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Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.Une institutrice dévouée passe ses nuits dans les bars, à la recherche d'hommes violents avec lesquels elle aura des relations sexuelles de plus en plus brutales.
- Nommé pour 2 Oscars
- 1 victoire et 6 nominations au total
Histoire
Le saviez-vous
- AnecdotesTom Berenger admitted in an interview that he had nightmares after he was finished shooting all of his scenes as Gary.
- GaffesTheresa is supposed to be a first-grade teacher, but all her students look to be way older. The youngest seem to be 9 or 10 while the oldest could be 12, 13 or even older.
- Crédits fousThe Paramount logo is shortened at both ends, fading in at the point the text already appears. It was gray-scaled in the closing version.
- ConnexionsFeatured in Sex, Censorship and the Silver Screen: Forward Into the Past (1996)
- Bandes originalesTry Me, I Know We Can Make It
Written by Donna Summer (uncredited), Giorgio Moroder (uncredited) and Pete Bellotte (uncredited)
Performed by Donna Summer
Courtesy of Casablanca Record & FilmWorks
Commentaire à la une
Looking For Mr. Goodbar isn't exactly the kind of feel good movie you might want to pop in on a rainy Sunday afternoon. It's heavy - almost suffocatingly so at times. What it does offer is a great chance for Diane Keaton to play a very different kind of character. Her Theresa is nothing like her Annie Hall or Nina Banks and that's refreshing to see. It's also an excellent time capsule of New York City life in the 70's.
With an upbeat 70's disco soundtrack (odds are, you'll know most of the tunes), Looking For Mr. Goodbar tracks a schoolteacher looking for love, passion, and satisfaction anyway she can find it. Sometimes it leads to heartbreak, sometimes it leads to danger, but it always leads to depression for the audience.
It's been a long time since I've seen a film this aggressively depressing and cynical and, to be honest, it's hard for me to process. On one hand, Keaton's work is exceptional, but on the other hand, it's a pretty tough slog to sit through. One needs to be in the right frame of mind to make it through.
With an upbeat 70's disco soundtrack (odds are, you'll know most of the tunes), Looking For Mr. Goodbar tracks a schoolteacher looking for love, passion, and satisfaction anyway she can find it. Sometimes it leads to heartbreak, sometimes it leads to danger, but it always leads to depression for the audience.
It's been a long time since I've seen a film this aggressively depressing and cynical and, to be honest, it's hard for me to process. On one hand, Keaton's work is exceptional, but on the other hand, it's a pretty tough slog to sit through. One needs to be in the right frame of mind to make it through.
- deenariley-49870
- 30 juin 2019
- Permalien
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 22 512 655 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 540 635 $US
- 23 oct. 1977
- Montant brut mondial
- 22 512 655 $US
- Durée2 heures 16 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was À la recherche de Mr. Goodbar (1977) officially released in India in English?
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