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Une belle journée pour crever

Titre original : A Good Day to Die Hard
  • 2013
  • 14A
  • 1h 38m
ÉVALUATION IMDb
5,2/10
219 k
MA NOTE
Bruce Willis and Jai Courtney in Une belle journée pour crever (2013)
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces.
Liretrailer2 min 30 s
19 vidéos
99+ photos
One-Person Army ActionActionThriller

John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le f... Tout lireJohn McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.John McClane se rend en Russie pour aider son fils, Jack, qui a l'air d'être insolent, et découvre que Jack est un agent de la CIA qui travaille sous couverture, ce qui amène le père et le fils à faire équipe contre les forces du monde souterrain.

  • Director
    • John Moore
  • Writers
    • Skip Woods
    • Roderick Thorp
  • Stars
    • Bruce Willis
    • Jai Courtney
    • Sebastian Koch
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,2/10
    219 k
    MA NOTE
    • Director
      • John Moore
    • Writers
      • Skip Woods
      • Roderick Thorp
    • Stars
      • Bruce Willis
      • Jai Courtney
      • Sebastian Koch
    • 627Commentaires d'utilisateurs
    • 431Commentaires de critiques
    • 28Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 victoires et 8 nominations au total

    Vidéos19

    U.S. Version #2
    Trailer 2:30
    U.S. Version #2
    U.S. Version #1
    Trailer 1:36
    U.S. Version #1
    U.S. Version #1
    Trailer 1:36
    U.S. Version #1
    Teaser
    Trailer 1:10
    Teaser
    A Good Day to Die Hard
    Trailer 2:25
    A Good Day to Die Hard
    A Good Day to Die Hard
    Trailer 1:35
    A Good Day to Die Hard
    A Good Day To Die Hard: Ballroom Fight
    Clip 1:00
    A Good Day To Die Hard: Ballroom Fight

    Photos186

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 180
    Voir l’affiche

    Rôles principaux53

    Modifier
    Bruce Willis
    Bruce Willis
    • John McClane
    Jai Courtney
    Jai Courtney
    • Jack McClane
    Sebastian Koch
    Sebastian Koch
    • Komarov
    Mary Elizabeth Winstead
    Mary Elizabeth Winstead
    • Lucy
    Yulia Snigir
    Yulia Snigir
    • Irina
    Radivoje Bukvic
    Radivoje Bukvic
    • Alik
    • (as Rasha Bukvic)
    Cole Hauser
    Cole Hauser
    • Collins
    Amaury Nolasco
    Amaury Nolasco
    • Murphy
    Sergey Kolesnikov
    Sergey Kolesnikov
    • Chagarin
    Roman Luknár
    Roman Luknár
    • Anton
    Zolee Ganxsta
    • MRAP Driver
    • (as Ganxsta Doglegy Zolee)
    Péter Takátsy
    Péter Takátsy
    • Prosecutor
    Pasha D. Lychnikoff
    Pasha D. Lychnikoff
    • Cabbie
    Megalyn Echikunwoke
    Megalyn Echikunwoke
    • Pretty Reporter
    Melissa Tang
    Melissa Tang
    • Lucas
    Rico Simonini
    Rico Simonini
    • Colonel
    Catherine Kresge
    Catherine Kresge
    • Neiderbrook
    April Grace
    April Grace
    • Sue Easton
    • Director
      • John Moore
    • Writers
      • Skip Woods
      • Roderick Thorp
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs627

    5,2219.4K
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    Avis en vedette

    6tavm

    A Good Day to Die Hard has some good moments

    All right, basically all you need to know about this latest "Die Hard" movie is that once again, Bruce Willis plays cop John McClane and he's now in Russia to rescue his grown son who he thinks is in trouble. He's actually a CIA agent sent to take someone out of jail for some files. There's also a very alluring young woman named Irina played by Yuliya Snigir in this movie. Oh, and then there's a ridiculous amount of car crashes that had me just staring in astonishment at how they had the gall to wreck so many vehicles. Still, the story is pretty compelling if one doesn't think too much about it and the length is short enough so on that note, A Good Day to Die Hard is still a pretty entertaining movie.
    5michaelberneman

    Great action but...

    Let me start off by saying that like everyone I had a feeling this could go wrong. You have a terrible writer, Skip Woods(even if I enjoyed The A-Team) and a terrible director, John Moore. The people at Fox must be idiots because John Moore has not made one good film, so to trust him with the Die Hard franchise seemed a bad idea. The film has a lot of action if not too much, there isn't any dialog!!!! At 97 minutes it's the shortest one in the series ans it sure feels that way. Every other film in the franchise were longer, they gave you more time to explore the rest of the film. But this one feels so rushed, like okay let's go there , and then here,... The film has no structure. It's like they said "alright guys were gonna make this as fast as possible" Bruce Willis is fine but it's like he doesn't even talk during the whole movie, his chemistry with Jai Courtney is fine. The plot is okay even if you can see the twist coming after 25 minutes. What makes this film still enjoyable is the action even though it's disturbed by shaky-cam, bad editing and bad CGI effects. If they are gonna make another one they should bring back John Mctiernan and make the movie on a smaller scale. Back to basics!! If they make it on a bigger scale than they should make it as good as With a Vengeance.And another thing: You can't drive from Moscow to Chernobyl in a couple of hours!!!!!!

    This is by far the worst entry in the franchise
    5johnnymacbest

    I kept an open mind, but so much was left to be desired.

    In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.

    So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.

    Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.

    The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.

    In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.

    I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
    4Leofwine_draca

    Pitiful attempt at bringing back the series

    While many people slated DIE HARD 4.0, I enjoyed watching it the few times I've seen it since release; I felt like it was a moderately successful way to bring the Bruce Willis-starring franchise slap bang into the 21st century, although of course it wasn't as good as the original trilogy. Inevitably, A GOOD DAY TO DIE HARD followed, but the bad news is that it makes the last instalment look like a masterpiece by comparison.

    This movie really is that bad, and it's all down to the people who made it. Much of the blame can be laid at the door of director John Moore, who makes even more of a mess with this than he did with MAX PAYNE; he can't even do basics like where to place his actors in their shots, and he manages to screw up every action scene in the movie (and believe me, there are a lot of them).

    Still, it's no surprise that the appalling script was written by one Skip Woods, who also handled the equally rubbishy A-TEAM movie. Woods is without a doubt the worst writer currently working in Hollywood and why people still employ him is anybody's guess.

    Willis realises he's making a turkey so he makes no effort whatsoever; he sleepwalks through this with a monotonous voice guaranteed to send most moviegoers to sleep. This isn't John McClane, not even the McClane of DIE HARD 4.0; instead it's just some tired old guy who clearly doesn't want to be there. As his son, Jai Courtney is given a one-dimensional character and displays none of the charm he brought to his role as Varro in SPARTACUS: BLOOD AND SAND.

    The film meanders from one pointless action scene to the next, and we never get a clear idea of who the bad guys are or what they want; Willis just kind of stumbles into their plans (whatever they are) and goes along with it. The violence is mind-numblingly routine, and despite the explosive special effects the film offers little in the way of entertainment, with an early car chase being the only half-decent part purely for its destructive visuals. The great Sebastian Koch is wasted en route, and the film ends with a CGI-fuelled whimper.

    I hope to God I never have to see it again.
    3dvc5159

    What on earth have they done to John McClane?!

    I am heartbroken.

    It's a sad day to say this, but it has to be said: "A Good Day to Die Hard" is a dud. The fifth instalment in the beloved "Die Hard" saga ends up as the worst of the series so far; it falters thanks to a weak characterization, even weaker screen writing, lack of worthy villains, absurd action sequences and incoherent direction. You can bet this movie will be mentioned in the same sentence with "Rocky V", "Superman IV: The Quest for Peace", "Speed 2: Cruise Control", "Die Another Day" and "Batman & Robin". Not even the R-rating and the return of the famous "Yippie ki yay" line in full can save this one.

    As much as I love action movies, I like mine with a side of plot and character, of which this film fails at. John McClane, one of my favorite film characters of all time, is given a horrendous treatment no beloved character should ever be given: relegated to a sidekick. This is HIS movie, not his son's! From the start he is inexplicably thrust into Russia with no back story of how the previous films over the years have shaped his character now - a key trait that was visible in the previous four films. He is reduced to a wise-cracking action supercop, and even his wisecracks are weak. However, Bruce Willis, bless him, is still McClane without a doubt, as he dishes out the bad guys with weathered-out cynicism in his eyes. He still has it in him, and in no way it is his fault that this movie turned out to be near-crap.

    Rather, writer Skip Woods and director John Moore are to blame. Woods clearly missed the whole point of McClane's essence and likability - he is a vulnerable human - an everyday Joe who only stops the bad guys when "there's no one else that can do it". He is a reluctant hero in the first four films, he can get seriously wounded, as he is up against worthy adversaries that are cool, calculative and almost one step ahead of him. Here, McClane, in the opening car chase, and immediately causes mass vehicular damage just to stop thugs from attacking his son, shows no signs of vulnerability (after TWO major car crashes), and has no qualms about killing the bad guys wherever they pop up here. His son Jack (Jai Courtney), filling in for McClane's sidekick, has certain charisma and shows a few glimpses of character development in McClane but it is cut short by the merciless and absurd action sequences.

    A good action movie has to have a good villain. "Die Hard 5" has none. It has three primary villains, all of them forgettable. Nothing with the likes of even Thomas Gabriel or Colonel Stuart (the Gruber Brothers must be smirking right now in hell). They're not intelligent, not menacing, not memorable. They're just dumb, die, and that's it. What was their evil plot? What dastardly deeds do they have? Weapons dealing. Oh the humanity!

    The film runs at 97 minutes - the shortest in the series. Why the film was released at this length I don't want to know. Nobody complained about the 2 hour running time for each of the previous four movies. Imagine what a better movie this could've been with those cut scenes added back in.

    John Moore directs with the subtlety of a car crash. He smash cuts every scene, puts heavy use of slow motion in the excruciatingly absurd climax, and relies heavily on CGI for most of the action sequences. But like all Die Hard movies, there has to be at least one sensational action sequence, and that is at the film's beginning. The only thing I really enjoyed (in a guilty pleasure sort of way) about the whole movie was a massive, destructive stunt-filled car chase throughout the streets of Moscow. It was an intense and exciting scene. Pity the rest of the movie can't hold up to this sensational chase scene alone, especially the end which essentially turns McClane into The Terminator. If you think the F-35 scene in "Die Hard 4" was absurd, hoo boy, wait until you get a load of this one.

    At the very least, there's some competent cinematography from Jonathan Sela and a good, riveting music score from Marco Beltrami, who really knows his stuff when it comes to action, as well as incorporating Michael Kamen's themes into this one. If anything, the music is better than the movie.

    There is a 6th (and according to Bruce, final) movie in the works. Here's a no brainer - bring back John McTiernan or Renny Harlin (hell, even Len Wiseman for all I care), and hire a good screenwriter who really delivers the old school action goods. I strongly believe Bruce and McClane can deliver the goods still and ride off into the sunset, instead of falling off his horse here. They just need a better story, better direction, and a more than worthy villain with a respected British actor in the role. The franchise doesn't deserve to die with this. It's too good for that.

    Shame on you, John Moore and Skip Woods.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This was the first Die Hard film where the original script was explicitly written as an entry in the Die Hard series.
      • The first Piège de cristal (1988) film was based the novel "Nothing Lasts Forever" by Roderick Thorp.
      • 58 minutes pour vivre (1990) was first written as a script based on Walter Wager's novel '58 Minutes'.
      • Marche ou crève: Vengeance définitive (1995) famously took its basic idea from Jonathan Hensleigh's screenplay Simon Says.
      • Vis libre ou crève (2007) was retro-fitted from the original screenplay WW3.com, which was nearly filmed on its own merits before the 9/11 terrorist attacks caused it to be shelved.
    • Gaffes
      All roads leading into the Chernobyl/Pripyat exclusion zone have military checkpoints - yet neither the villains or the heroes seem to have any trouble gaining access.
    • Citations

      John McClane: The shit we do for our kids. Yippee-ki-yay, motherfucker.

    • Autres versions
      The UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making a number of cuts to both language and visuals. When the finished version of the film was submitted for formal classification, edits had been made to reduce the number of uses of strong language (both 'f**k' and 'motherf***er') and to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and punches to restrained individuals. The formal submission was consequently classified 12A.
    • Connexions
      Featured in The One Show: Episode dated 6 February 2013 (2013)
    • Bandes originales
      Symphony No. 9 in D Minor, op. 125
      Written by Ludwig van Beethoven

      Arranged by Marco Beltrami

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    FAQ23

    • How long is A Good Day to Die Hard?Propulsé par Alexa
    • Is this the last entry of the franchise?
    • What is 'A Good Day to Die Hard' about?
    • Is 'A Good Day to Die Hard' based on a book?

    Détails

    Modifier
    • Date de sortie
      • 14 février 2013 (Canada)
    • Pays d’origine
      • United States
      • United Kingdom
      • Hungary
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • English
    • Aussi connu sous le nom de
      • A Good Day to Die Hard
    • Lieux de tournage
      • Budapest, Hongrie(as Moscow, Russia)
    • sociétés de production
      • Twentieth Century Fox
      • TSG Entertainment
      • Giant Pictures
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 92 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 67 349 198 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 24 834 845 $ US
      • 17 févr. 2013
    • Brut – à l'échelle mondiale
      • 304 654 182 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Surround 7.1
      • Datasat
      • SDDS
      • Dolby Atmos
      • Sonics-DDP
      • Auro 11.1
    • Rapport de forme
      • 1.85 : 1

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