Touch Me Not

How you were loved reveals how you love. Since guilt and fear often get in the way, Touch Me Not explores the real experiences of some who set out to widen their horizons, break conventions and confront prejudices. "With maybe 15 to 20 years of good health" one asks, "do I want to continue as I am living?" The film explores different perspectives on human relationships and opens new doors and possibilities of body and mind.

Daring, personal and raw, Touch Me Not proceeds in voyeur-like fashion and invites dialogue about intimacy. Winner of golden bear at the Berlin film festival. North American premiere seen at the 2018 Toronto international film festival.

A brave film that puts things, people, dimensions and perspectives on the table of truth, things that we do not look at easily, we do not look at at all or look with too much judgment and prejudice.

I loved Laura from start to end, she kept the film in her hand in an extremely difficult role, an excellent actress that I would love to see in other productions.

I also liked the music and cinematography, as well as the director's passion for innovation and experiment, her overall curiosity for life and courage to jump in the unknown.

"Touch me not" is not a movie to fall in love with and not for people who live life at its surface, but it is a necessary, human and useful film, a movie that stays with you and raises new questions if you leave yourself open and allow it, if you accept the journey the director proposes to you.

My opinion is that the film deserves its Golden Bear award, and because it's also a debut film for the director, the performance is even more impressive. I expect Adina Pintilie to return in the coming years with surprising productions as there's a lot of potential in her.

I am on the fence with this one. I could say that it brilliantly exposes deceit and vanity, and wouldn't be that far off. I could call it an honest, if flashy and sometimes arrogant, exploration of failed intimacy on a pedestal, and I think I'd have a point there. I felt at times that it was indeed full of vanity and self-importance. Since, luckily, I didn't see the movie on my own, and saw it without knowing anything about it, I found the experience led to an interesting conversation. In the end, I'd say it was a so-so movie, but a worthwhile experience.

Touch Me Not is (for me,) one of those types of films that grows on you after viewing it, be that good or bad. In my case it was a good thing. It's not a perfect film, there are parts (the over-use of white for one thing) that smacks a bit of pretentiousness (again to me), but this is a beautifully filmed movie, and the central character, I found interesting, and I wanted to journey with her as she lived out her quest to come to terms with demons from her past (I will say no more), and find peace within herself and move forward... her comment about being fifty and understanding her limited time of full health, and her need to live those dwindling totally healthy years, truly healthy (body and mind), really rang true. As a new director, I am interested to see where she can go next. In the year of #metoo and #timesup, it's win at Berlin could be construed as an homage to that, but I feel in many ways it did deserve its wins for showcasing these ideas in a very intelligent manner. There are moments in the film (the "therapists" sessions and one part of the sex club scene...again, no more as to spoil anything), that left me with mixed emotions, but I think it was my own thoughts, comfort levels and preferences that were influencing and projecting onto the scenes. It was these types of instances that drew me to like this film, for a movie that can make me question my ideas and perceptions is all right by me.

'Touch me not' is the most pretentious and pseudo art intellectual film I've ever seen. Even if you like the work of directors such as Lars von Trier or Gaspar Noe, you will be totally confused and shocked by this one.

My personal feeling is that the director's aim was only to provoke instead of really exploring in depth the subject of intimacy. And here comes the reason why I'm leaving two stars instead of one. The general idea of the movie is a good one and is related to a trending problem in the western world. However, the end result leaves us more distant from the core of the issue than before watching the movie. Furthermore, this misachievment is accompanied by long scenes, boring lines, unpleasant characters and exaggerations.

'Touch me not' leaves the viewer with the feeling of emptiness, despair and disgust. And inevitably comes the question: 'How did this film win the Golden Bear prize?' and the apprehension that the critical success of such films is a symptom of a growing alienation and loss of values in our society.