Le riche éleveur G.W. McLintock utilise son pouvoir et son influence sur le territoire pour maintenir la paix entre les agriculteurs, les éleveurs, les accapareurs de terres, les Indiens et ... Tout lireLe riche éleveur G.W. McLintock utilise son pouvoir et son influence sur le territoire pour maintenir la paix entre les agriculteurs, les éleveurs, les accapareurs de terres, les Indiens et les fonctionnaires corrompus.Le riche éleveur G.W. McLintock utilise son pouvoir et son influence sur le territoire pour maintenir la paix entre les agriculteurs, les éleveurs, les accapareurs de terres, les Indiens et les fonctionnaires corrompus.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Avis à la une
As G.W. McLintock, the Duke is the American dream personified. The man who came west and by dint of his own sweat and labor built a cattle empire. He did it without the government's help and note how he tells the settlers the government doesn't 'give' anything away. One of the three people identified as villains in his world view is land agent Gordon Jones. He's a liberal in McLintock, peddling the view that government help is the answer to all of our problems.
McLintock rather broadly satirizes other people who Wayne considers liberals. The know-it-all college kid Jerry Van Dyke, the tanglefooted bureaucrat Indian agent Strother Martin, the oily politician Robert Lowery these people get quite a going over.
Wayne doesn't 'give' anybody anything. As he says to son Patrick Wayne in my favorite line in all John Wayne movies, "I don't give jobs, I hire men." That's a creed he followed in real life as well.
Sad to say though the world isn't as simple as McLintock would have us believe. McLintock takes place in the age of the robber barons and those folks were not as noble in character as G.W. McLintock. Maybe the world ought to be like it is in McLintock, but it ain't.
McLintock is one grand piece of entertainment though. The comedy is as broad and unsophisticated as you would find in any John Ford film and with good reason as Wayne and Director Andrew McLaglen learned the movie trade from him.
In addition to dealing with the assorted 'liberals' mentioned above, the Duke has some domestic concerns. Wife Maureen O'Hara has left him, but is back over where their daughter Stefanie Powers will reside. Maureen is playing the same role she did in Rio Grande and later on in Big Jake, the estranged wife who circumstances force her back with Wayne. In the case of McLintock though these are circumstances that Wayne makes on his own with some inspiration from The Taming of the Shrew.
The cast is populated with a grand cast of regulars from previous Wayne films like Chill Wills, Edgar Buchanan, Hank Worden, Leo Gordon, Michael Pate, and some already mentioned.
Jack Kruschen makes his one and only film appearance in a Wayne film here. He does very well as the kindly, benevolent and obviously Jewish storekeeper. He's got an important function also here, as another self made American success story in the same film.
Yvonne DeCarlo got cast in this film after her husband who was a stunt man was injured badly on another film. She had heavy duty medical expenses and Wayne was not about charity. But he was legendary for taking care of fellow performers giving them a pay day in his films if they needed it. He didn't give jobs, he hired men and women. Yvonne is Pat Wayne's mother in the film who Maureen suspects of being Wayne's mistress when she's hired as a housekeeper.
We also get an economics lecture from the Duke as well. He works for "every man who goes to a butcher shop and wants a T-Bone steak." And Pat Wayne works for him. It's what makes the capitalist system go.
If you take some of the politics expressed with a critical eye, McLintock is fabulous entertainment, one of the Duke's best films.
The main bone of contention has to do with their daughter, Becky (Stefanie Powers), who will be returning home from college soon. Katherine wants to take her east to live; G.W. in having none of it. And shades of `Who Wants To Be A Millionaire,' that's his final answer. The real rub is that G.W. still loves Katherine, and he still doesn't know what put the burr in her saddle and caused her to leave him two years earlier. It's also obvious that Katherine still loves G.W., but she apparently can't get past whatever it was that caused the split in the first place. But her eyes sparkle whenever Drago (Chill Wills), G.W.'s right hand man, brings up the `good ol' days,' and she's reminded of when they started out with nothing but each other and a lot of love and courage.
There's a touch of `Taming of the Shrew,' in this story, and near the end Wayne and O'Hara virtually reenact one of their own scenes from `The Quiet Man,' all of which adds up to a couple of hours worth of good, old fashioned fun. This movie never pretends or aspires to be anything other than what it is, which is good, wholesome entertainment that features some memorable characters, lots of humor and some classic lines. The Duke is trim and healthy and never swaggered better, and O'Hara, in a green dress against which her gorgeous red hair absolutely glows, makes you wonder if there's ever been a more beautiful actress ever to grace the silver screen. And the two of them have a chemistry together that ranks right up there with the best pairings the movies ever had to offer. The Duke may be in command, but he certainly has his hands full with that fighting Irish wildcat, O'Hara. Together, they've created some moments on screen that will live forever.
Adding to the merriment is an all-star supporting cast that includes Jerry Van Dyke (Matt, Jr.), Hank Worden (Curly), Bruce Cabot (Ben), Jack Kruschen (Jake), Edgar Buchanan (Bunny), Perry Lopez (Davey Elk), Michael Pate (Puma), Strother Martin (Agard), Gordon Jones (Douglas), Robert Lowery (Governor Humphrey), H.W. Gim (Ching), Edward Faulkner (Young Ben), Chuck Roberson (Sheriff), Mari Blanchard (Camille), Leo Gordon (Jones), Bob Steele (Train Engineer) and Big John Hamilton (Fauntleroy). McLaglen sets the pace and keeps this vintage Wayne/O'Hara vehicle right on task, which makes `McLintock!' a classic in it's own right. It's a timeless film that captures the attitude and freedom of a time gone by that simply does not exist anymore in this, our `advanced' era of political correctness, which often stifles the very freedom it espouses. And watching this movie, it makes you wonder about the `progress' we've made in the past thirty years or so. As far as movies go, this one is magic, and it proves that they just don't make em like they used to. I rate this one 9/10.
Wayne plays George Washington McLintock, a brawler and he-man in typical Western setting. O'Hara plays his feisty wife and Stefanie Powers their bratty daughter, Becky. Patrick Wayne, son of Big John, plays Becky's intended, a young man who looks like he'll wind up just like her pa.
'McLintock' is fast, furious, and funny. About as far from PC as you can get, this Western take on The Taming of the Shrew is bawdy and boisterous, and the casting is perfect. John Wayne was a man's man in the 'gotta do what he has to do' mould and this role was perfect. O'Hara - his best co-star - is also superb.
In today's "politically correct" atmosphere, the spanking scenes would seem to some as barbarian. But it was played as broad comedy and remains broad comedy. Maureen O'Hara gave (verbally) as she got.
40 years ago, during the telecast of JFK's funeral, the flag-draped casket and caisson were shown passing by a movie theater. On the marquee: "McLintock!"
Le saviez-vous
- AnecdotesJohn Wayne once remarked that, try as he might, he couldn't get Big John Hamilton to react properly in the scene where McLintock was "explaining" the rules for the fight between Fauntleroy and Dev at the party. Finally, Wayne resorted to actually stomping on Hamilton's foot and kicking him.
- GaffesIn the mud fight scene, when John Wayne climbs out of the pit, a man is seen in the background wearing a modern grey business suit. In the same shot, there's also a person wearing sunglasses.
- Citations
George Washington McLintock: Becky! Come here. There's somethin' I ought to tell you. Guess now's as good a time as any. You're gonna have every young buck west of the Missouri around here tryin' to marry you - mostly because you're a handsome filly, but partly because I own everything in this country from here to there. They'll think you're gonna inherit it. Well, you're not. I'm gonna leave most of it to... well, to the nation really, for a park where no lumbermen'll cut down all the trees for houses with leaky roofs. Nobody'll kill all the beaver for hats for dudes nor murder the buffalo for robes. What I'm gonna give you is a 500-cow spread on the Upper Green River. Now that may not seem like much, but it's more than we had, your mother and I. Some folks are gonna say I'm doin' all this so I can sit up in the hereafter and look down on a park named after me, or that I was disappointed in you -- didn't want you to get all that money -- but the real reason, Becky, is because I love you, and I want you and some young man to have what I had, 'cause all the gold in the United States Treasury and all the harp music in Heaven can't equal what happens between a man and a woman with all that growin' together. I can't explain it any better than that.
- Crédits fousThere are no end credits at the end of the movie.
- Versions alternativesAvailable in a 128 minutes version (by Goodtimes Entertainment) and in a shorter 122 minute version by Gemstone Entertainment. This is an edited version with all the original music and background music replaced with an all new soundtrack. Some musical scenes have been deleted and some dialogue dubbed.
- ConnexionsFeatured in Hollywood: The Great Stars (1963)
- Bandes originalesLove in the Country
Sung by The Limeliters
Music Coordinator "By' Dunham'
Words & Music by "By' Dunham' and Frank De Vol
Meilleurs choix
- How long is McLintock!?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Durée2 heures 6 minutes
- Couleur
- Rapport de forme
- 2.35 : 1