Ajouter une intrigue dans votre langueA young man, broke and jobless, abducts three rich college kids to try and get money from their fathers.A young man, broke and jobless, abducts three rich college kids to try and get money from their fathers.A young man, broke and jobless, abducts three rich college kids to try and get money from their fathers.
- Prix
- 1 nomination au total
Jim Calarco
- Detective
- (uncredited)
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That was a pretty decent movie. What makes it decent is a combination of usual Hollywood film that brings you the amusement by the amount of shock applied and good old drama school. The shocking atmosphere is mostly preserved by certain amount of brutality and twist. As for drama, I really loved the way the director used the theater stage in the house were fathers were gathered to imply tension and very involving plot development. Balanced and interacted with the core plot in the movie, it made a very watchable feature film. Also, the movie does not bring the usual American picture of good and bad guys, but leaving you think about that yourself. It might be just my impression, but I think that the senior actors were better than junior. I do not say that the young actors were bad, just acting of the fathers was more superb!
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Kevin Zegers (Paul Dynan) is a young college student, whose mother is facing eviction from her home after the bank foreclosed on it. He teams up with two other young people and kidnaps the kids of three wealthy men, hoping to extort a ransom. Naturally, things don't go to plan.
It's a bit of a lottery these days, which film projects are finding their way to the big screen and which seem to just fall by the wayside and wind up as mere fodder, on a one way course to the bargain bin. Although it had the potential to be turned into a far bigger budget film, this is the direction The Entitled appears to have been thrown. Which is a shame, for although it begins a little tepidly, it soon develops into a genuinely tense, if a little flawed, piece of work.
Although the set up is entirely plausible, and an interesting concept to launch on, early on the script suffers from some improbable scenes here and there, which send it down the pan a bit. Yet somehow, as it develops, it does create a genuine air of suspense and excitement about how things are going to work out, and as apparently clear cut characters receive surprise revelations in the script that make them appear not as they seemed. Somehow, by not playing out exactly as you thought it would, it still keeps you hooked and gripped to the end, even as the end outcome REALLY becomes a lot to take in. ***
Kevin Zegers (Paul Dynan) is a young college student, whose mother is facing eviction from her home after the bank foreclosed on it. He teams up with two other young people and kidnaps the kids of three wealthy men, hoping to extort a ransom. Naturally, things don't go to plan.
It's a bit of a lottery these days, which film projects are finding their way to the big screen and which seem to just fall by the wayside and wind up as mere fodder, on a one way course to the bargain bin. Although it had the potential to be turned into a far bigger budget film, this is the direction The Entitled appears to have been thrown. Which is a shame, for although it begins a little tepidly, it soon develops into a genuinely tense, if a little flawed, piece of work.
Although the set up is entirely plausible, and an interesting concept to launch on, early on the script suffers from some improbable scenes here and there, which send it down the pan a bit. Yet somehow, as it develops, it does create a genuine air of suspense and excitement about how things are going to work out, and as apparently clear cut characters receive surprise revelations in the script that make them appear not as they seemed. Somehow, by not playing out exactly as you thought it would, it still keeps you hooked and gripped to the end, even as the end outcome REALLY becomes a lot to take in. ***
Like others have mentioned is not the movie of the year, but it is respectable. Good director & good story.
The acting and the script lack enthusiasm and spark. Fortunately the worst actor gets eliminated early on. I think he was perhaps the son of the producer or whoever financed this movie, or made it happen. The story has an elegant twist, but the story could have been developed much better to make this an excellent suspense movie.
The director created enough suspense with what's given in the script, but the fact is that the story needed to be developed more to where everyone could be a real suspect. Overall, it's a pretty good movie compared to what is being produced out there, and considering there are not any big stars in this movies.
The acting and the script lack enthusiasm and spark. Fortunately the worst actor gets eliminated early on. I think he was perhaps the son of the producer or whoever financed this movie, or made it happen. The story has an elegant twist, but the story could have been developed much better to make this an excellent suspense movie.
The director created enough suspense with what's given in the script, but the fact is that the story needed to be developed more to where everyone could be a real suspect. Overall, it's a pretty good movie compared to what is being produced out there, and considering there are not any big stars in this movies.
A group of under-privileged kids starving for money and attention; a group of over-privileged kids starving for action and attention; a group of over-privileged adults trying to be content with their current state of life. That's "The Entitled." One group wants what the others have and the others just plain want. If you want an intelligent, thought-out thriller, you've got it.
The film starts out a little pedestrian and juvenile with pointless scenes and then a few scenes continuously pointing out that our main hero was poor. But as it turns out, those scenes weren't pointless or over-done, you just had to wait until the end to figure it out. Everything contributes to the final result.
Our main hero is Paul Dynan (Kevin Zegers) — broke, jobless, defeated, and almost option-less. A last ditch effort to save his mother and their house, he abducts three local rich kids, uses two misfit friends to torture them, and tries to get money out of their fathers.
The brilliant aspects of this film which they did so well were the different relationship dynamics. The group of rich, entitled kids consisted of two males and one female. One couple but all three were friends. The group of poor, angry kids was exactly the same (just minus the money). The three fathers had the same relationships that their kids had, just a taller, older version.
Continuing in the vein of brilliant relationship dynamics, the plot of the kidnapping was propelled forward by how everybody acted within their own group. Apparently the key to a successful crime (or not successful) is knowing how all the individuals will act. The key to a successful crime thriller is making sure that your characters act in interesting ways.
The lead acting was very impressive, just as I was frequently in awe of how impressively smart the turns were in this thriller, I was amazed by how natural and creepy Zegers could be. Ray Liotta and the two other actors playing the fathers were equally as arresting.
The minor actors couldn't overcome the sometimes awkward and painful dialogue. Now don't get me wrong, the screenplay by William Morrisey is actually pretty good story-wise, he just doesn't give a good voice to the over-privileged, entitled rich kids. But then again, who does? I still think the opening sequences could have been tightened up to help me realize how important they actually are to the story. But above all else, "The Entitled" made me think and I like watching films about some characters who do think and some characters who don't think. And I'll let you figure out which groups they belong to.
The film starts out a little pedestrian and juvenile with pointless scenes and then a few scenes continuously pointing out that our main hero was poor. But as it turns out, those scenes weren't pointless or over-done, you just had to wait until the end to figure it out. Everything contributes to the final result.
Our main hero is Paul Dynan (Kevin Zegers) — broke, jobless, defeated, and almost option-less. A last ditch effort to save his mother and their house, he abducts three local rich kids, uses two misfit friends to torture them, and tries to get money out of their fathers.
The brilliant aspects of this film which they did so well were the different relationship dynamics. The group of rich, entitled kids consisted of two males and one female. One couple but all three were friends. The group of poor, angry kids was exactly the same (just minus the money). The three fathers had the same relationships that their kids had, just a taller, older version.
Continuing in the vein of brilliant relationship dynamics, the plot of the kidnapping was propelled forward by how everybody acted within their own group. Apparently the key to a successful crime (or not successful) is knowing how all the individuals will act. The key to a successful crime thriller is making sure that your characters act in interesting ways.
The lead acting was very impressive, just as I was frequently in awe of how impressively smart the turns were in this thriller, I was amazed by how natural and creepy Zegers could be. Ray Liotta and the two other actors playing the fathers were equally as arresting.
The minor actors couldn't overcome the sometimes awkward and painful dialogue. Now don't get me wrong, the screenplay by William Morrisey is actually pretty good story-wise, he just doesn't give a good voice to the over-privileged, entitled rich kids. But then again, who does? I still think the opening sequences could have been tightened up to help me realize how important they actually are to the story. But above all else, "The Entitled" made me think and I like watching films about some characters who do think and some characters who don't think. And I'll let you figure out which groups they belong to.
"Are you kidding me" ? Ray L. in top form and overall superb acting by every one else too. I could sit through entire movie, and that is something. The character development was laid out very nicely. With the opening statements from the lead character, I could see without much effort, that perhaps This movie is a "real" down to earth film with the kind of depth most folks can easily consume. Also delivered in a language that is easily understood. Somewhat organized dialog but needed be for the act of justice, in a growing unjust world. Plot- Take your dream up a notch and chance it. The well thought out plan has a much better chance of coming through because , well your worth it. Expect the unexpected too, and also factor it in. As Ray put well in his business ethics talk in mid movie. We are all getting squeezed anyway. Some Great Flick here! Thanks.
Le saviez-vous
- GaffesWhen Paul is looking at his bank statement, the total line says "$2,000,00.00" which is missing an extra 0.
- Citations
[first lines]
Paul Dynan: [narrating] Why did I do it? I didn't do it out of greed or envy. I did it because there was nowhere left to go.
Paul Dynan: See, I'm nothing special. I'm like everybody else - getting by, day by day, week by week, dreaming about that one thing that'll make everything all right. That one thing.
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- How long is The Entitled?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bring the Night
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 $ US (estimation)
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By what name was The Entitled (2011) officially released in Canada in English?
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