L'homme de main

Titre original : Johnny Allegro

NOTE IMDb

MA NOTE

Nina Foch and George Raft in L'homme de main (1949)

Ajouter une intrigue dans votre langueTreasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.Treasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.Treasury Department officials recruit a florist to lead them to a wanted criminal, but once he gets too close, he finds that he's the hunted.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,4/10

915

MA NOTE

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Photos18

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Rôles principaux34

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George Raft

Johnny Allegro

Nina Foch

Glenda Chapman

George Macready

Morgan Vallin

Will Geer

Schultzy

Gloria Henry

Addie

Ivan Triesault

Pelham Vetch

Harry Antrim

Pudgy

William 'Bill' Phillips

Eddie Acuff

Sam
(non crédité)

Mary Bear

Nurse Baldwin
(non crédité)

Paul E. Burns

Gray
(non crédité)

Matilda Caldwell

Servant
(non crédité)

Dick Cherney

Police Officer
(non crédité)

Frank Dae

Dr. Jaynes
(non crédité)

Sayre Dearing

Man in Basement
(non crédité)

Joe Evans

Waiter
(non crédité)

Franklyn Farnum

Man in Basement
(non crédité)

Charles Fogel

Hotel Guest
(non crédité)

Réalisation
- Ted Tetzlaff
Scénario
Toute la distribution et toute l’équipe technique
Production, box office et plus encore chez IMDbPro

Avis des utilisateurs23

6,4915

Avis à la une

6bkoganbing

Too much to handle

Johnny Allegro has George Raft in the title role as an ex-con trying to go straight. Under an alias he's living life as a hotel florist, but manages to get himself involved with the beautiful Nina Foch and get himself framed for a cop killing.

Foch is slightly married to the epicene George MacReady whom the Feds want to nab real bad. It's not just his elaborate counterfeiting operation that they want to shut down. MacReady is being financed by the Soviet Union and he's got quite a setup in distributing counterfeit and raking off a big bundle from his Soviet handler Ivan Triesault. MacReady and Foch live in fine style on an unknown Caribbean island that the Feds would like to know the location of to bust MacReady and his operation. In the end MacReady proves too much for his Soviet bosses.

Not so with Raft and his contact Will Geer who plays a Treasury agent. Geer in many spots steals the film from the leads with a nice laconic performance, not unlike his Wyatt Earp in Winchester 73.

Johnny Allegro is typical of the action/noir type films that Raft was doing at this point in his career. Soon he'd be working for Poverty Row Lippert films and Johnny Allegro from Columbia's B picture unit looked like Citizen Kane next to their stuff.

Fans of George Raft will be pleased. Especially with that ending borrowed from The Most Dangerous Game.

6blanche-2

A Little "Most Dangerous Game" Thrown In

George Raft is "Johnny Allegro" in this 1949 B movie also starring Nina Foch, Will Geer, and George Macready. Raft plays a florist who is in actuality an escaped prisoner in hiding; he's approached by treasury agent Geer to clear his record by getting cozy with a woman he just met (Foch). Her husband (Macready) is distributing counterfeit (and ripping off his Soviet boss). They live on an island in the Caribbean. While she's trying to get out of town and away from the Feds, Raft kills a police officer to help her. Then he insists that she take him along or he'll be captured. This sets him up with her suspicious husband (McCready).

Not bad; the ending is reminiscent of "The Most Dangerous Game." George Raft couldn't act, but for someone who played gangsters so much, he had a warmth and a smoothness. By 1949, some of his gravitas had gone, but he was still pleasant to watch. When I was growing up, Nina Foch was playing skinny socialites on TV. It's always nice to see her as a young leading woman. Will Geer as the treasury agent is delightful, very laid back.

You might want to see this for the cast.

searchanddestroy-1

Raft vs McReady

This is one more more or less MOST DANGEROUS GAME rip-off, where the main interest is for me the face off between George Raft and George Mcready, the two most notorious villains of those days; I am not sure they played together before or after. Maybe I am wrong.... This is one good film from director Tetzlaff, a good noir adventure movie, but unfortunately too predictable for my taste. Forget it if you wish to really enjoy this movie, focus on the directing and this splendid cast: Mcready - Raft. It is not a wide known feature, such a shame, because it is worth watching, no matter my own taste concerning the ending for instance. Excellent little gem.

5LCShackley

A curious mix of standard plot devices

A decade before TV brought us Johnny Staccato, Columbia Pictures presented Johnny Allegro, a florist with a concession in a fancy hotel who gets wrapped up in a police manhunt.

We start with what appears to be a typical Hitchcock setup: an innocent man gets drawn into peril thanks to a leggy blonde. But is Allegro truly as innocent as he appears? Not in the eyes of "Schultzy" the cop (played convincingly by Will Geer, almost unrecognizable to those of us who only remember him as "Grandpa Walton").

So now we have a new plot developing: a crook infiltrating another crook's operation in order to clear his name with the police. He ends up in a swanky manor on a secluded Florida island, trying to track down some counterfeit money that could ruin the US economy.

And finally, we end up with a finale that steals a page or two from "The Most Dangerous Game," as Raft is hunted across the island by a foe with a bow.

In my opinion, Raft was too old for this role, and not terribly convincing as an action figure. The plot seems like a jigsaw puzzle made from three different boxes that don't quite match, and there's nothing outstanding about the visual aspect of the picture. It's got some good moments (mostly thanks to Geer and Foch) but overall it's not satisfying. More like Johnny Andante, not quite up to speed.

6SnoopyStyle

bow and arrow

Johnny Allegro (George Raft) is a florist in Los Angeles with a dark secret. Femme fatale Glenda Chapman (Nina Foch) gets him to help elude the police. Treasury Department agents blackmail him into going undercover to discover her secret plot.

Setting up the plot is a little bit wonky and a little rushed. Raft does fine but this cannot rise above its B-movie nature. There is also an element of James Bond villainy and trying to be high class style. I sorta expected Allegro to order a martini although Raft is definitely no Bond. The movie is trying to be a few things at the same time but it falls a little flat. The tension is never raised that high. The bow and arrow is probably the definition of that. It's a little odd but it's not intense. It's also a little camp like summer camp. I'm giving this a passing grade.

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Histoire

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Le saviez-vous

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Anecdotes
George Macready's character's name in Gilda (1946) is Ballin Mundson who used a walking stick with a bayonet inside. In this movie, his character's name is Morgan Vallin who hunted with a bow and arrow.

Gaffes
The mountainous island where Vallin lives is supposedly located on the Florida coast, but there are no such hilly islands anywhere in or near the state of Florida. In fact, the highest elevation anywhere in south Florida is 50 feet above sea level.

Citations
Morgan Vallin: Hello, Glenda.
Glenda Chapman: Morgan.
Morgan Vallin: Welcome home.
[For the first time, he sees there's another man in the room]
Glenda Chapman: Morgan, this is...
Morgan Vallin: How chummy! You brought a friend with you. How hospitable.
Glenda Chapman: I was just going to explain that.
Morgan Vallin: Why trouble to explain? It's so touchingly natural.
Glenda Chapman: This is Johnny Allegro.
Morgan Vallin: You actually know his name! I'm Morgan Vallin. Always glad to meet any of Glenda's friends, though she doesn't usually bring them with her.
Glenda Chapman: I had to bring him here, Morgan. He killed a detective for me so I could get here.
Morgan Vallin: How adventurous! How romantic!
Glenda Chapman: Morgan, don't be foolish.
Morgan Vallin: Forgive me, Johnny whatever your name is. I want to thank you for any assistance you may have given my little wife.
Johnny Allegro: Wife?
Morgan Vallin: She forgot to tell you, of course. She usually does. Or were you afraid he might not have come here with you?
Glenda Chapman: I told you why I brought him here. He had no other getaway. This is Johnny Rock. They want him for escaping a stretch at Sing Sing.
Morgan Vallin: And what have you told him?
Glenda Chapman: Nothing. He doesn't even know where he is.
Morgan Vallin: And how did that minute mind of yours conclude that anyone could be of service to me with his pictures in all the papers, with a number across the front of them?
Johnny Allegro: They took those a long time ago. I've changed a lot since then.
Morgan Vallin: But your type never changes. Just looking at you makes one think of alley fighting, tommy guns.
Johnny Allegro: Is that bad?
Morgan Vallin: It's not for me. You see all this?
[He gestures around the room at the paintings, sculptures, and mounted animal heads]
Johnny Allegro: Nice museum.
Morgan Vallin: You would call it that. But it's my library, my concert hall, my trophy room. Here I have the best the world has to offer, and I don't intend to let anything jeopardize it. I can permit only people around me of whose methods I am sure.