Suitable Flesh

Suitable Flesh (2023), directed by Joe Lynch, ventured into the realms of horror and mystery thriller but ended up delivering a confusing and uninspiring narrative. The movie, drawn from H. P. Lovecraft's short story "The Thing on the Doorstep," fails to capture the eerie essence of Lovecraftian horror.

The plot unfolds around a psychiatrist who becomes obsessed with one of her young patients, later discovering that he's linked to an ancient curse. Despite the intriguing premise, the storyline descends into a muddled mess as it progresses.

A major downside was the acting, which was woefully inadequate from the entire cast, including Heather Graham and Judah Lewis. The performances lacked depth and authenticity, rendering the characters unrelatable and the plot more confusing.

The inclusion of four unnecessary sex scenes added nothing to the plot and felt like a desperate attempt to add some flair to an otherwise dull narrative. These scenes were distasteful and detracted from the already scant storyline.

The gore, which could have been a redeeming factor, was neither shocking nor well-executed. The scenes intended to be horrifying were rather bland, failing to evoke the desired reactions from the audience.

The runtime of 1h 40m felt much longer due to the lack of engaging content and coherent storytelling. The film's attempt to be "campy and creepy" was poorly executed, as noted by Rotten Tomatoes.

Overall, "Suitable Flesh" is a disappointing venture into horror that fails to entertain or scare, garnering a generous 4 stars for the occasional decent cinematography and a few well-done special effects. The movie is a forgettable addition to the 2023 horror genre, lacking the spine-chilling essence that horror enthusiasts crave.

Unlike the majority of retro-Horror that comes out this does not rely too much on nostalgia, on archetypes, clichés and set pieces that viewers find comfort in. It actually tells a story of demonic possession/body switching competently, effectively and with just the right tone: not ironic or meta, but also not taking itself too seriously. It's a B-movie that just works, with everybody doing as good a job as can be excepted within the constraints of the genre and budget. There's some suspense in how exactly it is going to get to the unhappy end, and fun it the telling. No real wrong steps, and a hell of a lot to enjoy.

Elizabeth Derby (Heather Graham) has an happy marriage and a good career as a psychiatrist. All of this changes, when she comes across a patient named Asa Waite, seeking her assistance with a weird issue. Elizabeth who prefers to believe science gets late to understand what Asa got her into. His dying father has the ability to body swap via an incantation and so he does, switching into his son's body as well as Elizabeth's. With her life turned upside down and not getting the help she needs from her friend Danielle Upton, she is forced to take matters into her own hands. Will she able to stop this forms rest of the story.

Based on an H. P. Lovecraft's short story, this is as old school as it gets with the ever dependent Heather Graham and Barabara Crampton in the lead. It doesn't try to deliver anything extraordinary, instead it aims for a proper 90mins entertainer with a controlled budget and it almost succeeds. For a while, the entire body swapping is fun with a crazy baddie and desperate Elizabeth along with this being an erotic horror thriller. It does drag on in third act till that climax twist, predictable all along yet mostly serviceable. Overall, it makes up for a one time watch.

I really enjoyed this. It felt consciously crafted to honour the style and work of both H. P. Lovecraft and Stuart Gordon. It conveys a purposeful lack of factual reality in service of creating a special story-world tone that was commonly found in the 80s/90s Lovecraftian horror. At times it becomes a campy melodrama which adds to its fun, while at other times walking a fine line between emotional truth and absurdity. I get the feeling that modern audiences may not like this due to the association with H. P. Lovecraft and/or the lack of medical or emotional realism, but for me, that is exactly the point. I grew up on horror movies just like this - fun, campy, fleshy, sexy, they didn't take themselves or life too seriously while still conveying a message worth exploring. They weren't afraid to take some risks, and they didn't expect to win any oscars. These types of films have so much value. They offer us a glimpse into the depravity of our deepest desires and a shedding of the internalised scripts of social civility and explore the craziness that lives in all of us, challenging us beyond the comforts of our social conditioning and into our primal nature. Plus I'm a big fan of Barbara Crampton so this film very easily won me over.

Heather Graham is the successful psychiatrist "Elizabeth" who finds her daily routine interrupted by a visit from the seemingly paranoid "Asa" (Judah Lewis). Initially sceptical, she begins to become intrigued with his story that he is being persecuted by a man, on the phone, who is threatening him. Indeed one such call induces a sort of fit from the young man! A visit to his home, and she is hooked into a mystery that is somewhat reminiscent of "Fallen" (1998) as it turns our erstwhile respectable physician into someone reduced to some rather lively, impromptu, nookie before incarceration in a padded cell trying to convince her close friend "Dr. Dani" (Barbara Crampton) that she's not completely deranged. This starts off quite interestingly, with a solid effort from Lewis as the troubled youth - but as it progresses and it becomes clear to us just what is going on, the film begins to fall away and lose any potency. The last half hour is violent and brutal, but suffers from a lack of plausibility - in this or any other dimension - and it becomes repetitive and shows up the really mediocre quality of both the writing and the acting. It is watchable, if only for Lewis, but equally forgettable stuff.