Steve Arnott est transféré à l'unité de lutte contre la corruption de la police après la mort d'un homme victime d'une fusillade lors d'une opération antiterroriste.Steve Arnott est transféré à l'unité de lutte contre la corruption de la police après la mort d'un homme victime d'une fusillade lors d'une opération antiterroriste.Steve Arnott est transféré à l'unité de lutte contre la corruption de la police après la mort d'un homme victime d'une fusillade lors d'une opération antiterroriste.
- Nominé pour le prix 13 BAFTA Awards
- 21 victoires et 61 nominations au total
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Reviewers say 'Line of Duty' is acclaimed for its gripping plot, stellar acting, and intricate storytelling. The show's complex characters and unexpected twists are frequently highlighted. However, some critics note issues with the final episodes, feeling they inadequately resolve plot points. A few reviewers also mention repetitive elements and insufficient character development in certain seasons. Despite these drawbacks, the series is widely considered a top-tier crime drama with powerful performances.
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Laid up with my back issues, this series had me riveted and I watched all six seasons in 4 days. I consider this the UK answer to Breaking Bad. Excellent televsion entertainment from all angles: Amazing performances, writing, story, the works! Totally credible!
Complex AF but left no untidy loose ends when it wrapped up. Who could ask for more?
I can. More of this caliber please?
Complex AF but left no untidy loose ends when it wrapped up. Who could ask for more?
I can. More of this caliber please?
A very difficult show to review, overall I'd give Series 1 an 8/10, a very good show, strong characters, intrigue etc, however something happens in the second series and has continued through to the present day, since that very first episode of Series 2 (or in fairness Part 6 of the opening Series) Line of Duty has become the best thing on the box. The cast work together in a way that you don't often see in many shows, the degree of realism each of them injects makes the show feel very real. Dunbar, Compston, McClure, Parkinson etc are all utterly phenomenal, I think though, it was the performance of Keeley Hawes as Lindsay Denton that increased my interest in the show, she was utterly amazing.
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
The transformation in the character of Steve Arnott has been intriguing, plaudits for Martin Compston, incredible actor, so diverse.
I suppose you could argue it's made in the style of the Scandinavian noir, but it goes deeper then that somehow, offering even more for the viewers. The series treats the viewer as if they have a degree of intelligence, it's deep and intricate without being too clever for its own good.
It comes as no surprise that the show's viewing figures have almost trebled, if you've not seen it, you have no idea what you're missing out on. 10/10
Bring on Series 5
I have been a huge fan of this show since season one and it's a rare feet when seasons 2 and 3 surpass the quality of the first. It draws you in and keeps you gripped never failing to end each episode on a cliffhanger which makes you desperate to see the next instalment. The cast is UK A list Aidrian DUnbar, Vicky Mclure, Martin Compson and Keely Hawes who gives the performance of her career in seasons 2 and 3. I'm not one to give plots away, but if your a fan of quality crime drama or Nordic noir I cannot recommend this show highly enough. Just one note of caution if your planning DVD series binge then expect some late nights!
Being fan of British TV, i was hooked and couldn't stop this series. Has everything. Plot, dark and right timing. Great TV. The characters are natural and great acting from all of them. The suspense comes at right levels each episode and there is no way to stop until you find what will come next.
There are some very ... i don't know the right word(not with the bad meaning) with "The Wire". The characters are almost real like the classic good British TV.
The atmosphere is not annoying dark and the lines between "Right and Wrong" are not clear, (like real life).
Absolutely RECOMMENDED...
There are some very ... i don't know the right word(not with the bad meaning) with "The Wire". The characters are almost real like the classic good British TV.
The atmosphere is not annoying dark and the lines between "Right and Wrong" are not clear, (like real life).
Absolutely RECOMMENDED...
Once again I stumbled onto this show by accident. Thank goodness. I find British police drama much more intense than the run of the mill American shows. This one is no exception. The acting is very convincing on all accounts. You think in the beginning how can this "kid" be a good main character. He then proves you very wrong and you see that his conviction to the case is what makes him compelling to watch. All the main players are only too human. The stories all have their own twists and turns, keeping you on your toes all the time. Making this show fascinating to watch. I admit there was an awful lot of binge watching as I couldn't leave the plot at the end of each episode.
Please give this a chance and be rewarded for doing so.
Please give this a chance and be rewarded for doing so.
Le saviez-vous
- AnecdotesBestselling author Stephen King, a huge fan of the series, was especially fond of the Irish catchphrases used by superintendent Ted Hastings (Adrian Dunbar) such as, "Now we're sucking diesel!" (when you've fallen into good fortune thanks to your own hard work) and "Jesus, Mary and Joseph and the wee donkey!"
- ConnexionsFeatured in The Wright Stuff: Episode #17.120 (2012)
- Bandes originalesSpanish Bull
Written by Miguel Moreno
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Détails
- Durée1 heure
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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