Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.Un inconnu surgit de nulle part pour devenir un joueur légendaire au talent presque divin.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 3 victoires et 9 nominations au total
Avis à la une
Despite being an Englishman I played Fast Pitch Softball against USA Service teams over many years so understand Baseball. This is a sports movie constructed in a marvelously entertaining manner fulfilling my boyhood dreams. Redford might be old for the role but I found him both believable and committed to giving enjoyment. Great cast, lovely music, super performances, brilliant fairytale story and a real feel good experience.
A wonderful, magical fairy tale, and morality play. This is the type of movie that as a new father, I cannot wait until my son is old enough to watch this with me.
I know much has been made about Redford being too old to play Roy Hobbs. But much of the story asks you to believe in incredible things, so to me, this is a minor issue.
Everything about this movie is first rate. The cast which includes Redford, Glenn Close, Kim Basinger, Wilford Brimley and a pair of terrific performances turned in by Robert Duval and Darren McGavin.
It is easy to see that all of the actors trust the material and believe in their characters.
Barry Levinson tells the story in a straight forward style, he doesn't try to build any false suspense or surprise twists. When you watch this movie you know exactly what is going to happen long before it does, but you don't care, because it unfolds intelligently and without pretense.
My two favorite components of this movie are the cinematography by Caleb Deschanel and the beautiful, moving score composed by Randy Newman. I first enjoyed Mr. Deschanel's work on "Being There", and felt Mr. Newman's score for "Ragtime" was the best score of 1981.
"The Natural" is so much more than a baseball movie. It is a story about faith, good and evil, right and wrong, fathers and sons. It is about all that is good in baseball and in life.
10 out of 10
I know much has been made about Redford being too old to play Roy Hobbs. But much of the story asks you to believe in incredible things, so to me, this is a minor issue.
Everything about this movie is first rate. The cast which includes Redford, Glenn Close, Kim Basinger, Wilford Brimley and a pair of terrific performances turned in by Robert Duval and Darren McGavin.
It is easy to see that all of the actors trust the material and believe in their characters.
Barry Levinson tells the story in a straight forward style, he doesn't try to build any false suspense or surprise twists. When you watch this movie you know exactly what is going to happen long before it does, but you don't care, because it unfolds intelligently and without pretense.
My two favorite components of this movie are the cinematography by Caleb Deschanel and the beautiful, moving score composed by Randy Newman. I first enjoyed Mr. Deschanel's work on "Being There", and felt Mr. Newman's score for "Ragtime" was the best score of 1981.
"The Natural" is so much more than a baseball movie. It is a story about faith, good and evil, right and wrong, fathers and sons. It is about all that is good in baseball and in life.
10 out of 10
One of my all time favorites. Everything about this movie appears authentic. From the time period, to the baseball scenes. These guys really look like a baseball team.
Redford is low-key and stoic, but he hits just the right note for the character. Everybody else, especially Robert Duvall and Wilford Brimley, are fantastic.
A touching story, without being hokey. You get the feeling you are watching something mystical and magical along with all the characters in the movie, and it is played with just the right note.
Thrilling and inspiring. A well-made, well-acted film.
Redford is low-key and stoic, but he hits just the right note for the character. Everybody else, especially Robert Duvall and Wilford Brimley, are fantastic.
A touching story, without being hokey. You get the feeling you are watching something mystical and magical along with all the characters in the movie, and it is played with just the right note.
Thrilling and inspiring. A well-made, well-acted film.
This is THE classic sports-Walter Mitty-fantasy movie, with an ending that may seem corny to cynical critics or those who prefer the book, but was perfect for me and a lot of other people.
Granted, I am a little biased in my review since the movie was made in the area in which grew up. Having made many trips to the ballpark in which the movie was filmed, and to the old-fashioned soda shoppe where Robert Redford and Glenn Close re-unite, this movie was special to all of us in Western New York. It always a kick, too, (and a bit odd) to watch the final scene since the opposing pitcher is a personal friend.
I think I would have loved this movie regardless of the "home-field advantage." It's an interesting, involving story that has you really rooting for Redford's character. To have actors like Close, Robert Duvall, Richard Farnsworth, Kim Basinger, Wilfred Brimley, Darren McGavin, Barabara Hershey, Robert Prosky, Joe Don Baker and others in the "lineup" doesn't hurt, either!
The cinematography is beautiful, too. That was something I never really appreciated until after several viewings. There are some wonderfully subdued brown and golden hues in here. This is very pretty motion picture.
All the characters - the good and the bad, and there are plenty of both - are fascinating. It's also nice to see an actor in a baseball film that actually knows how to throw, hit and field a baseball. This is a great, old-fashioned storytelling.
Granted, I am a little biased in my review since the movie was made in the area in which grew up. Having made many trips to the ballpark in which the movie was filmed, and to the old-fashioned soda shoppe where Robert Redford and Glenn Close re-unite, this movie was special to all of us in Western New York. It always a kick, too, (and a bit odd) to watch the final scene since the opposing pitcher is a personal friend.
I think I would have loved this movie regardless of the "home-field advantage." It's an interesting, involving story that has you really rooting for Redford's character. To have actors like Close, Robert Duvall, Richard Farnsworth, Kim Basinger, Wilfred Brimley, Darren McGavin, Barabara Hershey, Robert Prosky, Joe Don Baker and others in the "lineup" doesn't hurt, either!
The cinematography is beautiful, too. That was something I never really appreciated until after several viewings. There are some wonderfully subdued brown and golden hues in here. This is very pretty motion picture.
All the characters - the good and the bad, and there are plenty of both - are fascinating. It's also nice to see an actor in a baseball film that actually knows how to throw, hit and field a baseball. This is a great, old-fashioned storytelling.
Whenever "The Natural" is on TV, I stop what I'm doing and watch it. I don't know why, exactly. I have been a baseball fan since I was a little kid and love the tradition. There is no other sport that has as much history. It's because one can isolate moments in time. Situations develop. Every announcer says things like, "Bottom of the third, men on first and third, Turley on the mound, Simpson is up, he's two for four today. The wind is blowing out to right field, etc." We can make words visual. In this wonderful movie, a man wants a piece of that tradition. He makes a horrible mistake along the way to the big leagues, and now is given one last chance. This is mythical. This is not realistic. To criticize it on the basis of its credibility is unfair. Even to compare it to the book is unfair. They are totally different. What one does with a camera should not be compared to the printed page. Malamud did his thing and now Barry Levinson is doing his. The cinematography is without peer. It is magical all the way through. The lighting as Glenn Close stands up in the stands is mesmerizing. This is more Greek myth than baseball story, but it is a baseball story, with the Ruth like gods and the day-to-day players. Roy Hobbs is like all of us in some ways and we love him for his endurance, patience, and drive. Redford brings him to life with that rugged face moving away from lost youth. It's a fine film.
Le saviez-vous
- AnecdotesThe bat that bat boy Bobby Savoy gives Roy is called the "Savoy Special". The Savoy Special was a brand of beer in the 1930s, and was made by the United States Brewing Company. This bat is now in the collection at the National Baseball Hall of Fame and Museum in Cooperstown, New York, displayed along with Roy Hobb's jacket in an exhibit titled "Baseball and the Movies".
- GaffesIn the game where Hobbs breaks the Wrigley Field clock, his homer ends the game, as everyone in the stands begins to leave and Hobbs gets mobbed by the press. But since the Knights were the visitors, the Cubs get to bat last.
The movie depicts the 1939 season. Prior to the 1950 season the home team had the option to bat first or last so it was possible for the visiting team to bat in the bottom of an inning.
- Citations
Iris Gaines: You know, I believe we have two lives.
Roy Hobbs: How... what do you mean?
Iris Gaines: The life we learn with and the life we live with after that.
- Versions alternativesThere is an edited version which was released in several European countries (e.g. United Kingdom, West Germany). This version edits many dialogue and playing scenes to tighten up the pacing. It runs approx. 14 minutes shorter than the US theatrical version.
- ConnexionsFeatured in At the Movies: Indiana Jones and the Temple of Doom/The Natural (1984)
- Bandes originalesThe Star Spangled Banner
Lyrics by Francis Scott Key
Music by John Stafford Smith
Performed by Kate Smith
Courtesy of RCA Records
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El mejor
- Lieux de tournage
- All-High Stadium - 50 Mercer Avenue, Buffalo, New York, États-Unis(Wrigley Field scenes; Roy and Iris walking outside a brick building)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 951 979 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 088 381 $US
- 13 mai 1984
- Montant brut mondial
- 47 951 979 $US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le meilleur (1984) officially released in India in English?
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