NOTE IMDb
6,9/10
20 k
MA NOTE
Une jeune chanteuse d'opéra est la proie d'un fan psychopathe résolu à tuer tout le monde autour d'elle pour l'avoir pour lui tout seul.Une jeune chanteuse d'opéra est la proie d'un fan psychopathe résolu à tuer tout le monde autour d'elle pour l'avoir pour lui tout seul.Une jeune chanteuse d'opéra est la proie d'un fan psychopathe résolu à tuer tout le monde autour d'elle pour l'avoir pour lui tout seul.
- Récompenses
- 4 nominations au total
Coralina Cataldi-Tassoni
- Giulia
- (as Coralina Cataldi Tassoni)
Antonino Iuorio
- Baddini
- (as Antonio Juorio)
György Gyõriványi
- Miro
- (as Gyorivany Gyorgy)
Dario Argento
- Narrator (Italian version)
- (voix)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe idea of the pins-under-the-eyes torture device came from a joke of Argento's. Argento said it would annoy him when people would look away during the scary scenes in his films. He would jokingly suggest taping pins under people's eyes so they couldn't look away from the film. It would late materialize on the screen for this film.
- GaffesIn the killer's POV shot entering the costume workshop, the camera and camera dolly are seen in a mirror on the right.
- Citations
Marco: I think it's unwise to use movies as a guide for reality. Don't you, Inspector?
Inspector Alan Santini: Depends what you mean by reality.
- Versions alternativesAvailable in both R and Unrated versions.
- ConnexionsFeatured in Video View: Épisode #2.9 (1991)
Commentaire à la une
Dario Argento's movie about a young opera star that gets stalked by an obsessive fan, who might have a link to her past and more specifically to her mother.
What's great about Opera is its visual effects, its passion for the craft of making movies. The camera angles are inventive, as is the way the camera moves. The gory special effects are ahead of their time and the whole film has this feel of oppression to it. Like no one can be trusted and that there are ghosts hiding within the walls.
Not to say the story is terrible. It's just that it's rather blatantly ripping off Phantom of the Opera. One might argue it's paying an homage to a giant of the genre, but it still leaves the film lacking in originality.
But still, this is supposed to be an exploitative horror film and in that regard it delivers beautifully. The acting is on the right side of corny, the special effects and the gore are beautifully realized and the film's mood is just about perfectly morbid. I especially like the theater as a setting, with ravens and all.
Is it the best Dario Argento film there is? Nah, probably not, but it is a great find for all fans of old-time horror films.
What's great about Opera is its visual effects, its passion for the craft of making movies. The camera angles are inventive, as is the way the camera moves. The gory special effects are ahead of their time and the whole film has this feel of oppression to it. Like no one can be trusted and that there are ghosts hiding within the walls.
Not to say the story is terrible. It's just that it's rather blatantly ripping off Phantom of the Opera. One might argue it's paying an homage to a giant of the genre, but it still leaves the film lacking in originality.
But still, this is supposed to be an exploitative horror film and in that regard it delivers beautifully. The acting is on the right side of corny, the special effects and the gore are beautifully realized and the film's mood is just about perfectly morbid. I especially like the theater as a setting, with ravens and all.
Is it the best Dario Argento film there is? Nah, probably not, but it is a great find for all fans of old-time horror films.
- Vartiainen
- 12 déc. 2018
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Terreur à l'opéra
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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