Honour

The film addresses the insanity of extremists who are so spiritually void that they believe it is okay to kill a member of their own family if that member wishes to choose their own lover, specifically a lover whom is out of favor with the said extremists. This kind of death-wish upon another is plain nuts and has no place what-so-ever on our planet or in the universe.

Anyone who considers honour killing an acceptable way to behave needs re-education in the ways of logic and compassion.

Crimes of passion will likely always happen, and happen across a variety of cultures worldwide. But when it happens, the appropriate penalties must be applied. It is a shame that in some counties it is tolerated by local authorities, this is the problem.

It is a murderous and sub-human practice. If severe punishment were dispensed to the imbeciles who order these murders, worldwide, then more children will learn the right way.

They will learn that love should not be restricted by race or religion.

I find it a little ridiculous that a few reviews have based their review on their own religious views, g-h-f from London seemed more interested that they are a Pakinstani from England...what that has got to do with an honest critique beats me. The film shows it how it is, anyone with any real life experience will know this movie has portrayed the subject truthfully, there's no 'disrespect' to any religion or nationality, this movie is accurate and at the same time worrying. About time a director told it like it is and not namby pamby around the subject. It is what it is, unacceptable, awful, cruel and disrespectful to women and indeed to society. More films should tell the truth and be direct rather than try to be PC.

Honour deal with the subject of honour killings in sections of the Pakistani Muslim community although prevalent amongst Hindus and Sikhs.

Mona (Aiysha Hart) is a modern young woman who lives with her mother (Harvey Virdi) and two brothers Kasim (Faraz Ayub) who is a police officer and much younger Adel (Shubham Saraf). Her mother is strict and devout, I would probably add a hypocrite as well.

Mona is going out with another Pakistani Muslim Tanvir (Nikesh Patel). However this is not good enough for her family because he is Punjabi or something. So in effect he is Muslim, he is from Pakistan but the wrong region or caste so not good enough for the family and enough to bring shame to them. You see what I meant when I called her mother a hypocrite.

When the rest of the family hear about her plans to marry this they go off the rails. Kasim threatens Tanvir and frightens him off. For bringing shame to the family they attempt to kill her but she escapes and the family hire a bounty hunter (Paddy Considine)to find her. Considine is happy to take money from Asians although we note he is a racist.

Writer/director Shan Khan mixes the time line to heighten the suspense of what is a straightforward thriller. It works to an extent but too often the film becomes a hysterical melodrama with the focus on Karim the foul mouthed cop turned bad guy as he has been too brain washed by his repulsive mother.

There is a scene where his mother tells him that as a policeman, a pillar of the community, with his family's standing, he is an eligible catch and could marry a top Pakistani girl. His sister'r behaviour has put all this at risk.

At least the film highlights the sensitive issue of honour killings but it needs to have placed more explanation to the viewer as to why Tanvir was deemed to be unsuitable for Mona or else the viewer could be left confused.

The film is set in London but there is a glaring scene of a main road in the Isle of Man which I recognised as it was near where I used to live.

"Honour killings are violent acts of vengeance, committed by male family members against female relatives ..." This is patently untrue. Honor killings do not discriminate by gender. Women simply get the publicity.

But it seems every writer must follow Feminist (gender Marxist) dogma and carry water for "the war on women" screed.

Again and again, bad male culture, poor 'heroic' women victims and the white knights that save them to prove how strong they are.

This inanity keeps cropping up again and again by a whole generation of writers brainwashed since childhood to despise the penis.

I don't have much to add that distracts from my stars or my tag line. Any movie brave enough have 'honour' as its title is asking to be criticised, but with this Honour, such is unnecessary. The director, the cameramen, and the editors here have created a truly professional piece. Its class is shown in the contrast between the cinematography, full of bright clear colour, which shows a modern, happy and vibrant England (like a shopping interlude on a Nigella Lawson show), and the story itself, brilliantly constructed from several person's perspective, before coming together for the dramatic close. It is in this last aspect that the movie truly satisfies as a thriller. It's well cast, wonderfully acted, and keeps the viewer guessing. I highly recommend it as a thriller, as well as the talent on display as a work of cinematic excellence, and of course the enlightened way the writer has presented a terrible evil in our society. Worthy of several awards.