À Los Angeles en 1932, en plein essor, un avocat de la défense travaille sur une affaire de toute une vie.À Los Angeles en 1932, en plein essor, un avocat de la défense travaille sur une affaire de toute une vie.À Los Angeles en 1932, en plein essor, un avocat de la défense travaille sur une affaire de toute une vie.
- Nommé pour 6 prix Primetime Emmy
- 4 victoires et 44 nominations au total
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I can't believe the hate I'm reading. I heard of Perry Mason from my parents. Its an origin story and it won't always match up with the original and THATS OK. The cinematography is great, the writing is top notch, the story is awesome. This is the Noir that we need. If you want a good show to distract you from the current world, watch this show.
This is a completely different story, in a different time and place than the 1950s TV series. It's darker, messier, less predictable. That's not a bad thing. Maybe this is a Perry Mason origin story that will eventually lead to the polished courtroom wizard we all know and love; maybe it won't. I don't really care. It's a ride worth taking no matter what. It feels like Chinatown; it's got some things in common with Showtime's Penny Dreadful: City of Angels. The acting and production values are first-rate. Like many series first episodes, it takes time to set up characters and situations - the pace should pick up. I'm intrigued enough to see where it goes from here.
So far I like this series. It is different from the original series, but that's okay with me. If there is a Season 2, etc., I think the show will evolve Perry Mason's career into the type of attorney people remember from the original series. John Lithgow's character is a defense attorney and described as his mentor.
Otherwise, the story is compelling and the acting is amazing. It is a bit dark, perhaps too dark. But the hardboiled detective genre works for me, and the cast wears it well.
Otherwise, the story is compelling and the acting is amazing. It is a bit dark, perhaps too dark. But the hardboiled detective genre works for me, and the cast wears it well.
This series was a weird mish mash of 21st century culture clashing with 1930's reality. Alternative lifestyles, racism, politics, corruption, religious zealots, chauvanism, and uncertain economics all interwoven into a crime of the century murder trial. It all ends up sort of like Chinatown, with Perry Mason instead of the PI Jake utterly confused by what has just transpired. And that was my real question, is why Perry Mason. Why take something that most are familiar with and turn it upside down? There comes a point where your just using the name Perry Mason, and not much else. Its like taking Superman, taking away all his super powers, his cape, and making him a cop on the beat, but still calling him Superman. It doesn't make much sense. So its watchable at a time when a lot isn't and that's why it gets 6 stars. If you want Perry Mason, better invest in some old VHS or DVD's
If you are hoping this series will be like Raymond Burr's 1957 PERRY MASON, then release that expectation. This is an HBO production, so you can expect nudity, crude language, politically corrected characters and violence. What you will also find is some very talented actors giving convincing performances. Matthew Rhys portrays an evolving character, slowly breaking free from PTSD. I cringed when I heard that Tatiana Maslany's character was going to be an Aimee Semple McPherson copy, but I have to give credit to Tatiana, she didn't settle for disparaging stereotype but, unsurprisingly, gave a nuanced performance of a young woman caught in extraordinary circumstances. BRAVO. In essence this first season is an origin story for the character of PERRY MASON. It begins in one place and ends with Perry Mason, lawyer. I enjoyed it and will look forward to the second season. I give it an 8 (great) out of 10. {Crime Drama}
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- AnecdotesAngel's Flight funicular railway began service in 1901 and after numerous shutdowns and being moved from the original location, it resumed service in downtown Los Angeles until the advent of the COVID-19 pandemic. The iconic orange/red arch seen in the series continues to grace the lower end of the tracks. The funicular also was featured in an episode of the CBS version of Perry Mason (1957): The Case of the Twice-Told Twist (1966), which was the only episode the series filmed in color. The cars travel at a 33 percent grade for 315 feet and is allegedly the shortest rail road line in the world. As of 2020, the fare is $1.00 for a one way trip.
- GaffesDrake repeatedly refers to himself as "black." In the 1930s, that word was considered a pejorative. "Colored" or "Negro" were the preferred, acceptable terms. The writers appear to have addressed this error in Season 2 with Drake now consistently using "colored".
- ConnexionsFeatured in The 73rd Primetime Emmy Awards (2021)
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- Durée1 heure
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- 2.00 : 1
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