John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le f... Tout lireJohn McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.
- Prix
- 5 victoires et 8 nominations au total
- Alik
- (as Rasha Bukvic)
- MRAP Driver
- (as Ganxsta Doglegy Zolee)
Histoire
Le saviez-vous
- AnecdotesThis was the first Die Hard film where the original script was explicitly written as an entry in the Die Hard series.
- The first Piège de cristal (1988) film was based the novel "Nothing Lasts Forever" by Roderick Thorp.
- 58 minutes pour vivre (1990) was first written as a script based on Walter Wager's novel '58 Minutes'.
- Marche ou crève: Vengeance définitive (1995) famously took its basic idea from Jonathan Hensleigh's screenplay Simon Says.
- Vis libre ou crève (2007) was retro-fitted from the original screenplay WW3.com, which was nearly filmed on its own merits before the 9/11 terrorist attacks caused it to be shelved.
- GaffesAll roads leading into the Chernobyl/Pripyat exclusion zone have military checkpoints - yet neither the villains or the heroes seem to have any trouble gaining access.
- Citations
John McClane: The shit we do for our kids. Yippee-ki-yay, motherfucker.
- Autres versionsThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making a number of cuts to both language and visuals. When the finished version of the film was submitted for formal classification, edits had been made to reduce the number of uses of strong language (both 'f**k' and 'motherf***er') and to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and punches to restrained individuals. The formal submission was consequently classified 12A.
- ConnexionsFeatured in The One Show: Episode dated 6 February 2013 (2013)
This movie really is that bad, and it's all down to the people who made it. Much of the blame can be laid at the door of director John Moore, who makes even more of a mess with this than he did with MAX PAYNE; he can't even do basics like where to place his actors in their shots, and he manages to screw up every action scene in the movie (and believe me, there are a lot of them).
Still, it's no surprise that the appalling script was written by one Skip Woods, who also handled the equally rubbishy A-TEAM movie. Woods is without a doubt the worst writer currently working in Hollywood and why people still employ him is anybody's guess.
Willis realises he's making a turkey so he makes no effort whatsoever; he sleepwalks through this with a monotonous voice guaranteed to send most moviegoers to sleep. This isn't John McClane, not even the McClane of DIE HARD 4.0; instead it's just some tired old guy who clearly doesn't want to be there. As his son, Jai Courtney is given a one-dimensional character and displays none of the charm he brought to his role as Varro in SPARTACUS: BLOOD AND SAND.
The film meanders from one pointless action scene to the next, and we never get a clear idea of who the bad guys are or what they want; Willis just kind of stumbles into their plans (whatever they are) and goes along with it. The violence is mind-numblingly routine, and despite the explosive special effects the film offers little in the way of entertainment, with an early car chase being the only half-decent part purely for its destructive visuals. The great Sebastian Koch is wasted en route, and the film ends with a CGI-fuelled whimper.
I hope to God I never have to see it again.
- Leofwine_draca
- 29 juin 2013
- Lien permanent
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- A Good Day to Die Hard
- Lieux de tournage
- Budapest, Hongrie(as Moscow, Russia)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 92 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 67 349 198 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 24 834 845 $ US
- 17 févr. 2013
- Brut – à l'échelle mondiale
- 304 654 182 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1