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Il est difficile d'être un dieu

Titre original : Trudno byt bogom
  • 2013
  • 16+
  • 2h 57m
ÉVALUATION IMDb
6,5/10
6,8 k
MA NOTE
Leonid Yarmolnik in Il est difficile d'être un dieu (2013)
Trailer for Hard to Be a God
Liretrailer1 min 55 s
1 vidéo
90 photos
DramaSci-Fi

Dans un avenir lointain, un voyageur spatial de la Terre enfreint une loi spéciale et interfère avec l'histoire d'une autre planète de type médiéval.Dans un avenir lointain, un voyageur spatial de la Terre enfreint une loi spéciale et interfère avec l'histoire d'une autre planète de type médiéval.Dans un avenir lointain, un voyageur spatial de la Terre enfreint une loi spéciale et interfère avec l'histoire d'une autre planète de type médiéval.

  • Director
    • Aleksei German
  • Writers
    • Arkadiy Strugatskiy
    • Boris Strugatskiy
    • Aleksei German
  • Stars
    • Leonid Yarmolnik
    • Aleksandr Chutko
    • Yuriy Tsurilo
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    6,8 k
    MA NOTE
    • Director
      • Aleksei German
    • Writers
      • Arkadiy Strugatskiy
      • Boris Strugatskiy
      • Aleksei German
    • Stars
      • Leonid Yarmolnik
      • Aleksandr Chutko
      • Yuriy Tsurilo
    • 70Commentaires d'utilisateurs
    • 138Commentaires de critiques
    • 93Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 10 victoires et 12 nominations au total

    Vidéos1

    Hard to Be a God
    Trailer 1:55
    Hard to Be a God

    Photos90

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    Rôles principaux52

    Modifier
    Leonid Yarmolnik
    Leonid Yarmolnik
    • Don Rumata
    Aleksandr Chutko
    • Don Reba
    Yuriy Tsurilo
    Yuriy Tsurilo
    • Baron Pampa
    Evgeniy Gerchakov
    Evgeniy Gerchakov
    • Budakh
    Valentin Golubenko
    Valentin Golubenko
    • Arata
    Leonid Timtsunik
    Leonid Timtsunik
    • Arima
    Natalya Moteva
    • Ari
    Nikita Strukov
    Nikita Strukov
    • Kusis
    Gali Abaydulov
    Gali Abaydulov
    Yuriy Ashikhmin
    • Rab
    Remigijus Bilinskas
    • Voin
    • (as Remigiyus Bilinskas)
    Valeriy Boltyshev
    • don Ripat
    Vasiliy Domrachyov
    Vasiliy Domrachyov
    • vozchik Rumaty
    Galina Egorova
    Lev Eliseev
    Lev Eliseev
    Valeriy Guryanov
    • Monakh
    Ramis Ibragimov
    • Muga
    Daniil Isakov
    • Uno
    • Director
      • Aleksei German
    • Writers
      • Arkadiy Strugatskiy
      • Boris Strugatskiy
      • Aleksei German
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs70

    6,56.7K
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    Avis en vedette

    10mariotomchev

    The timeless film.

    I've never written a review here, even though I'm more than dozen years a user. And most likely will not write one ever again. But forgive me for boring you with the personal introduction, it's just coming out to show you how much for me is this piece of filmmaking worth writing at least a few words. And I can only hope it will be for someone else too.

    The plot is quite clear: a man out of time. In every possible sense. A team of experts, including explorer/militant/scientist/philosopher/royalty? called Don Rumata, is set on a distant planet whose civilization's grey Purgatory of reality is similar to Earth's grim and barbaric Middle Ages. His mission: to protect the very few progressive minds he can get. Thing is, he can't show his advantages and in no case can he interfere killing, therefore allowing all natural history course of this parallel society. Like a spectator who can only touch on the surface and hurt inside, bright and impotent. It's not easy being neo-God.

    This simple yet great story is what makes the book written in the '60s by Boris and Arkady Strugatsky ("Roadside Picnic" which became "Stalker") a great one too. But what takes all this to a new-wave level of greatness is Aleksei German's lifelong desire to film it and his magnum final result of a vision where you are almost the main protagonist, you breathe and think and feel and will probably bleed right beside him. A result which German died just before seeing officially finished and which is now in the form of three hours that took fifteen years in the making.

    Three Russian hours from 21st century of black-and-white world of past, future, fiction, reality, chaos, mud, blood, vom*t, p*ss and sh*t and yet there is love and even music to be found in the filth of German's Inferno. Where I saw it at the Sofia International Film Festival, I witnessed walkouts, boos, applauses, tears of despair or joy. But what I experienced thoroughly was me sitting on the floor in the overcrowded theater in complete petrification, silent, a little confused and in awe. Confused by how much German added to the story, the ambiguity, the layers of detail and questions in depth he raised. And in awe of how was this shot, structurally and technically speaking. Even for a film student like me it raised only questions. To not spoil anything, I feel I should only say you have to watch it completely open-minded and forget about the book (which still must be read beforehand) or visual feasts such as, for example, "Birdman" and all the overpraising it got. Don't get me wrong about Chivo Lubezki who I adore, but this is a cinematic achievement way ahead even of its prolific time. Because by the end of all the daze and decay, you are completely unaware whether it's Don Rumata, you or the world around that is transformed. But into what? It's up to you to find. Just drain yo' self:)

    It was released more than a year ago at festivals, theatrically and on the internet, but is yet due to receive the grand recognition it deserves. My take is this can happen in five, fifteen, a hundred years from now or maybe never: something I can not and will not believe. No one can now for sure, but anyone could easily sense that as far as narrative cinema goes, HARD TO BE A GOD is most definitely the timeless film of our present. You can thank the Germans (father and son) or the Strugatsky brothers; I choose to thank humanity.
    6henry8-3

    Hard to be a God

    Rumata (Leonid Yarmolnik) is a scientist from Earth based on the planet Arkanar which has refused to develop beyond an equivalent middle age state. Here, people live squalid lives covered in blood, snot, excrement and any hint of intelligence from anyone results in immediate execution. Runata has been in Arkanar for years and is viewed as a form of God. He in turn wants to move things forward, but is forbidden by his Earth bosses from doing this.

    This is an extraordinary folly of a film, notable for little in the way of a plot other than revolution begats revolution and should be viewed, if you have the patience and courage to check this out, as a sensory and mostly visual experience which is where the interest lies. The sets, sounds and particularly the visuals are quite extraordinary with tunnels of mud, death and excrement seemingly stretching on forever and full of decaying people barely existing in their squalor. A very hard watch then, but unique to be sure.
    6jrd_73

    A triumph of set design but. . .

    Aleski German's Hard to be a God may be the most difficult science fiction film ever made. It is a film that will divide viewers. I was excited to see the film since I had liked the Strugatsky brothers' novel that the film is based upon. In addition, the film had been compared to Andrei Tarkovsky who directed one of my favorite films, Stalker, also based on a novel by Arkaday and Boris Strugatsky (Roadside Picnic). After about a half hour of watching Hard to be a God, I was somewhat less excited.

    On a strictly visual level, Hard to be a God is amazing. The film takes place on a planet, similar to Earth, that is going through its middle ages. Aleski German gives the viewer this world unfiltered. The set design is the film's strongest asset. Mud, eternally gray skies, strange armor with demonic horns, and faces, faces like a out of a fresco, these keep one watching. The only two films I can think of by way of comparison are Fellini Satyricon and Eisenstein's Ivan the Terrible. Hard to be a God lags behind those two films (Aleski German is not on the level as Federico Fellini or Sergei Eisenstein). Furthermore, German spends so much time on the set design that he neglects the story.

    The Strugatsky brothers created a story about power plays and showed how a scientist became a killer. The background was the fictional middle ages. Aleski German places the middle ages in the foreground and shoves the story into the background. True, German keeps much of the Strugatsky's story but downplays them to such a degree that viewers unfamiliar with the novel will have a hard time following it. The royal assassinations which begin the violence happen off screen. The love affair between the protagonist and the peasant girl, which leads to the turning point of the book, is barely in the film. Only one thing interests the director: the world he has created. It is an amazing world. I certainly cannot dismiss a film that looks like this.

    I am glad that I struggled through all three hours of Hard to be a God once. However, I think for repeat viewings one needs to have something more than just grand, moving pictures. One needs either deep themes (like in Tarkovsky's Stalker), or an intriguing character, or simply a good story. Set design will only take a film so far.
    8bkrauser-81-311064

    Two Parts Tarkovsky, One Part Gilliam

    Based on a novel by Arkadiy Strugatskiy, Hard to Be a God, is an incredibly radical sci-fi film that stretches the meaning of all possible descriptors. This film is not for contemporary popular audiences. This film's audience (if you could say it has one) are the squirrelly, anti-social filmophiles that are too deep down the rabbit hole to be brought back. They're the people who have spent half their lives in darkened rooms and use film as a reference point for life itself. In other words, it a movie just for me.

    Knowing Hard to Be a God's production history automatically creates a modicum of goodwill towards the film. Director Aleksey German shot the film over six years and took another seven years to edit it before succumbing to heart failure at the age of 73. Yet even before his last film, his career is littered with long-gestating movies that in some cases were put on hold for years due to Soviet censorship. While the USSR ultimately crumbled 27 years ago, German's insistence in making movies his way is still met with accusations of impenetrability and art cinema navel-gazing.

    Hard to Be a God's narrative is not a concern here but for the sake of cogency I'll summarize. Our protagonist Don Rumata (Yarmolnik) is a human, one of many living on another planet stuck in the middle ages. It's never made clear if he's there to help the planet's fledgling culture but what is clear is everyone seems to have a fundamental distrust of intellectuals and a hatred towards science. Perhaps because of this, Rumata has assimilated himself as a noble with God-like powers and thus is feared by all.

    These God-like powers by the way include having the ability to swat spears away from his face to the gasping amazement of dim-witted centuries. It appears that Rumata has given up on logic long ago choosing instead to abuse his most loyal subjects in an attempt to make them understands the basic truths about germs, economics and whether or not fish like milk. Yet to designate Rumata a classic anti-hero would be far too simplistic. He, like the rest of the idiots populating the screen is wholly unlikable but in a drastically different way.

    Hard to Be a God, to put it succinctly is two parts Andrei Tarkovsky, one part Terry Gilliam and a tiny bit of Idiocracy (2006); though summarizing German's mis en scene through text is completely impossible. His images are so textured, so grotesque and so bizarre that it is unlike anything I have ever seen let alone anything I can describe. World-building seems to be German's biggest strength. We not only see the chaos happening around the characters, we feel the coarse mud, smell the putrid bile and rotting corpses and taste the blood and sinew on the half cooked chicken they consume.

    If one were to point to a glaring problem with the film it's that at nearly three hours, the film is simply too long to endure more than once. Scenes of little consequence could have easily been cut to make way for a tighter story and an ending that sticks the landing with devastating aplomb. However, say what you will about the film's leisurely pace, the constant injection of intense medieval grotesqueness supplies the film's audience with enough imagery to fill several nightmares.

    While illustrating the problems of a faraway planet, Hard to Be a God is a damning condemnation of humanities struggle with its own ignorance. While certainly not for everyone, the film's warped, layered and visceral vision of medieval life is rivaled only by Marketa Lazarova (1967). Hard to Be a God is a must-watch contemporary classic whose reputation will only grow in the years to come. If you're on its wavelength, I recommend you check it out.
    9possiblyatrout

    Hypnotic and Disgusting

    The narrator explains to us that scientists have traveled to Arkanar, a planet still stuck in the middle ages. The society is regressing and the inhabitants have begun to murder all the intelligentsia, but the scientists are told not to intervene. Sort of like the Prime Directive. After the opening remarks, and aside from a few quips, we move permanently out of the realm of science fiction and into the world that has been created for us as we follow Don Rumata, a scientist disguised as a nobleman, as he wades through this world. And what a world it is. Mud, feces, grease, bile, and blood, are caked on to absolutely everything. Probably one of the greatest works of set design ever. With the roaming camera, it's as if the audience is a part of this diseased world, hopelessly regressing into its vile heart.

    Unfortunately, there's a disappointing amount incoherence to the whole narrative. Most scenes would be over before you could piece together what had happened, and then only vaguely at that. The vision, however, of the world that Aleksei German has imagined, is totally unique and inimitable.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Filming started in 2000 and finished in 2006. Since then, the director worked mostly on the sound. Unfortunately, he died in February 2013, before finishing the film.
    • Citations

      Don Reba: I know your combat technique!

    • Connexions
      Featured in Arkadiy Strugatskiy v Kanske (2016)

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    FAQ

    • How long is Hard to Be a God?
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    Détails

    Modifier
    • Date de sortie
      • 27 février 2014 (Russia)
    • Pays d’origine
      • Russia
    • Langue
      • Russian
    • Aussi connu sous le nom de
      • Hard to Be a God
    • Lieux de tournage
      • Tocnik Castle, Central Bohemia, République tchèque
    • sociétés de production
      • Sever Studio
      • Lenfilm Studio
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 7 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 28 608 $ US
    • Brut – à l'échelle mondiale
      • 1 299 035 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 57 minutes
    • Couleur
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.66 : 1

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