Ajouter une intrigue dans votre langueStranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.
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It seems that a creature is after them. A monster so hideous and so mind-bending that my jaw dropped and stayed there! This is Blomkamp's unspeakable tribute to movies like John Carpenter's THE THING, James Cameron's ALIENS, etc., and does it ever deliver the flesh-crawling goods! Impeccable CGI makes this one unforgettable...
Zygote has definitely been my favorite narrative Oats short so far. With the previous shorts "Rakka" and "Firebase", a lot of the story was told through expository narration and flashbacks, which still worked because of how it built the world, but made them seem less like a traditional short. With Zygote however, the story felt much more natural, with much of the backstory and worldbuilding coming through dialogue and mise en scene.
In Zygote, Jose Pablo Cantillo and Dakota Fanning play the two remaining survivors of a mineral mining facility somewhere in the north. Genetic experimentation by one of the occupants has created an abomination made from parts of other living things. Cantillo and Fanning must make a last stand against the monstrosity to ensure the crew's sacrifice was not in vain.
The terror of this short is palpable, and showcases Neill's range as a director. Scenes of the wailing, undulating Zygote stalking down dark corridors are sure to stick with you. Jose Pablo Cantillo and Dakota Fanning were brilliant in their roles, clearly conveying the fear of being trapped inside with the monster, as well as the simultaneous courage to stand off with it.
If I had any criticisms, I would say that some of Jose's dialogue sounded a little fast or whispered, making it hard to hear, but it didn't detract from his overall performance. As for the Zygote itself, while the creature was terrifying, (maybe giving the Thing a run for its money!) I think it could have benefited from a wider range of vocal sounds, and was more scary when obscured by dark lighting, thus giving it a sense of mystery.
All in all, wonderful work from the Oats team! I'll be looking forward to Volume 2!
This opening scene does ask a lot though, because in addition to the exposition, the male actor is not particularly strong – feeling a bit forced and trying too hard to do what he is doing. Once the beast comes though, the film takes on a great pace and sense of horror. The beast itself is a horrific and chilling piece of body horror; the CGI feels real in the way it moves (and moves not just as one creature, but as a horrid composition of people). Through the escape, there are scenes reminding us of what we already heard – and there is a real horror here which the film does well to link to even if it doesn't have the time itself. Fanning is good in the lead, convincing in her fear and limits.
As with the other shorts in this Volume 1 of release, it doesn't feel like a whole (because it is not) but at the same time there is more than enough here to make it effective.
The first thing you notice is how good it all looks and sounds, this is a film with money and talent behind it and it shows.
Telling the story of two survivors of some horrific event in a base while being stalked by a gigantic creature seemingly made up of the body parts of its victims.
Though it does only stand at around 20 minutes and therefore isn't an entire story it does entertain regardless.
I would love to see a full length version of this, a sequel perhaps?!
The Good:
Monster looks incredible
Dakota Fanning is actually on decent form
Fantastic production values
The Bad:
Messy plot
Le saviez-vous
- AnecdotesFilmed at the Diefenbunker, a decommissioned Cold War era nuclear fallout shelter of the Canadian government - now the Canadian Cold War museum. La Somme de toutes les peurs (2002) among other movies have used the location in the past.
- GaffesWhen Quinn presses the button to open the gate to the outside, the supposedly 'concrete' wall flexes under the pressure. (@ 7:24)
- Citations
Quinn: Synthetics must be used as mining labour. Protocol 7, statute 9. But do you know how much true synthetics cost? The overhead involved? Synthetics... They cost more than orphans. We purchased you from the Strata Group. The company bought you when you were two weeks old. You're a fucking human, Barklay. That barcode we put on you was to fool the OSHA inspectors. We bought a couple of synths just to fool them. You're Canary class, right? What's their job? Your job is to crawl down in the mineshafts, deep down into the asteroids. Your job is to die if you walk into a pocket of poison gas, right? Now, do you think a synthetic would get sick like that? Here, take the gun. Take it. You're going to get out. You're going to tell everyone about this place. About you, about who you are. About the quartz, how it flashes. You tell them.
- ConnexionsReferenced in Ethan Trinh Reacts to (Series) (2017)
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Détails
- Durée23 minutes
- Couleur
- Rapport de forme
- 1.78 : 1