La Vie future

The picture is a right adaptation of the novel titled ¨The shape of things to come¨ by H.G.Wells . A story of 100 years : a decades-long second world war leaves plague and anarchy . The film narrates like after a lengthly war among nations and continuing with plagues , rampages and starvation the world is destroyed . A country ruled by a tyrant (Ralph Richardson) fights against an airplanes confederation (leading Raymond Massey) . Then a rational state rebuilds civilization and tries space travel . As utilizing technology , wisemen and scientists try to rebuild the future world creating a peaceable society .

The motion picture is agreeable and very interesting though when the protagonists speak philosophical speeches is a little boring . Raymond Massey interprets two roles on different generations , at the future world plays a ruler , builder a sidereal rocket , in opposition to Sir Cedric Hardwicke who is facing the progress . The excellent main cast is completed with habitual actors of the British theater and with important cinematographic careers , thus : Ralph Richardson (Greystoke and four feathers) , Anne Todd (Paradine case) , Derrick De Mornay (Young and innocent) , Raymond Massey (Lincoln in Ilinois) and Sir Cedric Hardwicke (Ten commandments) . Cinematography is very good although in black and white and was realized by excellent cameraman George Perinal (Thief of Bagdad and Colonel Blimp).

Arthur Bliss music score is atmospheric and conducted by usual orchestra director of the classic British films : Muir Matheson . Production Design by Vincent Korda is fine as well as spectacular , he's considered to be the best British designer of that epoch . His brother Alexander Korda was the main English producer . The film was well directed by William Cameron Menzies who subsequent directed another Sci-Fi classic , Invaders from Mars . Rating: Good . Above average .

There are some film classics that we have almost lost. I don't mean the might-have-beens, like Laughton's "I Claudius," but films that were released and quite successful and are now in grave need of rescue. The hallmark of such films is the terrible quality of the available prints because the master negative is lost. "My Man Godfrey" and "Nothing Sacred" come to mind. And, of course, "Things to Come".

If the abstractions of the art deco aesthetic could be reified into a story, "Things to Come" might be the result. If the Chrysler Building really were a rocket ship and could fly past the moon and stars and comets of art deco friezes...if we could look into those naive mindsets, whose visions of man's destiny were being energized by the discoveries of relativity, atomic energy and deep space...we might indeed embrace the images of "Things to Come".

Some of the scenes may strike us a corny - as might those of Fritz Lang's "Metropolis" - but they are no cornier in their context than those in "2001, a Space Odyssey" or, for that matter, "Starship Troopers". Here is an honest attempt to project the world into the future, not some silly cowboys-in-space flick.

"Things to Come" makes only a couple of demands: first, that we ditch our smug sophistication and presentist prejudices; second, that we have the discipline to see past the print quality. It may take repeated viewings, as it did with me, but in the end you will be rewarded by a unique odyssey, not into our future but into the future of history.

Things to Come is a look into the future from the perspective of the people of 1936. By today's standards and with hindsight, it seems a little corny but to the people of that time, the movie showed what could have been a real possibility. This sci-fi movie shows the horrors of war and the price of progress predicted by a film made in 1936 by eyes that were looking at a world on the brink of World War II. It's a movie that shows what they thought the world would be like if a major war broke out. One good reason for viewing this film is because it shows this perspective, and because it was one of the early serious attempts of a science fiction film that takes a look into the future. For those interested in the history of early sci-fi in the cinema, Things To Come is a must see.

Things to Come (1935)

It's tough to make a movie about the future, and it's even tougher when the future overtakes the movie. We saw it literally in "1984" and "2001." And we see it in the tea leaves with movies of the near future like "Minority Report" or "AI" or, just for the fun of it, "Sleeper." Or "Brazil." Or "Twelve Monkeys."

Yes, it can go any number of ways, and a writer and director can look to make things realistic enough to go with the fantasy, or make things fantastic and the hell with realism. I'm not talking the distant future, like "Star Wars" but the kind of future we might live to see, you know, "Planet of the Apes." These kinds of movies are everywhere, and they are a kind of thrill just for their vision of the future.

"Things to Come" was made as Europe was teetering toward war but there was only the Spanish Civil War under way. The way it "foresees" a devastating world war is pretty amazing, even now, as long as you keep the dates straight. When it jumps (after half an hour of some pretty terrific filming) to 1970, it gets more fictional, and we have a primitive future of devastation and a struggling rabble trying to survive, and revive civilization. It's a common way to look at the unknown--to revert to a primitive time--and it's fun and a little overwhelming if you take it seriously. The big theme of war, and of a future society opposed to war, is an old one but who can get tired of it?

The first half hour is a wonder of Soviet Expressionist filming. I know, this is a British movie, very British (except, oddly, the director Menzies), but it looks like Eisenstein both filmed it and edited it, and the effect is amazing. If you only have half an hour, watch just this first part and don't worry too much about the plot. The remainder of the movie settles down, and looks a little like either "Intolerance" (yes, 1916 stuff, with big outdoor sets) or "Caligari" (German Expressionist interiors, tamed down a bit). In a word, this is an old fashioned movie in the best way--it's artsy and exuberant. And it's not forward looking for a movie about the future until it reaches the 21st Century, and then it gets amazingly right the prevalence of imagery, of transparent, electronic images on screens large and small, even if they are wearing Roman togas.

H.G. Wells not only wrote the original novel, but he wrote the screenplay, which makes the movie significant through and through. It is sometimes ponderous and trying too hard to be idealistic amidst human instinct for violence and control. After a fabulous (fabulous) montage sequence to move us ahead another half century, we continue the rather boring discussion (talk) about the future of the world, and the value of civilization. It's amazing to look at, but it's not an exciting thing to hear discussed. In short, it lacks plot. Luckily it has a lot of other stuff to compensate.

Powerful, yet creaky science fiction film from the 30's by the Korda clan. H. G. Wells's work is brought to the screen as a vision of what warfare will bring mankind in the century to follow. The film shows the destructive nature of war and how is will catapult us back to a state of barbarism, warlords, and another Black Death-like plague called the "wandering Sickness." However, because man clings to science, man will rise above all this and create a new, modern society free of warfare. The film has a lot of historical inaccuracies to its discredit NOW, yet much of what is preaches is plausible sometime, and much of it has some truth to it in some form. The theme that man can prevail and keep discovering/conquering new vistas is a laudable one. The film shows that progress and science are the things which advance us as a people. I thought of Ayn Rand and Atlas Shrugged as I heard one of the characters say something to the effect that the scientists/inventors had formed their own civilization, free of corruption and violence. The pace of the film is somewhat tortoise-like at times, yet many scenes are very compelling. The set designs are outstanding in the futuristic world of 2036(where they valiantly try to put a rocket in space to make a preliminary orbit around the moon). Acting is good with Raymond Massey and Cedric Hardwicke giving good performances, but it is Ralph Richardson as a "Boss" who deserves the most praise for giving a powerful performance of a man with inherent human traits that stymie progress. A though-provoking film indeed!