Maître Roman J. Israel, un avocat pénaliste idéaliste et persévérant, se trouve entraîné dans une série d'événements tumultueux qui aboutissent à une crise et à la nécessité de prendre une m... Tout lireMaître Roman J. Israel, un avocat pénaliste idéaliste et persévérant, se trouve entraîné dans une série d'événements tumultueux qui aboutissent à une crise et à la nécessité de prendre une mesure extrême.Maître Roman J. Israel, un avocat pénaliste idéaliste et persévérant, se trouve entraîné dans une série d'événements tumultueux qui aboutissent à une crise et à la nécessité de prendre une mesure extrême.
- Nommé pour 1 Oscar
- 2 victoires et 11 nominations au total
Lynda Gravatt
- Vernita Wells
- (as Lynda Gravátt)
Avis à la une
It was a good movie, but a tad confusing. DW is just as good as ever, it's worth watching. The movie was a little slow, but still not bad. If your a Hard core DW fan its worth a watch, but for a casual movie fan id say you can pass on it.
I found this to be some of the best work Denzel has done. I thought he hit the nail on the head in terms of helping his viewers feel empathy for the character. I have to be honest here. I strongly believe that if you are in your sixties and of African-American heritage this may really hit home on many levels. In general it is a film about holding on to our core values, then forgetting them to join the rest of societal madness only to realize that you were not alone in your view of the world. Restoring your original core only to pay the price of deserting it in the first place. Everyday we see people forfeit family,love and life for materialistic gains and other power trips. This is also about the change of values from one generation to another in today's world. This is a film with a message that has and will go over a lot of heads judging by some of the bad reviews I've read. Awesome sound track consisting of 60's and 70's soul and rock. Excellent character portrayals by all bar none.
In "Roman J. Israel, Esq.," a drama written and directed by Dan Gilroy with Denzel Washington in the title role, the American legal system and the people who must somehow operate within its confines are exposed for what they are: an uneven mix of good and bad, with the tilt toward one or the other dependent as much or more so on the moral compass and grit of the individual as on circumstance, no matter how imposing or seemingly impossible they might be.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
When someone asks criminal defense lawyer Roman what the "esq." on his business card is for, he replies _ proudly, with a wry grin: "A little above gentlemen and a little below knight." He might have added, a little below knight in white shining armor and a lot above an uncaring, fee-collecting robot.
Roman has spent his life fighting small injustices on behalf of the disenfranchised, a fight for which he has never been given credit while giving it everything he has, including sacrificing any kind of personal life to do it. He's been the real brains behind a small two-partner law firm he's formed with his former professor, and while tackling unglamorous cases he also has been assembling a brief that will change the class action portions of the justice system forever.
When his partner, in no small way the front man, has a heart attack and is incapacitated, Roman learns that the firm is in fact broke and has been much less altruistic than he was aware, something his former professor kept secret from him.
Roman subsequently applies for a job with slick young attorney George Pierce (Colin Farrell), whom his partner put in charge if something were to happen to him. it's an uneasy fit from the beginning, and Roman finds himself almost immediately morally and ethically challenged, not only in his interpersonal approach to clients and cases but in who he can defend and why.
When he tackles the case of a young African-American man arrested and charged with murder during a convenience store holdup, he begins to question everything he is and has done.
What Roman decides to do, and the consequences of his actions, are the core of a story that reflects scores of small real-life dramas playing out across the country well off the front pages, but significant in how they shape our beliefs and culture.
This may be Washington's finest work yet, a quiet if somewhat klutzy Everyman whose legal genius has both separated him from the norm while thrusting him into its very heart and soul.
This also may be Farrell's best film turn to date, an understated performance that stabs at the soft underbelly of our legal system.
The rest of the supporting cast _ including Carmen Ejogo, Amari Cheatom, DeRon Horton, Amanda Warren, Nazneen Contractor, Shelly Hennig, Joseph David-Jones and Andre T. Lee _ are uniformly excellent in their restrained intensity.
At once uplifting and disturbing, "Roman J. Israel, Esq." is outstanding on all counts.
For a split second there, you are watching "Q&A" or any of the other political dramas Sidney Lumet was famous for. Despite what reviewers have said here, this is mature movie that exists in a different time. And it is tragic that it is lost in the dummies of 2017 society.
The story is of a lawyer whose past convictions of social injustices get called to task when his partner suffers a heart attack. Roman is thrust into reality of facing the people who he left a long time ago to be the shadow autistic man content to vomit all sorts of facts without a shred of...personality tolerable to anyone. Everyone who has worked in an office knows this guy. He's aggravating because he only understands a brand of logic that lacks...spirit. He laughs at the wrong moments. And when put in social situations...he will anger you. However, he possesses massive commitment to a social cause. There's a line in the movie where an admirer defends Roman as "we stand on his shoulders." In other words, despite his annoyance...he has contributed to the cause. What cause is the question. The answer? It doesn't matter. The cause is ambiguous other than Black crime and rights. Which isn't the point it's trying to make. I would guess, it means to be anything we have convictions of and lose sight of will ultimately destroy us. Is that a digestible concept. Not to this world. In all honesty, when Roman starts to slip, we are actually much more comfortable. Because we all sell out when times get rough. This is a wonderful film that will be discovered years later. Much like a Sidney Lumet film (can you even name one). I will say, people will watch it and feel shame they didn't seek it out later. Denzel Washington should get nominated here.
The story is of a lawyer whose past convictions of social injustices get called to task when his partner suffers a heart attack. Roman is thrust into reality of facing the people who he left a long time ago to be the shadow autistic man content to vomit all sorts of facts without a shred of...personality tolerable to anyone. Everyone who has worked in an office knows this guy. He's aggravating because he only understands a brand of logic that lacks...spirit. He laughs at the wrong moments. And when put in social situations...he will anger you. However, he possesses massive commitment to a social cause. There's a line in the movie where an admirer defends Roman as "we stand on his shoulders." In other words, despite his annoyance...he has contributed to the cause. What cause is the question. The answer? It doesn't matter. The cause is ambiguous other than Black crime and rights. Which isn't the point it's trying to make. I would guess, it means to be anything we have convictions of and lose sight of will ultimately destroy us. Is that a digestible concept. Not to this world. In all honesty, when Roman starts to slip, we are actually much more comfortable. Because we all sell out when times get rough. This is a wonderful film that will be discovered years later. Much like a Sidney Lumet film (can you even name one). I will say, people will watch it and feel shame they didn't seek it out later. Denzel Washington should get nominated here.
What we have here is a portrait of an idealistic lawyer with autism, played by Denzel Washington. The lawyer loses his sheltered job and is now forced to take care of himself despite his huge autism handicap. Will he survive or will he break down?
"Roman J. Israel" is a thoughtful, intelligent and fascinating movie. But not suited for those without patience and understanding of people with autism. It is acted very well, but is unlike any other Denzel Washington movie I have ever seen. If you were only interested in Denzel's actionmovies before, then I strongly advise you to walk away, because this is a slowburner. Nothing much happens. Slow tempo.The dynamic of this movie mimics autistic characteristics: the movie itself becomes void of big emotions, just like the main autistic character played by Denzel Washington. The story meanders a bit, which can be confusing. But then again Denzels life as a lawyer is confusing and chaotic as well. The story follows the characters mindset, which is all over the place. Had difficulty understanding WHAT kind of film this was, because I didnt knew beforehand that Denzel played a lawyer with autistic tendencies.
Is it still any good? Yes, but it is probably only suited for a smaller arthouse audience, with an open mind for people with mental disabilities. Puzzling, intelligent portrait of an idealistic lawyer with autism, with an ending that comes close to feel good, but with some questions left open. I have never been so puzzled before by any Denzel movie as with this one...
At an end note: Mind you, look at the poster, what do you see? He looks away, you dont see his face. That's unheard of. But done deliberatedly. Autistic people fear communication with others. They look away. Avoid (eye) contact. Misinterpret other people's meanings. That is what this movie is about. And it is also about the positvie characteristics. It is also about idealism and the typical characteristics that make autistic people special and admirable. Very delicate and confusing movie. Fascinating nonetheless...
"Roman J. Israel" is a thoughtful, intelligent and fascinating movie. But not suited for those without patience and understanding of people with autism. It is acted very well, but is unlike any other Denzel Washington movie I have ever seen. If you were only interested in Denzel's actionmovies before, then I strongly advise you to walk away, because this is a slowburner. Nothing much happens. Slow tempo.The dynamic of this movie mimics autistic characteristics: the movie itself becomes void of big emotions, just like the main autistic character played by Denzel Washington. The story meanders a bit, which can be confusing. But then again Denzels life as a lawyer is confusing and chaotic as well. The story follows the characters mindset, which is all over the place. Had difficulty understanding WHAT kind of film this was, because I didnt knew beforehand that Denzel played a lawyer with autistic tendencies.
Is it still any good? Yes, but it is probably only suited for a smaller arthouse audience, with an open mind for people with mental disabilities. Puzzling, intelligent portrait of an idealistic lawyer with autism, with an ending that comes close to feel good, but with some questions left open. I have never been so puzzled before by any Denzel movie as with this one...
At an end note: Mind you, look at the poster, what do you see? He looks away, you dont see his face. That's unheard of. But done deliberatedly. Autistic people fear communication with others. They look away. Avoid (eye) contact. Misinterpret other people's meanings. That is what this movie is about. And it is also about the positvie characteristics. It is also about idealism and the typical characteristics that make autistic people special and admirable. Very delicate and confusing movie. Fascinating nonetheless...
Le saviez-vous
- AnecdotesIn the film there's a visible gap between Denzel Washington's two front teeth. He had the gap fixed with dental caps sometime after high school, but decided to remove them for this role.
- GaffesThe entire film happens over three weeks' time, but when it's mentioned that William is in a coma, which occurs at the beginning of the movie, Roman states that he has been in a coma for several weeks already.
- Citations
Roman J. Israel, Esq.: Each of us is better than the worst thing we ever did.
- Versions alternativesAfter premiering at the Toronto International Film Festival, the film was re-cut by director Dan Gilroy and star Denzel Washington. The new version is 12 minutes shorter than the festival premiere. In addition to dropping some scenes, the film now features different music on the soundtrack (replacing a number of songs) and moves a scene depicting Roman and Israel going to a Lakers game at the Staples Center to an earlier point in the story.
- Bandes originalesKeep On Truckin'
Written by Leonard Caston, Anita Poree and Frank E. Wilson
Performed by Eddie Kendricks
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Roman J. Israel, Esq.: Un hombre con principios
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 962 778 $US
- Week-end de sortie aux États-Unis et au Canada
- 61 999 $US
- 19 nov. 2017
- Montant brut mondial
- 13 025 860 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of L'Affaire Roman J. (2017) in Australia?
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