Le Joyau de la couronne

It was brave of Yorkshire Television to take on a filmed adaptation of Paul Scott's massive novel 'The Jewel in the Crown'. All-in-all they did a good job of it. Wisely the script focuses in on the personal relationships within the context of a changing India. The jarring complexities of "old" India rubbing up against the modernizing influences of the British Raj is vividly conveyed, mostly in the smaller, quieter moments, as when Harry Kumar takes Daphne Manners to visit his aunt and the behavior of the servants and the Rajput princess with whom Daphne is living.

It's true that there is a great deal of dialog, in a soap opera-ish sense. There are times in some of the later episodes when I thought I was watching some bit of trash on TV on a Wednesday afternoon, but then I'd focus in on what the characters were saying and realize that it was deep and important stuff. You have to pay attention to 'The Jewel in the Crown' or it does indeed become a muddle and a bore. If you lose the train of thought you will not be rescued by brilliant cinematography or sound-track because both are inferior, which is a big shame. Perhaps it is the awful A&E dvds that are the problem, something that could be rectified with a remastering of the original films and sound- track. As it stands the sound is execrable, oftentimes the music and background rumble drowning out the speaking voices of the main characters. The musical score itself is wonderful and the actual camera-work is very good, which makes the loss of a good picture and decent sound-track all the more frustrating.

As for the acting, the thing is chocked-full of fine performances. Some of the characters are indeed a little too clichéd and, in the case of Ronald Merrick, completely over the top, but Merrick's character works, as a dramatic contrivance, to add to the melodrama of the story... something which may or may not have been the purpose of Scott's creation in the first place. But that's entertainment!

My favorite performances were Eric Portman's crafty old Russian emigré, Count Bronowsky. Porter was a great actor and is greatly missed. I savor his every appearance in 'The Jewel in the Crown' because he evokes the old Northern world of honor and good breeding, now extinct. His character makes me wish for a great film of the true story of the White Russians who had to flee the Bolsheviks in the first two decades of the 20th century, for such disparate places as India, Paris and Manchuria.

Susan Wooldridge is superb as Daphne Manners, ditto Art Malik as Harry Kumar. I enjoyed Charles Dance's upper-crust but manly Sergeant and found Derrick Branche's Ahmed Kasim a fascinating and seductive person. Peggy Ashcroft's old missionary lady is heart-breaking in the loss of her simple faith in God, conveying, in the end, a powerful and sibylline persona. It is good to see Rachel Kempson (Mrs Michael Redgrave) in one of her last roles on film. Tim Pigot-Smith manages to make an unbelievable character, Ronald Merrick, human, well, almost. He's a monster of bigotry, jealousy and class envy, and Pigot-Smith plays him so convincingly that it is difficult to imagine a more effective portrayal of pure evil by anyone else. Pigot-Smith steals the show, on the whole.

This TV series is definitely worth owning on DVD; if only A&E hadn't tossed it off in such a haphazard manner. Still, it's better 'n nuttin'.

This series is captivating. The wonderful way in which strands of plot are woven throughout the series in new and interesting ways, the eternally memorable characters, the fascinating background of historical events, the series' sympathy to people of every age, social and economic background, the charm of many of the protagonists.

Even the more minor characters are just drawn so well. Thus, one of my favorite characters in all of television is that of Nigel Rowan - who is wonderfully portrayed by Nicholas LePrevost; one of my least favorite is the major to whom Sarah is introduced by her aunt and uncle.

Such historical episodes as the decision by the princely states of India whether to accede to the newly independent India - or the creation of an Axis army by Indians who had been taken captive by Germans or Japanese -- these stories are engrossing and not so well known among those of us in the United States not well versed in recent Indian history.

The series is spellbinding - one cares greatly about these people and what happens to them is very interesting indeed.

The symbolism in the series deepens one's sense of the mood of the time, of the tragedy, of the ocean in which these characters swim.

I can't imagine a better series adapted from more wonderful books.

I can't understand why there are so many negative comments on 'The Jewel in the Crown'. What a well-made series with great performances. Yes, it does tend to drag during the first three or four episodes but anyone who's read 'The Raj Quartet' would realize that the book is just so - several seemingly unrelated events taking place in a larger political context. The series was definitely better than the books and effectively recreated the political milieu of the time. I could read the quartet only after having seen the mini. Kudos to Ken Taylor for his adaptation of a convoluted epic. Definitely a Herculean task. And kudos to the directors (Christopher Morahan & Jim O'Brien) who despite the mammoth task of filming a period piece did it with panache. Anyone who has worked in India (especially a foreign crew) would know just how frustrating an experience it can be. Yet, they've come out with a magnificent product. Truly a classic. Fine viewing. Definitely recommended.

There's a small scene in the first 2 hour episode of Jewel in the Crown about 80 minutes in. Susan Wooldridge, a gangly maladroit, clearly not cut out for India, is sleeping. The long awaited rain wakes her and she gets up and walks out onto the balcony. The obsessional loving care and artistry that is evident in just this single minute tell you everything you need to know about the quality of Jewel in the Crown. The set and the lighting on the sleeping figure momentarily transforms the character who will later be known, pejoratively as "that Manners girl" into the Diana-like beauty she always imagined she would become. Wooldridge is convincingly asleep and wakes naturally, and surprise, delight and relief register on her face as she revels in the feel of rain on her face. Nothing is out the book. It's all fresh, original, new. A great piece of acting by Wooldridge, never surpassed or even approached by all the other actors and actresses who have had to play this popular little scene, present in so many other movies. A great piece of directing, lighting, scene setting and costume design.

Aside from this one, there are 649 other minutes and the same care and devotion is taken with all of them. In the episode "The Mughal Room", Sara Layton and Guy Perron spend Guy's last afternoon exploring the Governor's Summer residence at Pankot. 7 minutes go by without any dialogue in this little elegy for the cobwebbed glory of the Raj before they settle down in one of the bedrooms to make love. You won't find anything else like it in mainstream television. Very hard to do but very beautiful.

But then the whole story is excellent, beautifully paced, tragic, funny, pathetic, illuminating and exciting by turns. I've watched it a number of times and I never want it to end.

It really is the best drama series ever made.

I really loved this series. I think I've seen the whole series about 7 or 8 times, and I see something new each time.

The Jewel in the Crown tells the story of individual people trying to live their lives in a world in the process of changing beyond recognition. The acting quality and execution of the entire production has never been equaled. You really believe that these people lived in this extraordinary time, the beginning of the end of the British Empire. Some are able to move forward into the new world, some are destroyed, and all are changed forever.

I actually think that the series is better than the sum of the books, but nothing beats the first book in the series (The Jewel in the Crown) as a stand-alone novel. It's all about human perspective. Similar to the film Rashomon (or Courage Under Fire), the novel Jewel in the Crown tells a story from every point of view except one. You have to think about what that means. The series captures this effect differently, but it does so beautifully.