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Ajouter une intrigue dans votre langueCalifornia small town police chief investigates a suspicious death involving the victim's own dog that presumably killed its owner.California small town police chief investigates a suspicious death involving the victim's own dog that presumably killed its owner.California small town police chief investigates a suspicious death involving the victim's own dog that presumably killed its owner.
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The film opens up with a view of the ocean and their is a woman floating in the water and a Doberman is biting her and trying to pull her on shore. Abel Marsh, (James Garner) is the Chief of Police and at first accepts the fact that this dog did the killing, until the CSI staff determine she was drowned in a bathtub and then placed in the ocean because she had fresh water in her lungs. There are cameo appearances by some veteran actors like: June Allyson, (Mrs. Watkins), Tom Ewell, (Cop), Peter Lawford, (Mr. Campbell). and Edmond O'Brien, (Liquor Store Owner) Abel Marsh and Kate Bingham, (Katherine Ross) meet and they both burn up the screen with some torrid love making. If you like James Garner, you will enjoy his great acting in this film. Enjoy
James Garner is the police chief of a small town. A woman turns up dead, and it's accepted that her own dog, a doberman, killed her. As he investigates the matter, however, new facts come into focus that exonerate the animal..... and makes his own loneliness apparent to him.
It's a pleasant little romance with Garner in modern dress, looking a little seedy as he and Katherine Ross fall in love with each other. It's a very minor effort, but it's eked out nicely with many small roles taken by familiar faces: Hal Holbrook, Harry Guardino, JUne Allyson, Peter Lawford, Edmond O'Brien, Ann Rutherford..... is this where old MGM stars retire to?
It's a pleasant little romance with Garner in modern dress, looking a little seedy as he and Katherine Ross fall in love with each other. It's a very minor effort, but it's eked out nicely with many small roles taken by familiar faces: Hal Holbrook, Harry Guardino, JUne Allyson, Peter Lawford, Edmond O'Brien, Ann Rutherford..... is this where old MGM stars retire to?
I saw this movie when I was ten-years-old with my cousin Johnny. My memory is a bit fuzzy, but I remember liking it. It seems that Dobermans were capturing the imaginations of Americans from Los Angeles to New York, and this film reflects that craze. Does anyone remember that crazy movie about a group of Dobermans that were trained to commit crime. It's odd how certain dogs become really popular, then aren't very popular at all. That said, I decided to watch this film again...and you know what, it's a really good movie filled with veteran actors who know how to act. Not fast-paced, but a darn good whodunit that will leave you guessing until it is all revealed. A must for James Garner fans. Quite possibly his best, if you don't include the "Great Escape" or "Support Your Local Gunfighter."
A woman is murdered in a small seaside town. The cops investigate but are hampered by bureaucratic infighting, complicated relationships, and a vicious Doberman Pincher.
Looks to me like the script was on a hurry-up schedule. Nonetheless, the movie's got its compensations. Unfortunately, the whodunit part, which is supposed to be the core, is developed in pretty ragged fashion with a number of hanging threads (who is it in the nude photo; what role did the sheriff have, etc.).
The movie's appeal really comes from its unsparing and often humorous look at small town life, particularly the semi-competent 3-man police force. Plus, there are the town characters, generally cameos from movie vets getting a few minutes back in the spotlight. Nonetheless, it's an uncharacteristically grouchy Jim Garner as the chief. But no wonder he's grumpy, since his two underlings are bumblers, at best, while he has to contend with a county sheriff (Guardino) who wants to cut in on the investigation for suspicious reasons. Then too, catch the naughty innuendo that's not supposed to typify small town life. And, on a different note, that burning beach house is a real Technicolor inferno and a movie highpoint.
The movie's also a payday for a number of movie vets who get the amusing small town parts. (Except for Tom Ewell as a badly out of shape cop.) But who could have guessed that the wonderfully preserved June Allyson was all of 55 in her role here; ditto Ann Rutherford, also 55. For old movie fans, these nostalgic glimpses were a treat.
All in all, it's an entertaining movie, even with a ragged script. Then too, judging from the Malibu location, plus the timing, I wouldn't be surprised that the movie inspired Garner's TV hit, The Rockford Files (1974-1980). But it's a much more typically amiable Garner in the Rockford role than he is here. Anyway, I hope they paid Murphy double biscuits since he's a good enough actor to compete with the many movie veterans.
Looks to me like the script was on a hurry-up schedule. Nonetheless, the movie's got its compensations. Unfortunately, the whodunit part, which is supposed to be the core, is developed in pretty ragged fashion with a number of hanging threads (who is it in the nude photo; what role did the sheriff have, etc.).
The movie's appeal really comes from its unsparing and often humorous look at small town life, particularly the semi-competent 3-man police force. Plus, there are the town characters, generally cameos from movie vets getting a few minutes back in the spotlight. Nonetheless, it's an uncharacteristically grouchy Jim Garner as the chief. But no wonder he's grumpy, since his two underlings are bumblers, at best, while he has to contend with a county sheriff (Guardino) who wants to cut in on the investigation for suspicious reasons. Then too, catch the naughty innuendo that's not supposed to typify small town life. And, on a different note, that burning beach house is a real Technicolor inferno and a movie highpoint.
The movie's also a payday for a number of movie vets who get the amusing small town parts. (Except for Tom Ewell as a badly out of shape cop.) But who could have guessed that the wonderfully preserved June Allyson was all of 55 in her role here; ditto Ann Rutherford, also 55. For old movie fans, these nostalgic glimpses were a treat.
All in all, it's an entertaining movie, even with a ragged script. Then too, judging from the Malibu location, plus the timing, I wouldn't be surprised that the movie inspired Garner's TV hit, The Rockford Files (1974-1980). But it's a much more typically amiable Garner in the Rockford role than he is here. Anyway, I hope they paid Murphy double biscuits since he's a good enough actor to compete with the many movie veterans.
One of the first vehicles of the 1970's catering to the 1970's Doberman craze; although this particular pooch is more a McGuffin than pet: A friendly yet sometimes growling, possibly deadly red-herring that could provide California small town sheriff James Garner some clues...
He plays writer Lane Slate's rural lawman, Abel Marsh, in the first of three movies (Andy Griffith took over the rest); and while this is the only one made for the big screen, with a lightweight, glossy main score it both sounds and plays like a Movie Of The Week...
Even the town itself, the last chance audiences got see the Universal lot, is pure television, as is Garner's affable manner despite throwing around a few glib curse words and references to homosexuality...
The latter concerns the woman who dies in the beginning, seeming killed by the dog, Murphy... And, adding to the sporadic attempts to fit into the progressive, post counter-culture era, the beach-drowned victim is the bisexual wife of classy Peter Lawford, hanging around a young, full-chested and very straight Jenifer Shaw...
But it's natural-beauty's natural-beauty Katharine Ross who provides Garner both an ingenue and a possible twist... One of several moments where THEY ONLY KILL THEIR MASTERS wakes up from its episodic daze and becomes the Old School Detective/Neo Noir Mystery it strives for (but not quite often enough).
He plays writer Lane Slate's rural lawman, Abel Marsh, in the first of three movies (Andy Griffith took over the rest); and while this is the only one made for the big screen, with a lightweight, glossy main score it both sounds and plays like a Movie Of The Week...
Even the town itself, the last chance audiences got see the Universal lot, is pure television, as is Garner's affable manner despite throwing around a few glib curse words and references to homosexuality...
The latter concerns the woman who dies in the beginning, seeming killed by the dog, Murphy... And, adding to the sporadic attempts to fit into the progressive, post counter-culture era, the beach-drowned victim is the bisexual wife of classy Peter Lawford, hanging around a young, full-chested and very straight Jenifer Shaw...
But it's natural-beauty's natural-beauty Katharine Ross who provides Garner both an ingenue and a possible twist... One of several moments where THEY ONLY KILL THEIR MASTERS wakes up from its episodic daze and becomes the Old School Detective/Neo Noir Mystery it strives for (but not quite often enough).
Le saviez-vous
- AnecdotesPeter Lawford, June Allyson, and Ann Rutherford were all veterans who had spent the better part of their careers at M-G-M. Allyson and Lawford had co-starred together in two films, Vive l'amour (1947) and Les quatre filles du Dr March (1949), while also appearing separately in Fou de girls (1943). This film served as a reunion of sorts, giving them an opportunity to be in the last film shot on the fabled studio backlot before the land was sold.
- GaffesWhen he starts chasing Watkins, Abel is driving a 1967 Chevrolet. When he runs Watkins off the road in the field above the ocean at the conclusion of the same chase, Abel is driving a 1966 Chevrolet.
- Citations
Kate Bingham: Can you imagine coming home, and your wife says she's leaving you for someone else, and you say, "Who, Phil?" and she says, "No. Phyllis."
Abel Marsh: Well, that's the ultimate put-down... to those of us who are normal heterosexuals.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Qui a tué Jenny ?
- Lieux de tournage
- Malibu, Californie, États-Unis(Jenny Campbell's house scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
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