Tian zhu ding

This film exposes the difficulties of a few characters in various Chinese provinces - people of average circumstances just trying to get by. Their stories are based on true events.

This film is suitably shocking in many ways in exposing not only the difficulties of the characters in focus but also the extreme reactions some of them have in dealing with their circumstances. The most creepy aspect is the absence of any authorities or help given to those who need it. This was intended by director Jia Zhang-Ke to expose modern life in China.

While there are powerful scenes in this movie, it seemed confusing at times and not fully coherent and a bit long at over two hours. But credit can be given to the boldness of exposing so much in a totalitarian regime. - dbamateurcritic

As always with portmanteau films, I found the quality of these four tales (or tellings) varies quite a lot, as does one's sympathy or empathy for the characters. As such, as others have commented, I thought that the rest of the film did not match up to the first quarter. However, the other three parts were not *bad*, and for me added to the overall tone of societal bleakness. I've made brief visits to China but would in no way say that qualifies me to judge how "realistic" a picture this is, despite the factual bases of the component stories. However, as we increasingly observe and debate the effect of China's actions on the wider global stage, this film perhaps provides helpful context, if this is the domestic backdrop...

This is a Chinese film written and directed by Jia Zhangke. There are four stories about four characters in modern China. They each face the corrupted modern world with violence. Jia based each story on a real event ripped from the headlines.

The most compelling one has to be Dahai. It's the performance of Wu Jiang. There is a real power in his presence. I would prefer the whole movie staying with him. It's not as simple as rooting for him. Quite frankly, it's hard to root for the guy after he shoots a kid. It reminds me of Michael Douglas in Falling Down. I had a hard time staying with the other stories. I kept waiting to reconnect with the Dahai story. I appreciate the idea of an anthology film. It's often the case that one stands out among the crowd. I always pine for more from one over the others.

after finally watching A Touch Of Sin this evening at ACMI with some friends, it's left me stuck in 2 worlds - missing Jia Zhang-Ke's meditative & lyrical work of the past & liking the new approach to these social wrongs in a more brutal / violent / cynical manner...

first thoughts were quite similar to when i watched another master film maker Kim Ki-Duk's "Pieta" which after further digestion, thought & reading became my fave film of 2013 - both films show violence in a heavy way but still portray it in a meditative & profound manner, using symbolic moments to remind the audience about these issues...

in hindsight i really like this film and where Jia is going with his approach... considering this is a narrative driven film over his powerful and thought provoking documentaries, all the killings were based on real events the director read in blogs... the film is a vessel to show these separate events as one about alienation, the varying classes in china & corruption / political flaws...

here's a good article from Slant which covers a lot of how i feel towards the films - 8/10

http://www.slantmagazine.com/film/review/a-touch-of-sin

The director has so much to express, which makes the film loose. He wants to show the whole picture of modern China by referencing lots of news in the stories. But it weakens the story itself. The fourth fragment is most representative. It seems not so reasonable.

A few actors are great, like Wu and Tao, while others do not their roles. Baoqiang is not ferocious enough as a professional robber. Some guest actors are unnecessary, even ruin this movie, such as Sanming.

Anyway, we should show respects to both Zhangke and this movie. He really wants to express his anxiety about this sick society. He reminds us this situation is unstable and unsustainable. We are on the edge of a crash.