ÉVALUATION IMDb
6,2/10
20 k
MA NOTE
Ajouter une intrigue dans votre langueBeneath Bruce Garrett's under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.Beneath Bruce Garrett's under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.Beneath Bruce Garrett's under-confident, overweight exterior, the passionate heart of a salsa king lies dormant. Now, one woman is about to reignite his Latin fire.
- Prix
- 1 victoire au total
Avis en vedette
Watching films like the present one is, under some respects, a rite: we know in advance what is awaiting us, we can easily imagine what will happen, how things will turn, how they will end. So when we start watching we wonder mainly one thing: will the story develop as we expect, will our expectations be happily confirmed or on the contrary will something unpleasant let us down? Which is exactly what doesn't have to happen.
Knowingly or not we are seeking for something that will sooth our anxiety, like a balm. This is the prerequisite. Then we check if the film is OK, if it makes us laugh, if the story is original, if it surprises us, if the funny characters are actually funny... and so on.
Well according to me everything is OK in this nice movie, the story is good, the characters are catching and everything is as it had to be: funny and entertaining. A good British answer to American comedies.
Knowingly or not we are seeking for something that will sooth our anxiety, like a balm. This is the prerequisite. Then we check if the film is OK, if it makes us laugh, if the story is original, if it surprises us, if the funny characters are actually funny... and so on.
Well according to me everything is OK in this nice movie, the story is good, the characters are catching and everything is as it had to be: funny and entertaining. A good British answer to American comedies.
Bruce and his sister Sam danced salsa competitively as kids under the directions of Ron Parfitt (Ian McShane). They were a winning team until Bruce fails to attend the Nationals after being bullied in his costume. He vows never to dance again. Twenty five years later, Bruce Garrett (Nick Frost) is a chubby engineer. His 'friend' Drew (Chris O'Dowd) is a sleazy co-worker. Helen (Alexandra Roach) is a bitter co-worker. They get a new boss in Julia (Rashida Jones) and Bruce immediately falls for her. He discovers that she dances salsa and he tries to put on his dancing shoes once again.
Nick Frost is likable. Chris O'Dowd is a silly fun weasel, and Rashida Jones is absolutely adorable. The movie works whenever these three interact with each other. The awkward romance between Frost and Jones is endearing. The dancing doesn't make sense. I don't understand why Bruce doesn't simply join in the dance class as a beginner. The premise doesn't work and the story suffers. The comedy works but the dancing story doesn't.
Nick Frost is likable. Chris O'Dowd is a silly fun weasel, and Rashida Jones is absolutely adorable. The movie works whenever these three interact with each other. The awkward romance between Frost and Jones is endearing. The dancing doesn't make sense. I don't understand why Bruce doesn't simply join in the dance class as a beginner. The premise doesn't work and the story suffers. The comedy works but the dancing story doesn't.
I heard Nick Frost promoting Cuban Fury on its release and heard the stories about how he had to gather together enough money over a lengthy period to get his project off the ground. When I listen to interviews like that you do tend to lean a bit towards the producers and in this case the star (he wears two hats) for the hard work in getting a non studio non blockbuster to the screen.
But then you often realise why American television produces so much 'made for TV' film fodder, because in America this film would not have made it to cinema release. This merely highlights how low the true British film has fallen since the great days of British comedy, such as Ealing, and even to a degree, the Carry Ons.
Cuban Fury is OK, no more. Nick Frost is OK, no more. There is a reason why actors form teams and that is because they play a foil for each other, and in Cuban Fury Nick Frost has to carry the film which neither he nor the script is capable of. Frost's foil, as such in this film is Chris O'Dowd, but in reality his is the love opposition in Frost's hopes of getting the hand of Rashida Jones. So O'Dowd is working against Frost for the entirety of the film and his over the top lothario is so poorly acted, developed and scripted that his time on screen is time that is more annoying that fun in what is meant to be a comedy.
The story surrounds Frost's infatuation for Jones when she joins his Company as Head of Sales. His infatuation is further enhanced when he realises that she enjoys Salsa, a format that Frost was a champion in before he was bullied out of it in his teenage years. Love has no boundaries however, and Frost is determined to woe this women with his rusty skills and returns to his old mentor, played by Ian McShane, to see whether his now larger and less lithe physique still has the old magic.
As is usual in this kinds of films the 'little man' must battle adversity to win his girl, and in some amusing pre-climax dance scenes that it was Frost does. The fight scene between him and O'Dowd is more akin to West Side Story than Rocky and is very amusing and well edited. But the premise only cast your mind back to another similar British film of recent years, namely Run Fat Boy Run, which did this 'boy tries to win girl' storyline so much better.
The film has a great cast of British characters with McShane definitely becoming a new Oliver Reed for scene stealing. Also worthy are Olivia Colman as Frost's former dance partner sister and Kayvan Novak who steals most of the scenes he appears in.
This film is OK, but could have been so much better.
But then you often realise why American television produces so much 'made for TV' film fodder, because in America this film would not have made it to cinema release. This merely highlights how low the true British film has fallen since the great days of British comedy, such as Ealing, and even to a degree, the Carry Ons.
Cuban Fury is OK, no more. Nick Frost is OK, no more. There is a reason why actors form teams and that is because they play a foil for each other, and in Cuban Fury Nick Frost has to carry the film which neither he nor the script is capable of. Frost's foil, as such in this film is Chris O'Dowd, but in reality his is the love opposition in Frost's hopes of getting the hand of Rashida Jones. So O'Dowd is working against Frost for the entirety of the film and his over the top lothario is so poorly acted, developed and scripted that his time on screen is time that is more annoying that fun in what is meant to be a comedy.
The story surrounds Frost's infatuation for Jones when she joins his Company as Head of Sales. His infatuation is further enhanced when he realises that she enjoys Salsa, a format that Frost was a champion in before he was bullied out of it in his teenage years. Love has no boundaries however, and Frost is determined to woe this women with his rusty skills and returns to his old mentor, played by Ian McShane, to see whether his now larger and less lithe physique still has the old magic.
As is usual in this kinds of films the 'little man' must battle adversity to win his girl, and in some amusing pre-climax dance scenes that it was Frost does. The fight scene between him and O'Dowd is more akin to West Side Story than Rocky and is very amusing and well edited. But the premise only cast your mind back to another similar British film of recent years, namely Run Fat Boy Run, which did this 'boy tries to win girl' storyline so much better.
The film has a great cast of British characters with McShane definitely becoming a new Oliver Reed for scene stealing. Also worthy are Olivia Colman as Frost's former dance partner sister and Kayvan Novak who steals most of the scenes he appears in.
This film is OK, but could have been so much better.
Like most people, I'm used to seeing Nick Frost as part of a 'double act' with friend and fellow actor Simon Pegg (or technically 'triple act' with their director Edgar Wright). However, in 'Cuban Fury' we see what he's capable of when headlining the bill.
In case you haven't seen any of the posters for this film, it's about dancing. Frost plays his typically mellow, overweight self who used to dance as a child, until he was bullied into giving it up by other boys. Now, as a man, he has to regain his dancing feet in order to win over the (naturally beautiful and coincidentally American) woman he loves.
I could tell you how it goes, but, if you can't guess, then you haven't watched enough films. Its major flaw is that it's painfully predictable. You can sort of see every situation coming and feel like you could have even written it yourself if you put your mind to it. However, despite this being a 'tried and tested' formula, it's still enjoyable to watch.
Nick Frost may not be fighting zombies or aliens, but he's still naturally charming and managed to be watchable as he bumbles his way through the film. After watching it I didn't feel like I'd wasted an hour and a half of my life (although I'm not likely to bother watching it again on account of me already having seen a hundred films just like it). It's basically nothing new, but if you're in the mood for something light, frothy and easy-going, there are worst ways of spending your time.
Also, special mention to Olivia Coleman who, in my opinion, stole every scene she was in. Pity she wasn't in it more.
http://thewrongtreemoviereviews.blogspot.co.uk/
In case you haven't seen any of the posters for this film, it's about dancing. Frost plays his typically mellow, overweight self who used to dance as a child, until he was bullied into giving it up by other boys. Now, as a man, he has to regain his dancing feet in order to win over the (naturally beautiful and coincidentally American) woman he loves.
I could tell you how it goes, but, if you can't guess, then you haven't watched enough films. Its major flaw is that it's painfully predictable. You can sort of see every situation coming and feel like you could have even written it yourself if you put your mind to it. However, despite this being a 'tried and tested' formula, it's still enjoyable to watch.
Nick Frost may not be fighting zombies or aliens, but he's still naturally charming and managed to be watchable as he bumbles his way through the film. After watching it I didn't feel like I'd wasted an hour and a half of my life (although I'm not likely to bother watching it again on account of me already having seen a hundred films just like it). It's basically nothing new, but if you're in the mood for something light, frothy and easy-going, there are worst ways of spending your time.
Also, special mention to Olivia Coleman who, in my opinion, stole every scene she was in. Pity she wasn't in it more.
http://thewrongtreemoviereviews.blogspot.co.uk/
The movie was a relatively simple movie all about self-confidence and putting yourself out there. Thats pretty standard fare, but...
The cast are excellent. Most of the people in the movie that dance are actors rather than dancers, unlike movies like "Step up", and it shows with characters like Bejan. He's hilarious, extremely camp and actually quite credible as someone you'd likely see on a salsa dance floor.
Unlike some other reviewers, I am a long way from 50, but I do actually know a little bit about salsa. This movie represents parts of the salsa scene that people not in it don't know about. It shows various styles of salsa (rueda, on-1, on-1 threesomes and carnival), it shows dance style similar to salsa & enjoyed by many on the salsa scene (some shots looked like kizomba or bachata {hard to tell with the bad framing of the shots}, and there was Bejan telling people doing aerobic dance {zumba} to go back to their leisure centres). The movie does have quite a lot of capoeira-inspired dancing, and a lot of dancing that you'd only expect professional dance performers to even come close to attempting (loads of lifts)
Sound: The movie pretty much sounded as it should have, but there was one particularly irritating oversight. The guy(s) who did the soundtrack really didn't worry about matching the on-screen dancing to the musical beat. It made the dancers look like they were about 2 and a half beats off, just horrible.
Its definitely worth watching.
The cast are excellent. Most of the people in the movie that dance are actors rather than dancers, unlike movies like "Step up", and it shows with characters like Bejan. He's hilarious, extremely camp and actually quite credible as someone you'd likely see on a salsa dance floor.
Unlike some other reviewers, I am a long way from 50, but I do actually know a little bit about salsa. This movie represents parts of the salsa scene that people not in it don't know about. It shows various styles of salsa (rueda, on-1, on-1 threesomes and carnival), it shows dance style similar to salsa & enjoyed by many on the salsa scene (some shots looked like kizomba or bachata {hard to tell with the bad framing of the shots}, and there was Bejan telling people doing aerobic dance {zumba} to go back to their leisure centres). The movie does have quite a lot of capoeira-inspired dancing, and a lot of dancing that you'd only expect professional dance performers to even come close to attempting (loads of lifts)
Sound: The movie pretty much sounded as it should have, but there was one particularly irritating oversight. The guy(s) who did the soundtrack really didn't worry about matching the on-screen dancing to the musical beat. It made the dancers look like they were about 2 and a half beats off, just horrible.
Its definitely worth watching.
Le saviez-vous
- AnecdotesIn the scene were Bruce (Nick Frost) and Drew (Chris O'Dowd) are doing the dance-off in the parking garage, a car beeps to pass by, and in the car is Simon Pegg, Frost's frequent co-star from Spaced (1999), the Cornetto Trilogy and Paul (2011) (amongst others), and O'Dowd's from Comment perdre ses amis et se mettre tout le monde à dos (2008).
- GaffesNick Frosts character shaves his whole chest in one scene, but chest hair is seen to be poking out of his shirt several times through the rest of the film.
- Générique farfeluSeveral characters appear in newspaper clippings in the end credits, including Chris O'Dowds character in his new job.
- ConnexionsFeatured in The Graham Norton Show: Idris Elba/Lena Dunham/Olivia Colman/Keane (2014)
- Bandes originalesI Believe In Miracles (Original Havana Mix)
Written by Mark Capanny, Bobby Taylor
Produced and Arranged by Claudio Passavanti
Performed by Sunlightsquare
Published by Mary Mar\\Gemini Songs
Courtesy of Sunlightsquare Records Ltd
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- How long is Cuban Fury?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Cuban Fury
- Lieux de tournage
- Victoria and Albert Museum, South Kensington, Londres, Angleterre, Royaume-Uni(Exterior of dance club)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 92 384 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 57 105 $ US
- 13 avr. 2014
- Brut – à l'échelle mondiale
- 5 645 773 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Fièvre cubaine (2014) officially released in India in English?
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