NOTE IMDb
6,5/10
10 k
MA NOTE
Un musicien est traqué par un tueur inconnu qui le fait chanter pour le meurtre d'un autre harceleur.Un musicien est traqué par un tueur inconnu qui le fait chanter pour le meurtre d'un autre harceleur.Un musicien est traqué par un tueur inconnu qui le fait chanter pour le meurtre d'un autre harceleur.
Jean-Pierre Marielle
- Gianni Arrosio
- (as Jean Pierre Marielle)
Laura Troschel
- Maria
- (as Costanza Spada)
Histoire
Le saviez-vous
- AnecdotesDario Argento's usual collaborator Ennio Morricone scored the film, but had a major argument with Argento over some tracks Argento didn't want in it. As a result, the director and Morricone would not work together again until 1996, and the rock group Goblin would eventually become Argento's regular composers.
- GaffesDuring the scene where Nina is shooting Roberto, her dubbing inexplicably goes in and out of English and Italian repeatedly, though she has never spoken Italian before this scene.
- Citations
Roberto Tobias: Well, it's a bit risky, and, and I don't...
Gianni Arrosio: Ah, yeah. And you're thinking this fairy will jump on a chair and scream bloody murder if he sees a mouse, right?
Roberto Tobias: Yes, that's what I thought.
Gianni Arrosio: Oh, you heterosexuals! I don't suppose you've ever had a homosexual experience?
Roberto Tobias: Let's just forget it, man.
- Crédits fousYou have just seen Four Flies on Grey Velvet.
- Versions alternativesThe original U.S theatrical release was cut mainly for pacing as well as shortening the tub love scene and a decapitation for a PG rating.
- ConnexionsFeatured in Le monde de l'horreur (1985)
Commentaire à la une
Deluxe giallo from writer-director Dario Argento, with a presentation so stylish it threatens to overwhelm the plot. Dedicated husband and drummer for a rock band angrily confronts a mysterious man who's been following him; they scuffle and the stranger ends up stabbed with his own knife. No one is around to help the shaken musician, but there is one witness: a person in costume with a camera. This isn't a blackmailer--they don't want money--but the musician is quickly taunted with photos and notes...and soon, the people closest to him start dropping like flies. Argento shows an uncanny grasp of character here, and his roster of victims and suspects is delicious (there's also a scripture-quoting con-man who acts as a lookout, a terrified postman afraid of delivering the mail and a gay gumshoe hired by the protagonist who hasn't solved one case in his last 87!). Argento is a cinematic madman; his screenplay might not hold up under close scrutiny, but it's hard to nitpick with the small details when the end results are this tantalizing. *** from ****
- moonspinner55
- 29 août 2017
- Permalien
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Détails
- Durée1 heure 44 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was 4 Mouches de velours gris (1971) officially released in India in English?
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