Ome Cor

The film ome Cor is a very nice film because of its simplicity and purity. Although the story is not great, it is just a nice film, in which the actors and actresses play believably. It is pure Rotterdam. Superb images of the city. The very fact that the film was realised with few resources makes me respect the team that made this film. On top of that, part of the proceeds go to charity. For me, Uncle Cor is the most sympathetic film I have seen in years. I want to compliment the makers on the film and hope a lot of people will watch it.

People who speak more negatively about the film do not, in my opinion, fully understand the Rotterdam mentality & humour.... Come to Rotterdam sometime!

I hope there will be a part 2 of Uncle Cor soon.

People that expect a big plot or say the story is unbelievalbe don't get the sense of this film.

This is Rotterdam humor on top.

Beautiful scenes of Rotterdam, only shot with 1 camera and a drone. A budget of 0 euro, so you have to give this film some credit.

Indeed no complicated storyline, without multiple layers. But what the heck, this is just nice to watch and if you're not from Rotterdam, then you can learn what Rotterdam is about. You go from one scene to another, just sit back and relax and enjoy the trip around Rotterdam with even a role for the mayor!

The scene when ome Cor is passing the van Brienenoord bridge in a "bakkie" is epic!

OK, so this is a film for a good cause. I missed that, so I'll revise my score to reflect this fact. It's a zero budget film.

Original review:

Sure, Waardenberg is a name you trust. Well, this steaming pile definitely violated that trust. It may be nice to see Rotterdam on film, but the totally senseless and unreal plot consisting of scenes that have been randomly put together wear out after half an hour or so.

The conclusion of the film is so ridiculous that it looks like someone put the writers out of their misery.

So sorry to see the talent in this film wasted on so many levels. Waardenberg, please get a role in a good film! This steaming pile, just looks good on the outside but is totally rotten to the bone.

Sorry to sound a bit overly negative, but the Dutch, and especially the Rotterdamse Dutch don't mince their words.

This movie is so unbelievably bad that we kept asking ourselves if we were missing the point. Because we just couldn't imagine how anyone could make this. You cannot even say that the makers failed, because that would require at least a basic idea on which to fail. Instead, it seems like they asked a bunch of well-known Rotterdammers - many of them talented and esteemed actors - to contribute a scene, without anyone having a clue what story they were going to be a part of. Including, unfortunately, the director.

Since the profits of this film are donated to the Sophia Children's Hospital, I suggest you make a direct payment to them and save yourself the embarrassment of watching this movie.

Martin van Waardenberg delivers a unique (but not necessarily good) cinematic experience with Ome Cor. A film that embodies the spirit of Rotterdam. Shot with minimal resources and dedicated to supporting the Sophia Children's Hospital, the project itself is a commendable achievement. Shot with only one camera and a drone, this film showcases creativity at its best.

The plot of Ome Cor takes a backseat to the film's overarching purpose: celebrating Rotterdam. From the iconic Erasmus Bridge to the rugged charm of the harbor to De Kuip; the city is beautifully captured. Despite being limited to a single camera the cinematography impresses. For locals the film offers a delightful sense of familiarity while outsiders can enjoy a lighthearted glimpse of the city's essence.

Van Waardenberg shines as Ome Cor. He portrays a down-on-his-luck petty thief struggling with life's misfortunes and a strained relationship with his daughter, played by his real-life daughter Floortje. This father-daughter dynamic combined with cameos from notable Rotterdammers, including the mayor, keeps the story engaging and full of surprises. While the plot won't revolutionize cinema it provides enough substance to hold your attention.

Ome Cor isn't trying to be high art and that's precisely why (at least in my opinion) it succeeds. It's a delightful love letter to the city by the Maas. Brimming with humor and simplicity. Will it leave a lasting impression? Perhaps not. But it's undeniably worth a watch. It offers the charm of a cabaret performance stretched into a film.