Ville haute, ville basse

Can someone respond to let me know why the name "Lorrison" was featured in so many movies around this time? I have never heard of a person in real life with that name; yet it pops up over and over. And here, the character played by Ava Gardner is never referred to is Isabel but always, always, by both names.

I first saw this movie on TV as a teenager and assumed that life in Manhattan would be like this, just as thought the publishing world would be as it's portrayed in "The Best of Everything."

This has very chic settings -- the East side locations much more believable than the brief excursion into the West side area ostensibly the scene of Heflin -- and Stanwkyck's -- childhood.

The acting is good. The plot is engaging. Decent lines. The direction, though, is very static. All the style comes from the presumably Sutton Place location and the elegant interiors and from the fabulous cast of real movie stars, with James Mason a suave cad prefiguring his brilliant Humbert Humbert a bit more than a decade later.

Gale Sondergaard is amusing as Stanwyck's elderly mother. At one point, she says, "I'm 55 years old." Interesting, as in real life she was only eight years older than Stanwyck, who was 42 when this came out.

Still and all, this movie has stuck in my head for many years as the epitome of chic. The actors are all plausible as socialites, and Gardner is properly gorgeous and evil as a (very) beautiful girl who's hustled her way over from the wrong side of the tracks.

It's fun, but it could have been really great, given the performers, the original author and the screenwriter.

Mervyn LeRoy does it again. Exquisite cast, superb production >and tight story line make this a must see. Several persons in >this saga want revenge, but you'll have to see how it shakes out >to see just who gets whom. Barbara Stanwyck and Van Heflin are >united on screen once again (The Strange Loves of Martha Ivers) >with an unbelieveable supporting cast. Gale Sondergaard, Ava >Gardner, Cyd Charisse and Nancy Davis make up the bevy of head- >liners and head-turners in a film about love, lust and morality. >See how James Mason figures in with a great ending where some- >one makes a point and leaves no doubt what it's all about.

Compelling. This film took me by surprise - I couldn't resist it. Stanwyck is always 100% watchable and moving and she's smart and Van Heflin is a man's man and a very subtly intense actor. Ava Gardner was outstanding and Cyd Charisse is excellent. Mason is not my cup of tea but he pulled it off. These are actors who move with fluid grace and attack their lines and we just don't have American actors like this at present. I watched it a second time because it was seamless and sexy in a very subtle way. The clothes are gorgeous too. All of the intimacy between Heflin and Stanwyck and the easy way he had of just declaring himself was exciting. I was too young to appreciate this actor before, but I'm old enough now to want men to be men in films again.

Two of Marcia Davenport's books - "Valley of Decision" and "East Side, West Side" have been adapted for the screen, neither with resounding success.

The Greer Garson-Gregory Peck "Valley of Decision" only used half of the book - risky, since it was a huge best-seller. "East Side, West Side," which stars Barbara Stanwyck, Ava Gardner, James Mason, and Van Heflin, also leaves out valuable source material. The result is part melodrama/part murder mystery, with mixed results.

Stanwyck and Mason star as married couple Jessie and Brandon, and at the beginning of the film, despite a lovey-dovey scene in a taxicab, we can see what the problem is. He goes to a bar and seems to be trying to pick up Rosa (Cyd Charisse).

When his picture makes the front page the next day for being in a bar fight, Rosa explains the situation to Jessie and the two become friends. She introduces Jessie to the man she loves, Mark Dwyer, and it's obvious from the beginning that he's attracted to Jessie.

Mark has known Rosa since she was a child, doesn't have romantic feelings for her, and the two part friends. Jessie, however, wants her husband, and is panicked when she learns that the woman who nearly ruined their marriage, Isabel (Ava Gardner) is back in town. Brandon is obsessed with her - and Isabel knows it.

Heflin and Stanwyck make a great pair, and the audience wants them together right away. Mason exhibits no emotion throughout. Gale Sondergaard is excellent as Stanwyck's mother, though one wonders about the casting as she was only a few years older than Stanwyck.

One comment stated that Stanwyck was too old for her role; I actually think Sondergaard was too young, as Mason, Heflin, and Stanwyck were within a few years of one another.

One bit of casting that is interesting is Charisse, as she bore a resemblance to Gardner, so the initial attraction Mason has for Rosa bears out his obsession with Isabel.

Gardner provides all the excitement in "East Side, West Side" as a purely sexual being who lives off of men and enjoys exerting her power over them. She's absolutely gorgeous and just about burns a hole in the film with her steamy performance. Rita Hayworth and Ava Gardner were unique screen goddesses who had the whole package - beauty, body, voice, and an erotic sensuality.

Stanwyck is sympathetic in a familiar role for her, and Heflin's energetic performance is juxtaposed against Mason's, making one wonder why Stanwyck is wasting her time. Hollywood seemed to want to make Marcia Davenport's rich novels into ordinary screen stories. It succeeded.

Check out that cast list... the first EIGHT names are all HUGE, or became huge eventually. They must have blown the budget on just the payroll. Even further (farther ?) down the list, there are biggies. Wm Frawley (FRED!) and Vito Scotti. Poor Barbara S... kept getting nominated for Oscars; should have won it for sure for a couple of those. Stanwyck had just made a run of GREAT films during the 1940s, so it's no wonder this one isn't as well known. In this one, Jessie (Stanwyck) confronts her husband's mistress Isabel (Ava Gardner). James Mason is the playboy husband Brandon Bourne, and tries to have his cake and sleep with it too. Some amazing, big time co-stars - Van Heflin, Nancy Davis Reagan, Cyd Charisse, Gale Sondergaard. Bad stuff happens, and then the cop (a young Williamm Conrad) tries to figure out who-dunnit... so many suspects and motives. Really great film... surprised we don't see this on TCM more often, but so many movies, only so much time, i guess. Directed by Mervyn Leroy, who had worked on some biggies during the 1930s and 1940s.