Ajouter une intrigue dans votre langueIvan Cohen is a young man living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn't know he exists and a dysfunctional family life, he is ... Tout lireIvan Cohen is a young man living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn't know he exists and a dysfunctional family life, he is struggling to find his place in the world.Ivan Cohen is a young man living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn't know he exists and a dysfunctional family life, he is struggling to find his place in the world.
Meagan Huddleston
- Shopper
- (as Meagan Richards)
- …
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So the first 5 minutes will get you thinking "oh, this could be interesting", after that, just plain nonsense, you get the typical small-slim-tidy woman but with some amazingly rambo skills and power to control and fight a tall-strong dude, and don´t even get me started on the plot holes. or the robot acting.
sometimes it´s so slow, you can skip 2 minutes and the characters are still there eyeing at each other, or walking through the house.
This movie is absolutely "cinematic" it's a day in the life type of movie shot in a way that feels almost like a Hollywood daytime tv movie in one, from the aspect ratio to the grain it feels like you're watching a 90's skater movie, if you like day in the life loose story 90's skater vibes like the movie kids, or mid90's then you will love Memoria, the lighting the dialogue the colors and the acting is all amazing and its movies like this that bring that A24 films feeling. From teenagers smoking and skating to violence and just simple boring chill sesh' this movie has it all!!!! Amazing! Enjoy.
"Memoria" (2015 release; 70 min.) brings the story of Ivan. As the movie opens, we see a guy walking into the Golden Gate Bridge. Is he thinking of jumping off? We then go back in time, as we get to know young Ivan, whose father, a Russian immigrant, has returned to Russia. Ivan's stepfather is the stern type, making awkward attempts to forge a relationship with Ivan. As Ivan grows older, he becomes even more distant from his mom and stepdad, and instead spends time with his friends. At this point we're 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the second movie that is based on James Franco's writings. In 2013 there was the okay "Palo Alto", and now this. As in the earlier movie, Franco plays a small role, as the HS teacher who tries to help out van. Franco has maybe 10 min. of screen time. Indeed, the focus is not on Franco, but on Ivan (played by Sam Dillon) and his HS friends, whose idea of getting through the day is to do as little as possible, while partaking in drugs quasi constantly. As Franco's character says: "I know how hard it an be to be a HS kid", and indeed we feel Ivan's pain and isolation. Ivan comments "I don't care what they think", but instead he does very much care, too much so indeed. An obvious question is why this movie is a mere 70 min., too short really to be a theater-ready full-length feature. Surely, the makers could've come up with, say, another 10 min. of material?
I had no idea that this movie was released (it premiered at film festivals in Fall of 2015, and then next spring went straight to DVD), and when I noticed it the other days at my local library, my curiosity was peaked and I had to check it out. It's not a bad movie per se, but neither is it all that memorable. The similarities between this and the previous "Palo Alto" are obvious, but "Palo Alto" is easily the better of the two movies.
Couple of comments: this is the second movie that is based on James Franco's writings. In 2013 there was the okay "Palo Alto", and now this. As in the earlier movie, Franco plays a small role, as the HS teacher who tries to help out van. Franco has maybe 10 min. of screen time. Indeed, the focus is not on Franco, but on Ivan (played by Sam Dillon) and his HS friends, whose idea of getting through the day is to do as little as possible, while partaking in drugs quasi constantly. As Franco's character says: "I know how hard it an be to be a HS kid", and indeed we feel Ivan's pain and isolation. Ivan comments "I don't care what they think", but instead he does very much care, too much so indeed. An obvious question is why this movie is a mere 70 min., too short really to be a theater-ready full-length feature. Surely, the makers could've come up with, say, another 10 min. of material?
I had no idea that this movie was released (it premiered at film festivals in Fall of 2015, and then next spring went straight to DVD), and when I noticed it the other days at my local library, my curiosity was peaked and I had to check it out. It's not a bad movie per se, but neither is it all that memorable. The similarities between this and the previous "Palo Alto" are obvious, but "Palo Alto" is easily the better of the two movies.
I don't understand the 7 of 10 rating as of my watching this film. It starts seemingly stupid and continues being stupid. Quit watching after five minutes.
Memoria, a film that I have watched and watched and still have not uncovered the movies true nature. It is a tale of poweful and life changing experiences that occur from the perspective of a grieving main character. Inside he for longs for what was and what will never be.
Catapulted by powerful and lasting performances that spark a question of true memories. What do we hold on to and for how long, and what do we choose to lose in translation. These are all questions that are brought to light in Memoria.
Other films based off of Franco's work (mainly being Palo Alto), did not capture what was being conveyed and put onto the screen. However, Memoria completes this with a sobering ease as it weaves you into it's carefully drawn web of inner turmoil. A must watch that I believe everyone should experience in their lifetime, Memoria will leave you feeling different about the people who walk by you each day.
Catapulted by powerful and lasting performances that spark a question of true memories. What do we hold on to and for how long, and what do we choose to lose in translation. These are all questions that are brought to light in Memoria.
Other films based off of Franco's work (mainly being Palo Alto), did not capture what was being conveyed and put onto the screen. However, Memoria completes this with a sobering ease as it weaves you into it's carefully drawn web of inner turmoil. A must watch that I believe everyone should experience in their lifetime, Memoria will leave you feeling different about the people who walk by you each day.
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Détails
Box-office
- Brut – États-Unis et Canada
- 2 242 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 47 $ US
- 10 avr. 2016
- Brut – à l'échelle mondiale
- 2 242 $ US
- Durée1 heure 10 minutes
- Couleur
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