John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le f... Tout lireJohn McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.
- Prix
- 5 victoires et 8 nominations au total
- Alik
- (as Rasha Bukvic)
- MRAP Driver
- (as Ganxsta Doglegy Zolee)
Avis en vedette
This is by far the worst entry in the franchise
So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.
Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.
The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.
In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.
I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
This movie really is that bad, and it's all down to the people who made it. Much of the blame can be laid at the door of director John Moore, who makes even more of a mess with this than he did with MAX PAYNE; he can't even do basics like where to place his actors in their shots, and he manages to screw up every action scene in the movie (and believe me, there are a lot of them).
Still, it's no surprise that the appalling script was written by one Skip Woods, who also handled the equally rubbishy A-TEAM movie. Woods is without a doubt the worst writer currently working in Hollywood and why people still employ him is anybody's guess.
Willis realises he's making a turkey so he makes no effort whatsoever; he sleepwalks through this with a monotonous voice guaranteed to send most moviegoers to sleep. This isn't John McClane, not even the McClane of DIE HARD 4.0; instead it's just some tired old guy who clearly doesn't want to be there. As his son, Jai Courtney is given a one-dimensional character and displays none of the charm he brought to his role as Varro in SPARTACUS: BLOOD AND SAND.
The film meanders from one pointless action scene to the next, and we never get a clear idea of who the bad guys are or what they want; Willis just kind of stumbles into their plans (whatever they are) and goes along with it. The violence is mind-numblingly routine, and despite the explosive special effects the film offers little in the way of entertainment, with an early car chase being the only half-decent part purely for its destructive visuals. The great Sebastian Koch is wasted en route, and the film ends with a CGI-fuelled whimper.
I hope to God I never have to see it again.
It's a sad day to say this, but it has to be said: "A Good Day to Die Hard" is a dud. The fifth instalment in the beloved "Die Hard" saga ends up as the worst of the series so far; it falters thanks to a weak characterization, even weaker screen writing, lack of worthy villains, absurd action sequences and incoherent direction. You can bet this movie will be mentioned in the same sentence with "Rocky V", "Superman IV: The Quest for Peace", "Speed 2: Cruise Control", "Die Another Day" and "Batman & Robin". Not even the R-rating and the return of the famous "Yippie ki yay" line in full can save this one.
As much as I love action movies, I like mine with a side of plot and character, of which this film fails at. John McClane, one of my favorite film characters of all time, is given a horrendous treatment no beloved character should ever be given: relegated to a sidekick. This is HIS movie, not his son's! From the start he is inexplicably thrust into Russia with no back story of how the previous films over the years have shaped his character now - a key trait that was visible in the previous four films. He is reduced to a wise-cracking action supercop, and even his wisecracks are weak. However, Bruce Willis, bless him, is still McClane without a doubt, as he dishes out the bad guys with weathered-out cynicism in his eyes. He still has it in him, and in no way it is his fault that this movie turned out to be near-crap.
Rather, writer Skip Woods and director John Moore are to blame. Woods clearly missed the whole point of McClane's essence and likability - he is a vulnerable human - an everyday Joe who only stops the bad guys when "there's no one else that can do it". He is a reluctant hero in the first four films, he can get seriously wounded, as he is up against worthy adversaries that are cool, calculative and almost one step ahead of him. Here, McClane, in the opening car chase, and immediately causes mass vehicular damage just to stop thugs from attacking his son, shows no signs of vulnerability (after TWO major car crashes), and has no qualms about killing the bad guys wherever they pop up here. His son Jack (Jai Courtney), filling in for McClane's sidekick, has certain charisma and shows a few glimpses of character development in McClane but it is cut short by the merciless and absurd action sequences.
A good action movie has to have a good villain. "Die Hard 5" has none. It has three primary villains, all of them forgettable. Nothing with the likes of even Thomas Gabriel or Colonel Stuart (the Gruber Brothers must be smirking right now in hell). They're not intelligent, not menacing, not memorable. They're just dumb, die, and that's it. What was their evil plot? What dastardly deeds do they have? Weapons dealing. Oh the humanity!
The film runs at 97 minutes - the shortest in the series. Why the film was released at this length I don't want to know. Nobody complained about the 2 hour running time for each of the previous four movies. Imagine what a better movie this could've been with those cut scenes added back in.
John Moore directs with the subtlety of a car crash. He smash cuts every scene, puts heavy use of slow motion in the excruciatingly absurd climax, and relies heavily on CGI for most of the action sequences. But like all Die Hard movies, there has to be at least one sensational action sequence, and that is at the film's beginning. The only thing I really enjoyed (in a guilty pleasure sort of way) about the whole movie was a massive, destructive stunt-filled car chase throughout the streets of Moscow. It was an intense and exciting scene. Pity the rest of the movie can't hold up to this sensational chase scene alone, especially the end which essentially turns McClane into The Terminator. If you think the F-35 scene in "Die Hard 4" was absurd, hoo boy, wait until you get a load of this one.
At the very least, there's some competent cinematography from Jonathan Sela and a good, riveting music score from Marco Beltrami, who really knows his stuff when it comes to action, as well as incorporating Michael Kamen's themes into this one. If anything, the music is better than the movie.
There is a 6th (and according to Bruce, final) movie in the works. Here's a no brainer - bring back John McTiernan or Renny Harlin (hell, even Len Wiseman for all I care), and hire a good screenwriter who really delivers the old school action goods. I strongly believe Bruce and McClane can deliver the goods still and ride off into the sunset, instead of falling off his horse here. They just need a better story, better direction, and a more than worthy villain with a respected British actor in the role. The franchise doesn't deserve to die with this. It's too good for that.
Shame on you, John Moore and Skip Woods.
Le saviez-vous
- AnecdotesThis was the first Die Hard film where the original script was explicitly written as an entry in the Die Hard series.
- The first Piège de cristal (1988) film was based the novel "Nothing Lasts Forever" by Roderick Thorp.
- 58 minutes pour vivre (1990) was first written as a script based on Walter Wager's novel '58 Minutes'.
- Marche ou crève: Vengeance définitive (1995) famously took its basic idea from Jonathan Hensleigh's screenplay Simon Says.
- Vis libre ou crève (2007) was retro-fitted from the original screenplay WW3.com, which was nearly filmed on its own merits before the 9/11 terrorist attacks caused it to be shelved.
- GaffesAll roads leading into the Chernobyl/Pripyat exclusion zone have military checkpoints - yet neither the villains or the heroes seem to have any trouble gaining access.
- Citations
John McClane: The shit we do for our kids. Yippee-ki-yay, motherfucker.
- Autres versionsThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making a number of cuts to both language and visuals. When the finished version of the film was submitted for formal classification, edits had been made to reduce the number of uses of strong language (both 'f**k' and 'motherf***er') and to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and punches to restrained individuals. The formal submission was consequently classified 12A.
- ConnexionsFeatured in The One Show: Episode dated 6 February 2013 (2013)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- A Good Day to Die Hard
- Lieux de tournage
- Budapest, Hongrie(as Moscow, Russia)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 92 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 67 349 198 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 24 834 845 $ US
- 17 févr. 2013
- Brut – à l'échelle mondiale
- 304 654 182 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1