ÉVALUATION IMDb
5,7/10
2,1 k
MA NOTE
Les vies de plusieurs Varsoviens s'entrelacent pendant à peine 11 minutes, qui s'avèrent cruciales pour leur destin final.Les vies de plusieurs Varsoviens s'entrelacent pendant à peine 11 minutes, qui s'avèrent cruciales pour leur destin final.Les vies de plusieurs Varsoviens s'entrelacent pendant à peine 11 minutes, qui s'avèrent cruciales pour leur destin final.
- Director
- Writer
- Stars
- Prix
- 10 victoires et 9 nominations au total
Avis en vedette
Well, I loved it. I was fascinated from the start and enjoyed every single minute. Cannot understand all the low ratings. I just want to be entertained, I don't want to (or need to!) critique every aspect of the film making. Last scenes are BRILLIANT!!!
Choppy narrative at first, stick with it. Great use and metaphor of cameras and screens. OMG ending rewards patience. Richard Dormer sweet smiling malevolence or not?
I think there are 7 interlinked stories that wind down to some sort of anticlimactic climax.
In the end you will wonder what you watched and why you stuck it out to the end....
In the end you will wonder what you watched and why you stuck it out to the end....
It's a bold international take on movies like Crash, and even with perspectives you would not expect, but it is slightly difficult to follow.
It's a great film, building tension throughout to the final minutes leaving one guessing as to the final outcome, which I couldn't guess.
I was left thinking after surely the ending should have been obvious, until as one interprets dreams, or as Freud hints at in his book the Interpretation of Dreams, that is one remembers one's dreams upon waking and thus I only decided it should have been obvious after, and so realised instead that this suggested the film was in fact that well-crafted and I only wanted to have thought it that obvious, but in fact I didn't. And so, it means that, I can go back to the idea that I was indeed left guessing... Thus a good emotional feeling based on a film full of tension and twists as well as what seem to be temporal shifts based on well-crafted edits and cuts from scene to scene up to the final moments.
If one has read Henri' Lefebvre, what he calls a Leibniz's House perspective.
What he meant was that to get the sense of a thing, such as a house, one has to look at it from many perspectives, form multiple person's perspectives and over time too. This film kind of moves towards demonstrating the concept better than most.
I was left thinking after surely the ending should have been obvious, until as one interprets dreams, or as Freud hints at in his book the Interpretation of Dreams, that is one remembers one's dreams upon waking and thus I only decided it should have been obvious after, and so realised instead that this suggested the film was in fact that well-crafted and I only wanted to have thought it that obvious, but in fact I didn't. And so, it means that, I can go back to the idea that I was indeed left guessing... Thus a good emotional feeling based on a film full of tension and twists as well as what seem to be temporal shifts based on well-crafted edits and cuts from scene to scene up to the final moments.
If one has read Henri' Lefebvre, what he calls a Leibniz's House perspective.
What he meant was that to get the sense of a thing, such as a house, one has to look at it from many perspectives, form multiple person's perspectives and over time too. This film kind of moves towards demonstrating the concept better than most.
Le saviez-vous
- AnecdotesNone of the character's names are revealed in the movie - except from Anna (the aspiring actress)
- Bandes originalesAnioly w Ameryce
Music by Pawel Mykietyn
Performed by Pawel Mykietyn, Kornel Jasinski & Piotr Maslanka
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- 11 Minutes
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 900 000 € (estimation)
- Brut – à l'échelle mondiale
- 571 697 $ US
- Durée1 heure 21 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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