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IMDbPro

La seconde mort d'Harold Pelham

Titre original : The Man Who Haunted Himself
  • 1970
  • PG
  • 1h 34min
NOTE IMDb
6,4/10
3,1 k
MA NOTE
Roger Moore and Olga Georges-Picot in La seconde mort d'Harold Pelham (1970)
Trailer for The Man Who Haunted Himself
Lire trailer3:11
1 Video
98 photos
DramaMysteryThriller

Ajouter une intrigue dans votre langueHarold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.

  • Réalisation
    • Basil Dearden
  • Scénario
    • Anthony Armstrong
    • Basil Dearden
    • Michael Relph
  • Casting principal
    • Roger Moore
    • Hildegard Neil
    • Alastair Mackenzie
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    3,1 k
    MA NOTE
    • Réalisation
      • Basil Dearden
    • Scénario
      • Anthony Armstrong
      • Basil Dearden
      • Michael Relph
    • Casting principal
      • Roger Moore
      • Hildegard Neil
      • Alastair Mackenzie
    • 55avis d'utilisateurs
    • 44avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    The Man Who Haunted Himself
    Trailer 3:11
    The Man Who Haunted Himself

    Photos98

    Voir l'affiche
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    + 92
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    Rôles principaux36

    Modifier
    Roger Moore
    Roger Moore
    • Pelham
    Hildegard Neil
    • Eve
    Alastair Mackenzie
    • Michael
    Hugh Mackenzie
    • James
    Kevork Malikyan
    Kevork Malikyan
    • Luigi
    Thorley Walters
    Thorley Walters
    • Bellamy
    Anton Rodgers
    Anton Rodgers
    • Alexander
    Olga Georges-Picot
    Olga Georges-Picot
    • Julie
    Freddie Jones
    Freddie Jones
    • Psychiatrist
    John Welsh
    John Welsh
    • Sir Charles Freeman
    Edward Chapman
    Edward Chapman
    • Barton
    Laurence Hardy
    Laurence Hardy
    • Mason
    Charles Lloyd Pack
    • Jameson
    Gerald Sim
    Gerald Sim
    • Morrison
    Ruth Trouncer
    • Miss Bland, Pelham's Secretary
    Aubrey Richards
    • Research Scientist
    Anthony Nicholls
    Anthony Nicholls
    • Sir Arthur Richardson
    John Carson
    John Carson
    • Ashton
    • Réalisation
      • Basil Dearden
    • Scénario
      • Anthony Armstrong
      • Basil Dearden
      • Michael Relph
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs55

    6,43K
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    10

    Avis à la une

    8hitchcockthelegend

    The Pelham Paranoia.

    With its 1970s chic cheese and swagger and Roger Moore's excellent performance, The Man Who Haunted Himself has a considerable cult fan base. Directed by British legend Basil Dearden, plot finds Moore as Harold Pelham, who after being involved in a serious car accident, comes around from the trauma to find that his life is being turned upside down. It seems that somebody is impersonating him, people he knows swear he was in places he hasn't been, that he has been making decisions at work that he knows nothing about, and that he has a sexy mistress that threatens to destroy his marriage. Is he going mad? A victim of a collective practical joke? Or is there really something more sinister going on?

    Don't be a slave to convention!

    So yeah! A cult gem waiting to be rediscovered is The Man Who Haunted Himself, it has a plot that positively bristles with intrigue. As the doppleganger motif is tightly wound by Dearden, who smartly sticks to understated scene constructions as opposed to supernatural excess, there's a realistic and human feel to the story. The makers are not going for jolt shocks, but taking a considered approach that has the pertinent mystery elements lurking in the background, waiting for their chance to reveal themselves for the utterly thrilling finale. A finale that is bold and special, obvious but not, and definitely tinged with cunning ambiguity.

    With Moore drawing on talent from his acting pool that many thought he didn't have (two different characterisations smartly realised here), and Dearden pulling the technical strings (love those off-kilter angles and multi mirrored images), this is a film that has surprises in store all across the board. 8/10
    7Stevieboy666

    Riveting supernatural thriller

    Pre 007 Roger Moore plays a City businessman who finds himself being haunted by his doppelganger following a near fatal car crash. Very well made supernatural thriller which proves that you do not need gore or jump scares to make a film scary. It moves at a fast pace & kept me enthralled throughout. Good cast including a fine performance by Moore. Love the old Lamborghini that his duplicate drives around in!
    7barfly99

    A truly hilarious semi-psychedelic thriller

    A collector's item this one - you very rarely see a film as absurd yet enthralling as this. The plot is fabulously illogical, but it provides an opportunity to see Roger Moore in a role far more interesting than James Bond, as pin-striped executive Harold Pelham. Except that he plays TWO Harold Pelham's - one nice, dull, and sexually inadequate; the other a cavalier and sinister Romeo. This means a lot of Moore chasing round London insisting "I'm Harold Pelham!", and a climactic and weirdly psychedelic car-chase involving nice Pelham and nasty Pelham. If this hasn't yet acquired a cult following, it ought to.
    The Welsh Raging Bull

    Crackerjack suspense story

    Despite the extremely improbable premise, this 1970 film boasts one of Roger Moore's most accomplished performances.

    The plot, which centres around a staid businessman who "dies" for a few seconds on the operating table following a car crash, recovers and eventually finds out that a doppelganger is intruding in his life, is bizarre, but it is executed with such conviction and believability that the audience is entertained from start to finish.

    The suspense builds feverishly, as the doppelganger's intrusive actions increase to an alarming level, whilst Moore's performance is one of eye-popping, progressive hysteria. He steals all the scenes he is in, with the supporting cast being merely bystanders (with the possible exception of the ever-dependable Freddie Jones an an eccentric psychiatrist).

    The feeling of helplessness is excellently conveyed and well-maintained right up until the end. The film's resolution is stark and hard-hitting and because it is one we might not have anticipated, the film's credibility is maintained despite the obvious far-fetched nature of the story. However, two car accidents at pivotal moments in the film is a little bit hard-to-stomach and accept!!

    Obviously under-rated as a film spectacle by critics, this little gem of a thriller plays with your emotions and keeps you guessing all the way through. I doubt whether Roger Moore has performed a role better than this since.
    bob the moo

    Carried by Moore's good performance(s)

    Harold Pelham is a steady executive type who drives carefully, wears the same tie everyday and is a thoroughly dependable sort of chap. One day he is driving home when he has a car crash, he is rushed to hospital where his heart stops and he is saved by a medical team. Back at work after recovering he begins to suffer from memory losses – people tell him he played snooker last night but he can't remember etc. He begins to suspect that someone is impersonating him and is starting to live his life – but that's crazy, isn't it?

    Moore of the period will always be remembered for being Bond more than any other role he played. The downside of this is that he is seen as the weaker Bond the one who become more about innuendo and jokes than anything else. This film though, shows that Moore is a great actor – one who is capable of lifting a film and making it better than it was on paper. The plot here could easily have spun wildly out of control and indeed, at times, it comes very close to being unintentionally funny. However the film keeps it's air of mystery well – even when we are sure that there is a doppelganger on the loose the film still won't let us see more than his back or his hand etc. By doing this it actually makes the scene where the two meet to be quite effective. Of course it's all nonsense but it's well played nonsense.

    The main reason it works is Moore's increasingly unhinged performance – as the final hour goes by you can actually see him come apart like he was an old woollen sweater! It is difficult not to buy into the film because he is so convincing. His alter ego is also pretty good but it is the descent into desperation that he undergoes that makes this watchable. As a result I didn't really notice the input of the support cast – they were all quite solid but it was easily Moore's film. However, being a man, I did get distracted by Georges-Picot – waltzing around in sexy underwear in several scenes and I also thought Jones' psychiatrist looked like Dr Strangelove!

    Overall this deserves to have a cult following if it doesn't already, The visual effects are poor and the plot is absurd. Were it not for the brilliant Moore then this film would have been better played for laughs. Happily he carries it and holds the audience in his hand. The only weak point was the ending which, although clever, was a bit of an anticlimax – in fact the final 10 minutes didn't quite match the suspense that had been created in the build up.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Sir Roger Moore said that this role was his favorite, and the best ever of his screen performances.
    • Gaffes
      As Pelham drives at high speed along the M4 motorway, he passes the same light blue Sunbeam Alpine and a red car at least four times.
    • Citations

      Harold Pelham: Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.

    • Crédits fous
      "(By permission of The Royal Shakespeare Co.)" underneath Hildegard Neil's name in the end credits.
    • Connexions
      Featured in Friday Night Thriller: The Man Who Haunted Himself (1978)

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    FAQ14

    • How long is The Man Who Haunted Himself?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 5 juillet 1970 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Man Who Haunted Himself
    • Lieux de tournage
      • Fairholt, Hadley Green Road, Barnet, Hertfordshire, Angleterre, Royaume-Uni(Pelham's house)
    • Sociétés de production
      • EMI Films
      • Associated British Productions (ABP)
      • Excalibur Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 400 000 £GB (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 34 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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