a History teacher and we use Swing Kids as an introduction to the topic of alternative youth groups in Nazi Germany. I'm not saying that the film is 100% accurate, obviously some dramatic licence has to be taken, but its not far off. Many people on this site have questioned the accuracy, and validity of the film, especially mentioning the lack of consideration of the treatment of the Jews. However that is not what this film is about (if that is what you want see The Pianist or Schindler's List - also excellent films).

    This film is looking at how some German youths avoided the Hitler Youth and the nazi regime insofar as they could, and what they spent their time doing (dancing, listening to swing music and being with their friends).It does show some useful aspects about how the Hitler Youth were expected to behave and the propaganda they were exposed to, as well as about swing youth and their attitude to the regime.It is an entertaining and poignant film which explores friendship,romance and growing up against the backdrop of one of the most vilified periods in modern history

    Basically Swing Kids does what it does well. Maybe it isn't a Schindler's List, but it does have its merits.Watch it and you'll find them!

    BTW - could I just point out, many people on here have referred to the Holocaust, as though it is interchangeable with the Nazi regime, and have used the phrase in their reviews. Just to clear up this: the holocaust specifically refers to the gassing of Jews at extermination camps from 1942 onwards, essentially the Final Solution. As this film is set in 1939 it is prior to this.
    BruceUllm

    Connected with me on two levels: Swing and Judiasm

    I have always been a very big fan of swing music and am a "Hollywood Jew". I.e., not very religious or observant of the ancient traditions, but still a Jew in humor and emotions. So this movie never fails to make my tear up. To imagine a time and place where not only your seeming friends turn on you, but you can't even listen to your kind of music is a special kind of hell on earth.

    The dance and music sequences are wonderful and I can't see or hear them enough. Solid sounds, daddio! However, the film wisely preempts the reverie and jerks you back to the Nazi repression each time. It suggests how those poor "Swingkleine" must have felt. The sweet and sorrowful blend here.

    Someone criticized this picture for not showing enough death. I think the boxes of human ashes and the random Brownshirt raids show enough of that! This picture isn't about the Holocaust -- it's about trying to survive when your society goes seriously wrong.

    I will always think of "Swing Kids" when I hear the truism: "It don' mean a thing if it ain't got that SWING. Do-wah do-wha do-wah do-wah do-wha do-wha do-wha do-WHAAAAA".
    m_a_a_n

    Love the Movie with All My Heart!

    One of the basic reasons I like this movie is because it was one of the first movies I watched with my older brother that we both enjoyed. I don't have a lot in common with him, but this one movie opened up lots of opportunities for other movies.

    Other than that, I love this movie for its unique point of view. We always get the movies like Saving Private Ryan or Pearl Harbor, which are very important stories in themselves (and good movies of course) but how often do we get a movie about people who were part of the war from the beginning. people that didn't necessarily have a direct threat, but were still greatly affected. The story of Peter and Thomas and Arvid are wonderfully done. Peter is the kind of person any girl would like. Thomas, the rich brat that speaks his mind too much, helps put internal conflict in the group. Arvid seems to be the voice of reason, seeing what the Nazis are doing and doesn't want to be a part of it.

    The acting is great, of course. Peter, played by Robert Sean Leonard, is portrayed as soft spoken, confused, and even a little bitter. Thomas, played by the beautiful Christian Bale, is the kind of people that drive me nuts - just "go along with it. We can have it both ways." It is virtually impossible to have it "both ways." The guy who plays Arvid is a lovely actor, obviously talented, and shows emotion so well you'd think he went through this himself. The history of the movie might be a little tweaked to make a few interesting scenes, but to see what the Nazis were doing to the youth of their country, brainwashing them and telling them to spy on people, is appalling. No wonder a few former Nazi soldiers still think they were right.

    The music is like a whole nother character. This movie is what really got me to enjoy listening to swing music. Even though I can do very few steps, I realize now the feeling they got when they heard it and I get the same feeling, just not quite as strong probably.

    All around, this movie is wonderful. I love showing it to my friends, and it is very interesting and jerks at your emotions.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Despite the fact that Kenneth Branagh plays a major role in this movie, he is uncredited. Reportedly, Branagh refused to be credited out of concern that he would be billed above Robert Sean Leonard, Christian Bale, and the other boys, whom Branagh proclaimed were the real stars of the film.
    • Gaffes
      At the end of the film, when Willy is running after Peter and stops, there is clearly nothing at Willy's feet. Later, after being told "Swing Heil", he grabs an umbrella on a wet poster at his feet that clearly wasn't there before.
    • Citations

      Arvid: I would rather belong to any one... ANYONE, than belong to the Nazis like you do.

      Thomas Berger: That's because you have everything backwards. Nazis go anywhere they want, do anything they want, everyone gets out of our way.

      Arvid: Quiz time. Got your glasses on.

      Thomas Berger: What?

      Arvid: It means you don't know who your friends are.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Mad Dog and Glory/El Mariachi/Rich in Love/The Last Days of Chez Nous (1993)
    • Bandes originales
      Life Goes to a Party
      Written by Harry James and Benny Goodman

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    FAQ20

    • How long is Swing Kids?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 juillet 1993 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Rebeldes del swing
    • Lieux de tournage
      • Prague, République tchèque
    • Sociétés de production
      • Hollywood Pictures
      • Touchwood Pacific Partners 1
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 5 632 086 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 1 967 957 $US
      • 7 mars 1993
    • Montant brut mondial
      • 5 632 086 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 52 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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