Amar sin miedo

I really enjoyed and learn a lot from the film. It was really interesting to see how a man can be in love with his fiancee and fall for another person of the same sex. I was very compelled to the very end. The male actors were so hot and yummy, even the actresses were beautiful and sexy. I'm happy to learn that the film was done by Mexican people from Los Angeles, happy to support la raza. This film reminds of Brokeback Mountain but with a Mexican twist that I totally didn't expect. Is it not a gay film, but a love story that I thought was beautifully told. Taxco looks beautiful, can't wait to see it with my very own eyes.

This film is ostensibly intended to be a drama but it has so many elements of cheesy comedy it's difficult to tell what vibe the filmmaker is going for. Sadly, it fails either way. The "dramatic" scenes (people yelling at each other) play like a telenovela, and the ridiculously improbable ending could've been lifted from an Eating Out sequel. Everything is overplayed, for no worthwhile reason.

The lead character Josh (Andres Roma) is the archetypal nerdy, pasty-white, camera-toting gringo tourist. He speaks excellent Spanish, but with a blatant gringo accent that doesn't fit a guy at his fluency level who's had a Mexican girlfriend for 10+ (?) years; he can't even say the name of his new friend Leo in a non-Anglo way. When he speaks English, Roma pulls off a passable whitebread American accent but can't sustain it; he often lapses into a Latino rhythm of speech. At first this made me cringe as I thought Josh was mocking the locals, but his very Mexican pronunciation of certain words like "stubborn" (stah-born) reveals it as simply a case of bad acting.

Josh's awkward cluelessness is cartoonish and relentless. The utter lack of sexual chemistry with his new friend make Leo's persistent and obvious pursuit of him seem predatorial. There's nothing here that resembles a romance, although that seems to have been the filmmaker's vision. All in all, the film plays like writer/director Juan Frausto pulled two characters out of the 2014 HBO series Looking - the uptight ginger nerd and the scruffy Latino musician - and stuck them into a very improbable, overly burlesqued, and ultimately unsatisfying story line.

First- Parents, there are adult situations/nudity and so you might want to put the kids to bed before enjoying. Second-Every work of art should be judged based on the artist's intent and as a result I give this film a top rating of ten stars out of ten stars. It's a beautiful production with a gorgeous setting in a small mexican village. The story was pretty good, but what really sells it is the emotions and chemistry between the actors. Fabulous job from the director in getting the performances out of his team. I was very anxious on how it would end and was surprised at the ending! It's focused on real life situations so i appreciated that.

Love without fear is a lovely film. The cast and story captivated me. The director's open mind about love and sex really surprised me. It is true that before exploring the possibility of love, all love is possible, and love itself should not be labeled as opposite-sex or same-sex. But after making a mistake, it is not a good idea to passively wait for the problem to be solved. Since it is true love, why not make it clear face to face? True love should be fearless, but fearless love does not mean abandoning the responsibility of love. Only by loving bravely and competently can you gain joy and happiness.

It was a privilege to join two of the actors and the director in viewing this film the Seattle Latino Film Festival. Even if they weren't there/FaceTiming in, you could still tell how much they believed in and cared about their craft.

I have often found myself yearning for more sincerity when it comes to queer representation in film. In the case of Love Without Fear, I felt sincerity that was enhanced by some of the melodrama, their comedic moments, and relatable monologues and dialogue throughout.

I was magnificently surprised by the finale and a successful execution of using a short deneumont to the films advantage. I started rooting for every single one of the four core characters before they hit that climax and I see that as an indicator of well structured character arcs.