Ajouter une intrigue dans votre langueAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stran... Tout lireAlan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.Alan Tanner retreats to a secluded cottage to finish his new play's third act, but complications arise when his two ex-wives and a neighbor vying for his affection show up, leaving him stranded with them until he can complete his work.
- Réalisation
- Scénario
- Casting principal
- Man in Producer's Office
- (scènes coupées)
- First Actor
- (scènes coupées)
- Second Actor
- (scènes coupées)
- Girl
- (scènes coupées)
- Bartender
- (scènes coupées)
- Girl
- (scènes coupées)
- Man in Producer's Office
- (scènes coupées)
- Costume Designer Maza
- (non crédité)
- Pug Answering Phone in Gym
- (non crédité)
- Bridgeport Sheriff
- (non crédité)
Avis à la une
Privacy is about the last things he gets in this somewhat claustrophobic comedy where all three women in his life come for a visit. Ex-wife Genevieve Tobin arrives first, current estranged wife Glenda Farrell is second who brings along lawyer John Eldredge and Deputy Sheriff Frank McHugh to get either her back alimony or Brent in the pokey. Finally there's current girlfriend Patricia Ellis who kind of sneaks in when no one is looking.
Snowed Under is short and fast paced comedy in which Glenda Farrell stands out in this cast. Brent learns that old adage of it's cheaper to keep her.
We kind of know right away who Brent winds up with, still Snowed Under is a lot of fun with an impeccably cast ensemble.
Alan Tanner (Brent) has new play opening in a week, but the play has no acceptable third act.
In order to get it done, Tanner goes to a cottage, which at the moment is snowed under to work in peace. Not happening. His blonde neighbor (Patricia Ellis) is crazy about him and shows up.
The play's producer, Arthur Layton (Porter Hall), dispatches Alan's first wife Alice (Tobin) to keep him on task. Unfortunately Alan's second wife, Daisy (Farrell), shows up and demands her alimony.
Soon the women are screaming at one another and fighting over who can help Alan more. And the neighbor wants to know where she stands. Meanwhile Alan can't get any work done.
This is a madcap comedy, and for some reason I found it incredibly loud and a little too crazy, a fun premise, but forced. Despite going over the top, it has a sophistication to it.
Frank McHugh is a scream as a deputy sent to arrest Alan, who just may find some peace if he can only get to jail. With a little more attention, this film would have been much better.
My first reaction was this was an expertly open-up play, but it was written for the screen. It's certainly cast well; Brent, Warner's choice for a leading man who wouldn't distract the audience from the leading lady, is fine as the hectored yet stolid playwright, and the ladies are nicely differentiated, particularly the speed at which they deliver their lines. Miss Tobin is ladylike, Miss Ellis is twittery, and Miss Farrell continues her reign as Warners' resident motormouth. McHugh sometimes sounds like he's attempting a Down East accent. It's perfectly composed, you know how it's going to turn out, and it's a pleasant series of bumps getting there.
The way this is set up - playwright whose life has spun out of control due to missing his first wife after having cheated with, married, and divorced a gold digging showgirl but who also has a new girlfriend who is really too young for him but is used to having her way because her family is wealthy - It could have been spun into a Douglas Sirk film if you wanted to take the plot outline and make a melodrama. But like I said, it is obvious from the farcical beginning this is going to be light entertainment all the way and you can pretty much see the end from the beginning. It doesn't outlast its welcome at 62 minutes and is a nice way to pass the time if you are recovering from a nervous breakdown without a serious tense moment in its entire running time.
This delightful little comedy is an excellent example of the fluff films that Warner Bros. was so adept at producing during Hollywood's Golden Age. Boasting fine production values, a literate script & some genuinely funny performances, it is a shame that the film is so obscure today.
George Brent & Genevieve Tobin have charm to spare as the protagonists whose divorce seems in danger of floundering; sophisticated & witty, they are a very entertaining duo. Glenda Farrell is hilarious as the boozy floozy after Brent for unpaid alimony - this brassy blonde could always be counted on for some mischievous merriment.
Pixilated Frank McHugh is the milkman turned most unlikely deputy. John Eldredge plays the gentle young lawyer; Patricia Ellis is not gentle at all as the pushy prom princess from next door. Apoplectic producer Porter Hall & sassy housekeeper Helen Lowell add to the amusement.
Movie mavens should recognize Mary Treen as a secretary & Olin Howlin as the sheriff, both uncredited.
Le saviez-vous
- AnecdotesTwo years after the release of Snowed Under, Genevieve Tobin married Warner Brothers contract director William Keighley. She'd been directed by him in Easy to Love (1934) and would work with him again on Yes, My Darling Daughter (1939) and Finie la comédie (1940) --- her final film. She retired from the screen at age 41, stayed married to Keighley until his death in 1984, and lived herself until 1995.
- GaffesThe bench warrant calls for Alan's arrest for not appearing in court on a date which, as typed in the judge's order, was a Sunday. No court would schedule a domestic civil case hearing on a Sunday.
- Citations
Pat Quinn: Last summer you wouldn't have turned me out in the snow.
Alan Tanner: Last summer there wasn't any snow. You were just a little girl who's father rented my house and I was trying to be a rather pleasant country landlord.
Pat Quinn: And now?
Alan Tanner: And now - is the winter of our discontent. Scram, my love.
- ConnexionsReferenced in Seven Keys to Baldpate (1947)
- Bandes originalesJingle Bells
(1857) (uncredited)
Music by James Pierpont
Variations in the score during the opening credits
Meilleurs choix
Détails
- Durée1 heure 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1