Nguoi Vo Cuoi Cung

I'm from the United States and this was the first time i have watched a Vietnamese film. I love period dramas and this was surprisingly just what I was looking for. The story isn't anything we haven't seen before, but I have no problem with that. I particularly enjoyed the movie carrying on for a few moments after the typical ending giving us full closure on what the family did. I thoroughly enjoyed the film down to finding myself weeping by the end. Reading captions is no problem for me and didn't take me out of the film for any moment. I hope I can find more films like this, my English language films are starting to run thin.

I started following Victor Vu's films since "Passport to love" (2009), and I'm quite happy that I was able to take in this latest offering of his. The cinematography is top notch - right from the start, you're pulled into the story by the gorgeous sceneries, the lush vegetation, the breathtaking waterfalls and rural vistas. This is also a period drama, in which the costumes are sumptuous, the peasant dresses authentic looking, and you experience full immersion in 19th century Vietnam, during the Nguyen dynasty. The story is fairly straightforward and its development and denouement somewhat predictable. In scope and breadth, it reminded me of "Raise the red lantern" the Chinese-language 1991 Zhang Yimou romantic comedy starring Gong Li. Here too we witness the bleak fate that befalls young, pretty women when confronted with family poverty and ruthless, cruel landowners or government officials. The acting is very good. Kaity Nguyen, Thuan Nguyen, and all the supporting cast put in solid, very believable performances. It was a good 2+ hours in an pleasant, delightful, at times tear-jerking movie. I hope that Victor Vu will continue to give these little gems, which, IMO, are much better fare than the blockbusters and superhero rehashes we seem to keep getting from the big studios. I fully recommend "The last wife" and give it a solid 8 stars.

As a Viet live abroad, I was so excited to see a Vietnamese movies on Netflix. I could not pass 15 minutes because of minor thing that are over looked. To make a quality movies, you have to get every little details correct, and accurate. The main actress while doing a terrific job, but has southern accent. Mean while every one else in the movies setting was speaking in Northern accent. Major misinform facts. This is the director mistake. He could demand the main actress speak in Northern accent and it would be bearable to watch. And the Executive producer? Who are they? And let this slide? Probably not a Viet live abroad person to go along with this madness. I'm sorry, but I give it a 4 stars at best.

I read reviews after watching. First I will say that I will refrain from bashing another countries dramas and or acting style to get my point across. It had potential but it missed the mark in my opinion. With that being said I have only watched K&C dramas so this was a new direction. I was not pleased but I wasn't disappointed but that's probably because I didn't have any expectations when I chose it. It's more of a mixture of a bunch of ideas that had absolutely nothing to make them have a common ground.

Poverty meets wealth. Wealth abuses power. Then, poverty after losing all hope, eventually finds peace.

In the first scenes of the movie, I felt like I was watching a pornographic film because there were too many explicit scenes. Although I could see the director's intention to compare the emotions of the polygamous character in different situations, the storytelling made it difficult for me to empathize or sympathize with this character. The story lacks logical consistency, with characters behaving irrationally by shouting and attacking each other recklessly regardless of the circumstances and timing, which doesn't seem plausible. The character named Nhân is impulsive, instinctive, somewhat dim-witted, and always in a lustful state, ready to rush into the third wife's room for sex, even when she is entertaining dozens of guests. The characters lack emotional connection, relying only on personal gain to come together, making the story disjointed and lacking depth.