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Blonde

  • 2022
  • R
  • 2h 47m
ÉVALUATION IMDb
5,4/10
76 k
MA NOTE
POPULARITÉ
1 439
324
Ana de Armas in Blonde (2022)
A fictionalized chronicle of the inner life of Marilyn Monroe.
Liretrailer1 min 54 s
6 vidéos
99+ photos
Period DramaPsychological DramaShowbiz DramaTragedyDramaHistory

Une chronique romancée de la vie intérieure de Marilyn Monroe.Une chronique romancée de la vie intérieure de Marilyn Monroe.Une chronique romancée de la vie intérieure de Marilyn Monroe.

  • Director
    • Andrew Dominik
  • Writers
    • Andrew Dominik
    • Joyce Carol Oates
  • Stars
    • Ana de Armas
    • Lily Fisher
    • Julianne Nicholson
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,4/10
    76 k
    MA NOTE
    POPULARITÉ
    1 439
    324
    • Director
      • Andrew Dominik
    • Writers
      • Andrew Dominik
      • Joyce Carol Oates
    • Stars
      • Ana de Armas
      • Lily Fisher
      • Julianne Nicholson
    • 1.1KCommentaires d'utilisateurs
    • 503Commentaires de critiques
    • 50Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 oscar
      • 12 victoires et 36 nominations au total

    Vidéos6

    Official Trailer
    Trailer 1:54
    Official Trailer
    Official Teaser Trailer
    Trailer 0:53
    Official Teaser Trailer
    Official Teaser Trailer
    Trailer 0:53
    Official Teaser Trailer
    Oscars 2023 Best Actress Nominees
    Clip 1:01
    Oscars 2023 Best Actress Nominees
    The Rise of Ana de Armas
    Clip 3:15
    The Rise of Ana de Armas
    Blonde: I Didn't Think You Were Ever Coming Back (Latin America Market Subtitled)
    Clip 1:10
    Blonde: I Didn't Think You Were Ever Coming Back (Latin America Market Subtitled)
    Blonde: Por Que Ana De Armas Como Marilyn? (Spanish/Spain Subtitled)
    Featurette 1:41
    Blonde: Por Que Ana De Armas Como Marilyn? (Spanish/Spain Subtitled)

    Photos616

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 610
    Voir l’affiche

    Rôles principaux99+

    Modifier
    Ana de Armas
    Ana de Armas
    • Norma Jeane
    Lily Fisher
    Lily Fisher
    • Young Norma Jeane
    Julianne Nicholson
    Julianne Nicholson
    • Gladys
    Tygh Runyan
    Tygh Runyan
    • Norma Jeane's Father
    Michael Drayer
    Michael Drayer
    • Deputy Will Bonnie
    Sara Paxton
    Sara Paxton
    • Miss Flynn
    Ryan Vincent
    Ryan Vincent
    • Uncle Clive
    Vanessa Lemonides
    Vanessa Lemonides
    • Marilyn Singing Voice
    • (voice)
    Patrick Brennan
    Patrick Brennan
    • Joe (Photo Shoot Photographer)
    Rob Brownstein
    Rob Brownstein
    • Acting Coach
    Evan Williams
    Evan Williams
    • Eddy Robinson Jr.
    Xavier Samuel
    Xavier Samuel
    • Cass Chaplin
    Dan Butler
    Dan Butler
    • I.E. Shinn
    David Warshofsky
    David Warshofsky
    • Mr. Z
    Rebecca Wisocky
    Rebecca Wisocky
    • Yvet
    Sonny Valicenti
    Sonny Valicenti
    • Casting Director
    Ethan Cohn
    • Assistant to Director
    Mike Ostroski
    Mike Ostroski
    • The Writer
    • Director
      • Andrew Dominik
    • Writers
      • Andrew Dominik
      • Joyce Carol Oates
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs1.1K

    5,476.2K
    1
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    10

    Avis en vedette

    7adibshahriar

    Mixed feelings

    Ana de armas gave an inspiring performance and she really acted her heart out. The story and it's execution was a masterpiece at places and the cinematography and aesthetics were on a new level. As I don't know that much about marlyn I don't actually care how they portrayed her. The main accomplishment of the film is that it shows the horrors of Hollywood masterfully and how sometimes famous people or actors lose themselves as a person underneath the limelight and become somewhat of a lost soul. In some respects they failed to make it feel impactful and it seemed disjointed sometimes. But to see ana de armas act her heart out and netflix do something new is truly refreshing. And it's such a long film but surprisingly didn't seem dragged.
    5CinemaSerf

    Blonde

    What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have acquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.
    5marcelbenoitdeux

    Poor Marilyn

    If you're going to fictionalize the life of one of the movie icons of the 20th century why go there, to the darkest dark. There are some "invented" moments that are, quite frankly, unforgivable. What kept me glued to the screen was Ana de Armas. A tremendous show of talent and fearlessness. I was wondering what the experience would have been to watch it in a theater with other people? I don't know because in the privacy of my own home I was free to stand up and walk away to pour myself a drink and shout at the screen. The awful Kennedy episode for instance. Why? That episode in particular made me question the intention of the filmmakers. So, yes, I can say now that I've seen it. Loved some it and detested some it.
    3rchosen-193-5535

    Horrible fictional garbage. And the rating seems to be for no real reason.

    So first off, the movie made the news when it was said to have a NC-17 rating. We were never really told why. It seems like it was given that rating just to drawn attention to the movie because the movie was had about much language, nudity...etc as a R rated movie.

    As for the movie itself.... overhyped trash. This is based on a fictional book and not her true story. It's sad that she can't even get a legit story but instead gets a fake version. All that aside the movie is almost 3 hours long. And its very slow moving. There are some disturbing scenes of course, but nothing really shocking compared to other movies.

    You still get the feeling she was abused by everyone of course. But that's about it. Again, since its not her actual story, it feels like your watching some tabloid version of her life. What a waste of time and such overblown hype. But I know it will win Oscars because "critics" will probably love it for some reason.

    Only reason I even gave it a three was the actress nailed her voice and how she acted.
    2wisewebwoman

    Exploitive and flat

    Three hours of sheer boredom with the whole focus of the film being on Norma Jean's father who abandoned her mother before she was born. Nothing new on offer. A lot of nude shots, Marilyn calling her husbands "Daddy" the babies she couldn't have, her intelligence got short shrift and her drug taking a huge focus, fed by her handlers.

    John F. Kennedy, the womanizer, is depicted in a particularly revolting scene.

    Shock value ruled the day and nothing new was added.

    Totally disappointing and the words that comes to mind are crude and vulgar. Good imitative performance from Ana.

    But not worth a re-watch or an award of any kind.

    2/10.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is based on the 2000 novel "Blonde" by Joyce Carol Oates, which is a fictionalized account inspired by the life of Marilyn Monroe, not an actual biography. Oates insisted that the novel is a work of fiction that should not be regarded as a biography. Oates said that she didn't have anything to do with the making of this film, though once in a while, director Andrew Dominik would get in contact with her, and that she was given an almost-final cut in 2020 and she has praised the film ever since. The novel had been previously adapted into a two-part miniseries: Marilyn Monroe (2001), starring Poppy Montgomery as Monroe.
    • Gaffes
      Marilyn greets the Secret Service agents at her door with: "You were expecting maybe Mother Teresa?" Mother Teresa had not gained international recognition in 1962. It's highly doubtful Marilyn would have known who she was.
    • Citations

      Norma Jeane: Marilyn doesn't exist. When I come out of my dressing room, I'm Norma Jeane. I'm still her when the camera is rolling. Marilyn Monroe only exists on the screen.

    • Connexions
      Featured in How Fight Scene Props Are Made for Movies & TV (2022)
    • Bandes originales
      Ev'ry Baby Needs a Da-Da-Daddy
      Written by Lester Lee and Allan Roberts

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    FAQ18

    • How long is Blonde?Propulsé par Alexa
    • Is this film a biography?

    Détails

    Modifier
    • Date de sortie
      • 28 septembre 2022 (Canada)
    • Pays d’origine
      • United States
    • Site officiel
      • Official Netflix
    • Langues
      • English
      • Italian
    • Aussi connu sous le nom de
      • Rubia
    • Lieux de tournage
      • Los Angeles Theatre - 615 S. Broadway, Downtown, Los Angeles, Californie, États-Unis("Gentlemen Prefer Blondes" premiere)
    • société de production
      • Plan B Entertainment
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 22 000 000 $ US (estimation)
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 47 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.33 : 1
      • 2.39 : 1

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