House of Forbidden Secrets

This movie will keep you guessing the whole way through. Loved the cast in general. Having seen it, I now can't imagine the movie without Dyanne! She really was perfect for the role of Greta. I thought the character of Wayne played by Brad Westmar brought some lightness and humor to an otherwise creepy situation - he got a few laughs out of me for sure. The sound and video quality was excellent, and the soundtrack impressed me - very high quality and added a whole other dimension to the film - emphatic. I like that it was not the usual top-40 hip hop/pop charts sound track. You almost go into the film expecting that and then are surprised with this amazing orchestra. All around, a fun movie on the darker side.

Cast, crew and their friends and family should be barred from rating and reviewing movies. They should be ashamed of the blatant BS they spew. This movie is sincerely awful from start to finish.

"House Of Forbidden Secrets," written, directed, produced and edited by Todd Sheets, is set in one long night at a pretty amazing building called the Shadowview Manor, which is really as much of a character in the film as anyone else. Todd knows how to build suspense with sound design and some very good timing. The architecture and lighting combine perfectly top create mood and atmosphere to build scenarios designed to coax the shadowy spirits to show themselves. And they do, in increasing degrees by the end of the film.

One of the many strengths in the film is the quality of the acting. These characters are well defined, real people. Their relationships, based on humor and forced bonding in a terrible situation, would be entertaining enough that if no ghosts ever turned up, we would still be entertained. "House of Forbidden Secrets" creates characters who are not just there to be splatter movie prey, but who have some dimension. And it is surprising! I was expecting it to be like Todd Sheets' earlier efforts, and was pleasantly surprised. This film takes it's time introducing the cast, and letting you get to know and care about them.

But make no mistake, House of Forbidden Secrets is no dead-serious, slow burn, somber affair. This is a film with Horror History blood in it's veins, with one major goal: To entertain an audience. In the end, House of Forbidden Secrets is a masterwork of shadow, disturbing images, violence and color, brought to us by a director who has a true vision of Horror, who knows his history of Horror Cinema, and who in the end, fills his film with both originality and nostalgia, creating something unique for a low budget film. A finely crafted late 70's to early 80s feel, but also something new, fresh and gorgeously rebellious.

Another strength is the stunning music. By infusing the film with the haunting melodies of Fabio Frizzi, the expressive Italian composer of Classic Horror like Lucio Fulci's most cherished films The Beyond, Zombie and City of the Living Dead really brings the sound to life! Perfectly blending with the surreal visuals and the impressive color palette. In addition to Fabio, there is other music from Japanese composer Toshiyuki Hiraoka, bringing a modern almost industrial vibe to certain parts of the film. Once again a mix of Classic and Modern Horror. Toshiyuki's music is full of texture, layered and deep, with dark passages that haunt. With these two at his side, Todd Sheets was able to make a film that transcends the genre, opening up a whole new world for Todd to paint his darkest and bloodiest dreams.

It's a dark tale indeed, relishing in the shadows of the expansive mansion setting and thriving on throwing your expectations back in your face. Just when you think you have the film all figured out, it takes a new turn, twisting the story into something special. It begins almost like a typical ghost film, about a haunted building, but by the end, it truly takes you into original territory, with a story that never feels forced. These are the types of twists that leave an audience surprised and excited, never betraying logic or the rules set forth at the beginning. It exceeded my expectations at every turn and the smart script truly re-imagined the tired haunted house genre, infusing it with new blood and, in the end, it really worked.

If you haven't seen this movie then you owe it to yourself to view it as soon as possible. Keep an open mind, sit back and enjoy the ride. A film full of love for the Horror genre made with passion and care, both nostalgic and original. With one of the best soundtracks I have had the pleasure of hearing on a modern Horror film. I highly recommend it to anyone that enjoys low budget indie cinema, and to people who appreciate a cinematic adventure, with a demented edge and a visually vibrant eye.

I grew up with cheesy horror movies from the 70's, 80's and 90's. I became a fan of the horror genre in general. So I am no newbie when it comes to B horror cheese. I went into this film thinking that it'd be pretty good, based on the scores given for the film. I mean, what movie could be bad when it has a cameo from the Lloyd Kaufman? Well, this movie wasn't good. I can't think of a single good thing to say about this movie besides the gratuitous nudity it has. There is no redeeming part of this film. From the actors, to the cinematography, it's all pretty bad. The movie appears to pride itself in the fact it considers itself a grind house film, but even then, while the acts of violence are apparent, they are done in such a direct way, with such poor effects, they don't do anything to make the movie any better. People will make mentions of films such as Blood Feast, when it comes to the graphic content of this movie. The thing is, even the victims of Blood Feast will writhe in agony while they are being brutalized in the film. But in this film, it's like the actors stand still while their faces are ripped off, or their entrails are pulled out. The story makes almost no sense. It doesn't help that the movie jumps all over the place, so there isn't really any sort of consistent story. I fell asleep twice while watching this film, I had to re-watch it almost three times. That's a terrible precedent for horror movies. If you fail to grab my attention so much I can't stay awake, you failed at your job. Avoid this at all costs. It's garbage, it's junk and it uses hyped up keywords to try and draw it's viewers in.

If I were Stephen King I would write some witty line like, "I have seen the future of Horror, and it lies in… The Past." More and more films today are bringing back the elements we all loved in Horror and Action cinema growing up. The classics that have infected generations of filmmakers is alive and well in the blood of the "new breed." No one really thinks of movies like Urban Legend anymore, but mention Suspiria or Zombie – eyes light up! It is this connection to the past that infuses the film House of Forbidden Secrets. It is a love letter to the Italian Horror films of the 70s and 80s. It even has a score by none other than Fabio Frizzi who wrote the music for all of Lucio Fulci's best. Not to say that this film is a rehash, because it isn't. And that is what makes me really love the film. It has the influence of these great Horror films of the past, but has a very original story to tell and a style all it's own. There are twists upon twists, and the great thing about it is, I could not tell you at the beginning of this film where it actually ends up. Nothing is really telegraphed. The surprises pack a punch and for a Horror film rooted in style and gore-soaked imagery, there are some strong characters on display and it is evident that the team who created the film actually CARED about the project.

This script is tight and the dialogue is pretty sharp and actually funny for the most part. The special effects are prosthetic, you know back when artists actually sculpted things and didn't rely on a computer to fix everything. There were a couple of really "out there" effects sequences that had my date gasping and covering her eyes. One in particular may be one of the nastiest splatter effects ever, and very Italian Horror in style.

The main cast of mostly unknown actors is surprisingly good. The leads Nicole Santorella and Antwoine Steele were both very strong, and I also really liked Millie Milan who seems so natural in front of a camera. She has an exotic look and I really enjoyed her. I am also a huge fan of the supporting cast. Lew Temple has always been given supporting roles that seem to never be big enough. Here, Lew actually shines. Without giving spoilers, let me just say that he is a character you will love to hate, and he tears into the part with gusto, energy, and a sly wink at the audience. Also giving a truly winning performance is Dyanne Thorne, star of the ILSA series of films. She is stunning. This is Dyanne's return to Horror and she makes the most of the well written dialogue. A scene between Lew and Dyanne had me so engaged that I wanted to rewind the film and watch it over and over. But I couldn't. This reviewer was lucky enough to catch the film with an audience who jumped, laughed and screamed at all the right moments. The audience also went crazy when George Hardy, of TROLL 2 fame, said his famous "Hospitality" line. It was great to see so many genre faces in this and all of them seemed to be having a blast. George's scenes with Allan Kayser, from Night of The Creeps, were also very funny. The "Bradster" still has trouble with the ladies, all these years later! Director Todd Sheets has learned much in his time away, and his return is a reason to celebrate if we get more films like this. Every frame is draped in gorgeous color and each composition is like eye candy. During a Q&A, Todd said he had decided to return to films after he had a quadruple bypass surgery from a heart attack. He said this film was made within a year of his release from the hospital. While I am very sorry that the man had to endure this tragedy, I am thankful to have him back. The care and passion that went into this film is evident from frame one, and in this age of commercial, cookie cutter movie of the week garbage, this is a very welcome addition to the Horror genre.

This is a great, modern Horror film that also feels familiar and inviting. It's as if Lucio Fulci, Lamberto Bava, Fred Olen Ray, H G Lewis and John Carpenter got together and made a film for a hundred thousand bucks. With a bit of Argento's visual flair thrown in as well. I really enjoyed it, and if you give it a chance and you love the original Horror classics like I do, I bet you'd like it too! One day Sheets name may be up there with the others, someone should give this guy some real money to work with, let him loose and see what would happen. I'd be in line for that.