The Clearing

Being familiar with the subject The Clearing is loosely based on, I found this to be a captivating series. The slow pace adds to the suspense and each episode reveals more about the characters and how they got there and how they fit into the story. The acting is superb, especially the young actors playing "Amy" and "Sara/Asha". Miranda Otto is sublime as "Matreiya" and perfectly captures the quiet insanity and unhinged mental state of the mother figure. The supporting cast are equally unhinged, including Freya, Joe, Tamsyn, Hannah, Bryce and Henrik. It is a story of how the sin of one becomes the sin of all.

Just an absolutely phenomenal job from the cast, especially Teresa Palmer and Miranda Otto. Otto is especially chilling in her portrayal of her character at every level of the character's development. She's a marvelous actress who deserves more acclaim. Palmer also shines in a difficult role as a person who has been extremely damaged from her youth in the Kindred cult. Guy Pearce (superb in everything he does) does a great job in a secondary role that is key to the story. Only downside for me is that the story unfolds in multiple timelines and it can be difficult to detect when the timelines change Multiple themes are at play throughout the story and most of them come through without being heavy-handed.

There is a very special, very excruciating place reserved in hell for those that run abusive cults, they are the utmost repulsive nadir of human weakness in the collective consciousness. The Clearing is a mostly fictitious, brilliantly complex dramatic thriller with a narrative backbone that is based on the real life Australian cult dubbed 'The Family', raided and disbanded decades ago. This utterly compelling eight episode journey examines several characters revolving around the operation and takedown of a nasty cult called The Kindred, owned, operated and presided over with treacly malevolence by false prophet guru Adrienne 'Maitreya' Beaufort, played with career best intensity by Miranda Otto. We see in non linear form how she came to power using dime-store psychological manipulation, unconventional metaphysical gibberish and thinly veiled psychosis masquerading as pied piper charisma. Woven in is the present day story of Freya (Teresa Palmer, also giving career best work), a girl who was rescued during the eventual raid and who now lives in constant fear and traumatic paranoia as she tries to shield her own children from the cult's temporarily dormant yet still permeating influence. The story is a multi timeline narrative told deliberately out of order, no doubt to emulate for a viewer how disorienting it must feel to find one's life embroiled in such a long, punishing, cruel ordeal. This may not look like much from the outside or be getting the rave reviews it should be but it's some of the best television I've seen this year, a structurally complex, emotionally intelligent, consistently unpredictable piece of work with terrific performances, eerie music and a mature, creepy, empathetic script. Streaming now on Disney Plus.

I randomly came across this own Hulu. I've always been drawn to the subject of cults. Here we have a unique premised as the leader is a woman. She has bleach blond hair and expect all her "children" to appear in her image.

The opening starts with a kidnapping. We see how the cult tries to indoctrinate her but she's not having it. This causes all sorts of issues. Another thread of the series is a single mother, who after hearing about the kidnapping is terrified for her son, named Bilbo*. It's clear there must be a connection between her and the cult. I look forward to finding out more.

*I love the Bilbo name, which I assume is from "The Hobbit". Miranda Otto from The Lord of the Rings has a major role here adding another Tolkien connection.

I really wanted to like this. I love Theresa Palmer and Miranda Otto is a superstar. There is not a weak spot in the cast at all. I dont usually mind flashbacks and flashforwards, but there are too many and they are too frequent and they are too short. I guess if you set out to deliberately confuse your viewers, you would consider this a success. But when you take the incredibly great performances by the cast (and some of them are truly wonderful) and put them into a confusing and disjointed mess like this you are failing. Still young and active Joe is easy enough to distinguish from old, beat down reprobate Joe, but it is nearly impossible to tell which period Amy/Freya is supposed to be in.