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6,2/10
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MA NOTE
Doug Ireland est concierge, et fier de l'être, dans un grand hôtel new-yorkais. Il fait toujours en sorte d'être là pour ses clients. Mais Doug ne veut pas être concierge toute sa vie..Doug Ireland est concierge, et fier de l'être, dans un grand hôtel new-yorkais. Il fait toujours en sorte d'être là pour ses clients. Mais Doug ne veut pas être concierge toute sa vie..Doug Ireland est concierge, et fier de l'être, dans un grand hôtel new-yorkais. Il fait toujours en sorte d'être là pour ses clients. Mais Doug ne veut pas être concierge toute sa vie..
- Réalisation
- Scénario
- Casting principal
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10asktms
Someone could have knocked me over w a feather, after having read on IMDb that, this movie maxed out at an estimated budget of $30m yet only grossed worldwide a little over $10m. As a self-professing film connoisseur, this movie ranks in the top 25 personal favorite movies (produced during course of my generation).
Yes, this is a dated movie & yes there's likely not a more entertaining & practical way, for demonstrating to individuals (especially millennials), the true art for possessing altruistic & authentic concern for others, service-related employment {e.g. customer service}. And, yes as a fellow business owner, there's an instant affinity to this type genre..., but this flick is a serious amalgamation of great writing & exceptional acting that's, collided w talented direction, scoring & editing.
Popcorn please (extra butter)...
Yes, this is a dated movie & yes there's likely not a more entertaining & practical way, for demonstrating to individuals (especially millennials), the true art for possessing altruistic & authentic concern for others, service-related employment {e.g. customer service}. And, yes as a fellow business owner, there's an instant affinity to this type genre..., but this flick is a serious amalgamation of great writing & exceptional acting that's, collided w talented direction, scoring & editing.
Popcorn please (extra butter)...
I must say, this is one of my all time favorite movies. I don't know why, but I sincerely love this film. Michael J. Fox's character is really likeable, and I find myself praying that he'll make the right moves all thru the movie. I must add to this comment my love for the score of For Love Or Money. The music, written by Bruce Broughton is just awesome, and it completely sets the perfect tone for the many different scenes. I especially love the music when Fox's character is walking down the subway steps after leaving work. This is a great movie to watch with someone you love. I would definitely recommend it.
There are certain type of movies you look back on and think that those days are gone. This movie is one of them. An incredibly sweet story, with no logic and...quite frankly...a very dark message. I see what director Barry Sonnenfeld was doing. He's balancing the line between slapstick and fairy tale. Not much different than what Billy Wilder did, except...I know now why those films only exist within their time.
Fox plays a concierge who has bigger dreams beyond the "bellhop" mentality. He gets in business with a man, who (and I'm not ruining it, since it's in the trailer) whose affair with a younger woman is now Fox's duty. Unfortunately for him, he has a flirtatious history with her. You see where the script borrows from "The Apartment." He's crestfallen that his feelings towards her may or may not trump his dreams. I can see Fox channeling his inner Jack Lemmon, but something is greatly amiss. I think, it's because there's so much fat in the story that you are just always waiting for something interesting to happen. Take for example, the candy shop lady who is pestering him about his love life. The inexplicable banter between a Chinese food delivery boy and himself (perhaps to illustrate his loneliness).
Then you have the obligatory Barry Sonnenfeld wide angle, collective shot. It's very uneven where he places these moments. Works fantastic in "Men In Black" somehow falls short here. The very lovely Gabrielle Anwar seems SO uncomfortable playing the other woman. She has the look, just not the depth. Something missing, but I can't put my finger on it. Somehow, the Shirley MacClaines's Fran Kubliak sweetness was suppose to be injected here. But Anwar doesn't seem to commit. In fact, there is a vomiting scene in this movie, reminiscent of when she attempts her suicide.
I like the fairy tale quality of this movie. And the music, as usual, leaves a swell in your heart. It's not terrible. It's perfectly fine for its time.
Fox plays a concierge who has bigger dreams beyond the "bellhop" mentality. He gets in business with a man, who (and I'm not ruining it, since it's in the trailer) whose affair with a younger woman is now Fox's duty. Unfortunately for him, he has a flirtatious history with her. You see where the script borrows from "The Apartment." He's crestfallen that his feelings towards her may or may not trump his dreams. I can see Fox channeling his inner Jack Lemmon, but something is greatly amiss. I think, it's because there's so much fat in the story that you are just always waiting for something interesting to happen. Take for example, the candy shop lady who is pestering him about his love life. The inexplicable banter between a Chinese food delivery boy and himself (perhaps to illustrate his loneliness).
Then you have the obligatory Barry Sonnenfeld wide angle, collective shot. It's very uneven where he places these moments. Works fantastic in "Men In Black" somehow falls short here. The very lovely Gabrielle Anwar seems SO uncomfortable playing the other woman. She has the look, just not the depth. Something missing, but I can't put my finger on it. Somehow, the Shirley MacClaines's Fran Kubliak sweetness was suppose to be injected here. But Anwar doesn't seem to commit. In fact, there is a vomiting scene in this movie, reminiscent of when she attempts her suicide.
I like the fairy tale quality of this movie. And the music, as usual, leaves a swell in your heart. It's not terrible. It's perfectly fine for its time.
In NYC, Doug Ireland (Michael J. Fox) is a master of deals as concierge in the classy Bradbury hotel. He has a heart of gold protecting some of the older workers from manager Mr. Himmelman. He even takes care of a cheapskate guest like Harry Wegman. Ed Drinkwater from the IRS is on his case. He dreams of owning his own hotel and he hopes billionaire investor Christian Hanover is his ticket. He is infatuated with store perfume girl Andy Hart (Gabrielle Anwar) who claims to have a boyfriend. It turns out she's Hanover's mistress and he's forced to cover for Hanover as he needs the deal more.
This is a barely functional romance. It's mostly riding on the shoulders of Michael J. Fox and he's plenty charming by himself. The romance is questionable. It's not well set up and a bit more back story could have helped. The villain is underwhelming. Overall this is a watchable and unimpressive rom-com.
This is a barely functional romance. It's mostly riding on the shoulders of Michael J. Fox and he's plenty charming by himself. The romance is questionable. It's not well set up and a bit more back story could have helped. The villain is underwhelming. Overall this is a watchable and unimpressive rom-com.
For Love or Money can best be described as a happy-go-lucky movie that is sure to make you smile.
Fox plays Doug, a concierge who has a dream of owning his own hotel - all he needs is the start up capital. He meets a guy who is keen to help but things get complicated when Doug discovers that his new found friend and financial helper is going out with the girl who he has been after for months (Anwar).
The outcome of this movie is no surprise and the love/hate relationship and chemistry between Fox and Anwar is very entertaining.
Overall an enjoyable film for all ages.
Fox plays Doug, a concierge who has a dream of owning his own hotel - all he needs is the start up capital. He meets a guy who is keen to help but things get complicated when Doug discovers that his new found friend and financial helper is going out with the girl who he has been after for months (Anwar).
The outcome of this movie is no surprise and the love/hate relationship and chemistry between Fox and Anwar is very entertaining.
Overall an enjoyable film for all ages.
Le saviez-vous
- AnecdotesThe original title for this film was "The Concierge", but the studio was worried that many people would not know what that meant, so the title was changed several months before release.
- GaffesDuring the opening shots of Doug riding around New York City in a limo, he purchases a large stuffed giraffe. The only way it will fit in the limo is standing up through the moon roof. When the limo is shown from above while in the traffic jam before heading back to the hotel, it has no moon roof.
- Citations
Doug Ireland: I don't scurry. I take the subway like any other animal.
- Bandes originalesDominique
Music by Soeur Sourire
French lyrics by Soeur Sourire
English lyrics by Noel Regney
Performed by Soeur Sourire
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- How long is For Love or Money?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 146 270 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 016 220 $US
- 3 oct. 1993
- Montant brut mondial
- 11 146 270 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le concierge du Bradbury (1993) officially released in India in English?
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