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"Heavens Above!" is a barbed satire that cuts both ways, ridiculing organized religion for its complacence and its unrealistic aspirations and humanism regarding the perfectibility of man, especially the working-class kind. Though far from the funniest Peter Sellers comedy, it certainly is worthy in its own unique way.

Sellers plays Rev. John Smallwood, an Anglican prison chaplain accidentally assigned to the affluent community of Orbiston Parva. A sincere man of faith, Smallwood tries to drum up a little church fervor from his largely lapsed congregation, preaching the Gospel as Living Word rather than as aural wallpaper for weddings and funerals. Yet every earnest effort only stokes greater amounts of selfishness, even brutality.

"There aren't enough real Christians about to feed a decent lion," Smallwood laments.

At the same time, he must deal with the miserable quality of the clergy around him, like his own bosses in the Church of England hierarchy who strain only to keep their rich donor base happy and generous or the odd Pentecostal preacher who offers up damnation-filled sermons: "It's only the fires of hell that keep the churches warm."

"Heavens Above!" is a comedy of despair. If there is a God, it seems to say, He has better sense than to waste His time with blighted human riffraff like the Smiths, an itinerant family who leeches off Smallwood while feigning piety. Sellers is terrific, though in a largely straight performance, pulling us in with his naive gentility to the point where a lot of the gags turn painful when he is the butt of humor. The closest Sellers gets to laugh-getting - other than when Smallwood unknowingly snacks from a bowl of dog treats - is the opening, where he provides an uncredited voice-over as an American narrator introducing us to the uninspiring sight of Orbiston Parva. However much he stumbles and is tripped up, Smallwood is simply too nice a character to laugh at.

For all the apparent agnosticism in "Heavens Above", there's a strain of true religious belief in Smallwood's situation. Perhaps it's because the idea came from Malcolm Muggeridge, the last faith-friendly satirist England has produced. Smallwood is presented as a man of good works, but also doctrinal zeal. His scorn for the local pep-pill product "Tranquilax", it seems, is largely due to its proclaiming itself the "three-in-one restorative". For him, the only 3-in-1 restorative is the Father, Son, and the Holy Ghost.

"Heavens Above!" is also interesting for the fact it catches Sellers just on the cusp of becoming an international star, still relatively round in body, making one of his last films aimed exclusively at his home British market. Like the later "Hoffman" and "Being There", this shows just how well Sellers could carry a film without resorting to silly accents or slapstick.

The film's directors, John and Roy Boulting, do well to set Sellers up with an ace supporting cast recognizable from other Sellers productions of the period, including George Woodbridge and Cecil Parker as a pair of agreeably venal curates; Irene Handl and Eric Sykes as Mr. and Mrs. Smith, heads of a scruffy, thieving clan; and Kenneth Griffith as the fire-and-brimstone preacher.

If only they cut that silly ending! There's other issues, too, like a penchant for slow camera zooms without reason, and the way the movie piles on Smallwood at the expense of comedy, but the out-of-left-field ending stings worst, an attempt at giving the film a falsely up note. Alas, when you really think about it, it only leaves Smallwood worse off than ever.

But you do care about the guy, a sign someone was doing something right. Obviously that includes Peter Sellers. With more laughs and a tighter ending, "Heavens Above!" would have ranked among his greatest films. As it is, it's pretty good all the same, food for thought in our secular times.

Heavens Above! has so much going for it - a wonderful and very gentle performance by Sellers, a who's who of British comedy from the late 1950s, and the Boulting Brothers at the helm. This is a film that stands the test of time and remains both fun and interesting and a fascinating take on Anglicanism. In Britain, children of a certain class went to privileged school with the eldest son being shipped off to serve as an officer, or join the Foreign Office for the larger good of the Empire, and the second son would go to the City or the Church.

Anglican vicars aren't meant to be like Peter Seller's John Smallwood - who really does hold to the Gospel rather than doctrine, and is appointed vicar, by mistake, of a decidedly complacent and snooty town. What follows gently pokes fun at the double standards.

All in all, this remains one of Seller's gentlest, truest, and straightest characterisations. Like Alec Guinness he really does become the character he's playing - from the hair to the accent to the smallest gestures, but more than that, here, is the heart. He captures something ethereal that we would all recognise as sincerity and good intentions.

When he introduces true gospel values everything, of course, starts to fall apart. Historically, this is interesting in that Billy Graham has come to Britain and there is something of that spirit about this; but it is no way heavy handed or blunt.

Heavens Above! resorts to a weak ending - wish he'd been sent to the East End of London or Liverpool - but it remains a wonderful film well worth the time to catch when it comes around.

Peter Sellers plays a minister with a new assignment in "Heavens Above!" a 1963 film written by John Boulting and directed by John and Roy Boulting.

Sellers is the Rev. John Smallwood, and he's assigned to a new parish from his current prison ministry by mistake when he's confused with another Rev. Smallwood. He gets to the parish and really shakes things up, so much so that he practically brings down the entire British economy.

Smallwood is well-meaning, but not very practical. He convinces the wealthy woman in town, Lady Despard (Isabeal Jeans) to give away food. Naturally the grocers are upset.

Then he trashes the product the big factory in town produces, and their stock crashes. While he's at it, he takes in a huge family that was forced off of their property.

The film makes fun of religion with a straight face. Smallwood tells Lady Despard that she won't go to heaven because she hasn't given up her earthly belongings and followed Christ. He preaches God to such an extent that when the Despard butler tells him off, he does it with two different Bible quotes - for me, that was the funniest scene in the movie.

The British economy suffered greatly after World War II, and there are many films about it. This is but one, taking its place with "The Man in the White Suit," "I'm All Right, Jack," and others.

Peter Sellers is amazing as Smallwood, modeling the character on a former teacher of his. He's a gentle man, not given to temper outbursts, who stands by his principles, even though he's a complete airhead.

Very good.

"Heaven's Above!" is a wonderful, well-crafted satire that mocks not Christianity but hypocritical and cold "religious" people. It is a British version of "In His Steps" turned on its head and inside-out: what if a sincere believer (Sellers) attempts to live out the gospel in the middle of a spiritually dead English parish? Unchristian attitudes range from the Bishop who complains that Rev. Smallwood (Sellers) "keeps bringing God into everything," to two women arguing over free food they have just (undeservedly) received as handouts telling a black man (Brock Peters) "You don't belong here" under a banner that reads "Love one another."

The script is rife with topical political and social comments but the real focus is timeless: do people really believe what they say they believe? Is there a place for Christianity in a secular, materialistic society? The ending, which baffles some, gives the answer to this. All serious questions aside, "Heaven's above!" is a satirical, incisive look at human nature.

This was a marvelous little comedy that in many ways is reminiscent of the great Alec Guinness film, THE MAN IN THE WHITE SUIT. Like this other film, the movie's main theme is unintended consequences that arise from some selfless and altruistic acts of the leads.

Peter Sellers plays a rather "straight" role as a well-meaning and decent Anglican minister. Unlike Inspector Clouseau and Dr. Strangelove, this character is much more subtle and believable. He didn't play the part strictly for laughs but was more of a characterization. Sellers was a truly gifted and amazing man in how he could seemingly become the people he was playing. His gentle manner and working-class accent worked perfectly to create one of the nicest and sincere priests in film history.

The movie is exceptional in that I think the movie can be enjoyed by religious and non-religious people alike. The film is very cynical and explores human nature in such a way that everyone can take something profound from the film. It is also unusual in that while technically a comedy, it is also serious social commentary. It had a lot to say about the teachings of Jesus and just how impossible it would be to truly implement them in a basically selfish world! Aside from a bad word used here or there, none of this should put off by the film. It isn't heavy-handed or preachy and isn't meant to offend organized religion.

The only reason the film only merits an 8 is because the ending is a bit of a let-down. It really didn't make much sense and was impossible to believe and because of this it really blunted the overall effect of the movie.