Bhimaa

Film is not bad. It is hopeless. Sequences and scenes look cliche and copied from one movie or another. At a crucial time when Tollywood is moving towards new age with directors like Vidyadhar Kagita making a spectacle named Gaami, we have a director imported from outside to make an outdated and cringeworthy fare.

As audience, I support Gaami for the new concept, direction and story despite its flaws, and more over for its Tollywood's OWN director. Gopi sir should acknowledge and support our homegrown talent.

Mr. Harsha, please head back to your own yard to make thrash like 'Bhimaa'. We will support our Gopi sir when he makes his next movie with our Tollywood director. Supporting local talent and new age cinema always!!

People saying objectification of women is shown in the movie, I want to ask that any of you will not get attracted to a woman you like as shown in the film. Yes, it could have been considered objectification if the hero had treated all the women like that in the film. Hence, You are wrong and here is the saying that as you are yourself so you see the other. The main point most reviewers saw and were focused on that but not the graphics they showed. It felt better than Bollywood where is your praise for that, where is your praise for such wonderful acting of all the stars of the movie? From my heart, I would recommend this movie to all my friends and I assure you that it is more entertaining than you would have thought it to be.

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movie

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

No doubt acting of mr. Gopichand is superb but the bhimaa character is so pathetic, nonsense type comedy , illogical fighting scenes , imaginary type love angle , so pathetic movies.

Oh, what a delight, a film where the plot flirts with the idea of being interesting only to take a nosedive into the sea of cliché and cringe. It's like stepping back into an era where boredom was the norm, with a narrative that's as fresh as last week's leftovers. Dialogues so cheesy, you'd think they were competing in a dairy product fair. Our leading lights in the acting department seem to think they're at a shouting match, turning every scene into a test of patience. Priya might be somewhat tolerable, hovering around the realm of just okay, while Malavika proves that stunning looks don't translate to acting prowess. As for the ensemble, they simply meander along the path of least resistance, presumably following the uninspired direction they were given. The cinematography and production values wave a little flag of decency in this desert of mediocrity, and while the songs might have you reaching for the mute button, the background score mercifully doesn't exacerbate the situation. Recommending this film? I'd say you'd have a more enriching experience watching water boil.

Disappointment is the lingering sentiment as the credits roll, and one can't help but feel a sense of loss for what might have been-a cinematic gem that instead turned into a broken promise.

The film starts promisingly enough, with a premise that intrigues and characters that seem layered. The cinematography is breathtaking, capturing the essence of the setting with a vivid palette of colors. The score, too, begins as a symphony that promises to carry the audience through a spectrum of emotions.

The performances, while earnest, are hampered by a script that feels both overwrought and underdeveloped. Talented actors struggle to breathe life into dialogue that ranges from the melodramatic to the mundane. Moments meant to be poignant feel forced, leaving the audience disconnected and disengaged.