Bai she chuan shuo

The Sorcerer and The White Snake is visually stunning as well as breathtakingly inspiring. This movie is more than CGI, computer rendering, or even cinematic location. It's about love. The power that love wields between two people who are in love and the control, twist, and even anguish that love sometimes will exert over us. Yes, the fight scenes were well filmed. Additionally the colors exploded violently from frame to frame, it was exceptional. I would be inconsistent if I however did not point out that if this film had a major Hollywood studio budget. Some of the CGI scenes would have looked slightly less choppy, and perhaps more money, would have helped to further polish an already outstanding movie. The Sorcerer and The White Snake is a rare gem, it is a love story told through art. I found the water sections in the opening of the movie simply stunning. Art and love translated through film, simply exceptional.

I hope you will take my advice and grab a copy of this as soon as you are done reading my review. I promise you, this movie will not disappoint in any way shape or form.

Although Jet Li is essentially the main actor, Raymond Lam steals the show (in my opinion) as herb picker Xu Xian. The beautiful Shengyi Huang is well cast as White Snake and the chemistry between Raymond and Shengyi is wonderful. This is a love story set against a fantasy action adventure backdrop, and the genres blend beautifully. The action is just as amazing as the love story. I did find some scenes to be a bit slapstick silly, but in general this CGI-heavy film was quite fascinating. The flood scene in the final act was truly awesome. I did find the ending a bit overuse of CGI to a point where I almost lost what was actually happening, but the love story portrayed by Raymond and Shengyi swiftly pulled me back to their reality and it was simply spectacular. This is a very imaginative film.

It's not just Hollywood that's looking at fabled legends to adapt from, or to remake/reboot films from the past. Cinema in the Chinese territories are doing so as well, revisiting material that will probably benefit in having CG effects to spruce up storytelling. Tony Ching Siu-Tung directs this update of a film that chronicles the romance of a White Snake spirit and a mortal man, which of course is forbidden by lore, and a monk who goes between them. Tony is no stranger to martial arts fantasy films with a few already under his belt, such as notable flicks like Swordsman III and the Chinese Ghost Story series, which coincidentally also got remade by Wilson Yip recently, so we're in good hands for what would be a broad based special effects extravaganza that unfortunately had its hokey moments.

Those familiar with the White Snake fable will find some broad elements that resemble that tale being told here, such as Madam White Snake Su Su (Eva Huang) who with her sister Qing Qing the Green Snake (Charlene Choi) chanced upon the poor though honest herb collector and aspiring healer/physician wannabe Xu Xian (Raymond Lam). In summary here, she rescues him, and they fall in love and got married after what would be a whirlwind romance, with the man none the wiser that his wife is a snake demon, though a benevolent one whose only objective is to be with the man of her dreams. And as proof, she sacrifices her centuries old inner strength to help him make medicine on the sly to save a plague stricken town.

Cue Jet Li who plays the demon buster Reverend Fa Hai, who together with his assistant Neng Ren (Wen Zhang) form a team to rid the earth of any wandering spirits and demons, banishing them to what would be the equivalent of a phantom zone through a mirror stored in a pagoda. The opening scene of the film sets the expectation of what this duo is capable of, with Fa Hai naturally being the more experienced and highly skilled catcher, versus his more bumbling protégé in here for tragic comedy, in a big bang special effects extravaganza as they go up against Vivian Hsu's cameo appearance as a demon decked in flowing red robes. Soon enough Neng Ren will form yet a smaller romantic subplot with Qing Qing, while Fa Hai could be looked on as the true nemesis in the film for his adamant stubbornness in wanting to break up Xu Xian and Su Su, and destroy the latter for yet another feather in the cap for a job well done.

Curiously, this version of the Madam White Snake story seemed to want to adapt the Disney formula, where you'd have smaller animal sidekicks that talk pop up now and then to try and lighten the mood, or play pivotal roles for the protagonists. Voiced by Miriam Yeung, Lam Suet and Chapman To, their characters do seem to have lines lost in translation, and may have been dubbed over in Mandarin, which if true is very much a pity, and a case against dubbing. And true to Disney's formula as well is the general lack of blood in its action, which reportedly had Jet Li do more kung fu poses than he would have imagined necessary, but the romantic core of the film definitely took a backseat when the filmmakers decided to focus on martial arts and special effects to wow an audience.

Which isn't a bad thing when you extrapolate its message to talk about how an older generation dead set and stubborn in their ways sometimes fail to allow what they're prejudiced about to continue with their knowledge. It isn't enough to not meddle in other's affairs, but it's necessary to eradicate something from even existing, which is exactly what Fa Hai did during his initial big fight with Su Su that ended with a warning that if he should see her again the gloves would be off, and the next thing you know he's assembled his disciples to go snake hunting in an ambush of her home.

On the effects front, it's time to sit up and take notice what the Asian effects company are finally able to pull off since the days of terrible rendering seen in True Legend. Entire landscapes get designed on computer, though at times still not as refined, but definitely a step up from years back. While certain shots were unfortunate rip-offs from films such as 2012 with its massive floodwaters overwhelming huge mountains, there were others that more than made up for its lack of originality, and the bamboo forest, which all self respecting martial arts film must feature, had an interesting spin thanks to effects bringing to life something I've yet to see involving fox spirits and bamboo shoot hideouts and seduction.

And if copying is a form of flattery, then whatever Zack Snyder did in 300 with its stylistic fights, have been done to death in other films and this one as well, with its slow motion, spin around being prominently over used, that I would have given up an arm for a straight fight between the exponents, which couldn't be possible since Jet Li's the only bona fide martial artist, with the rest being posers with heavy reliance on wire work. Even the climatic battle between Fa Hai and two snakes looked very much like D-War's and Endhiran's, with effects making the sparring session look very much epic.

I would have liked a stronger story that provided more focus between Madam White Snake and Xu Xian, but that is something to be found in predecessor films. This one clearly is focused on Fa Hai the monk himself (with the Chinese subtitle obviously meaning so), and is about his enlightenment on love, an emotion he's oblivious to given his career path. And not to forget as a calling card for the numerous effects companies.

When I saw the preview to The Sorcerer and the White Snake I knew I had to see it. If you're a fan of movies like "Crouching Tiger Hidden Dragon", "House of Flying Daggers" and "A Chinese Love Story" then you need to give this movie a go! The one fall back in this movie is the CGI work, but I'm sure the producers are also less than happy. The movie had AMAZING potential if the special effects were at a high production value. With that being said, the story line is heart warming and easy to fall in love it, a classic tale of the forbidden love between humans and demons. At the end of this movie you could feel a slight bit of joy and sadness rolled up into one.

Make an effort to look past the bad CGI (which mind you could still be a lot worse), and you could have a movie in your library that you fully intend to revisit.

a fairy tale. few seductive fight scenes. a forbidden love story. short, a beautiful movie. far to be a masterpiece, it is a useful introduction in Chinese mythology and an occasion to discover Jet Li in a not bad role. the film uses many clichés and pink productions solutions but, if you are, in few moments, a romantic, dreamer or fan of classic fairy tales, its message and the solutions for create the story are not bad at whole. sure, it is not one of great films from Extreme East but it can be decent support for a form of entertainment in which romanticism, heroic virtues, sacrifice and magic are parts of same products. and the few doses of humor are not bad at whole. short, a beautiful film. maybe, the package is more important than the content but nothing is perfect.