Argentina, 1985

I've been looking forward to this film for a long time, and it doesn't disappoint at all. It's the kind of movie where the performances carry all the weight. Ricardo Darin as always was superb, but also Alejandra Flechner shines as the prosecutor's wife.

While the film has the familiar structure of a trial movie, everything is executed flawlessly.

Merits aside, the whole technical section, from minute zero, is absolutely surprising, the budget is noticeable. I recommend watching it on the big screen, it is unmissable to see the audience's reaction throughout the film. It'll probably be on of the five nominees at the Oscar´s for best international film.

Argentina, 1985 is inspired by the true story of the prosecutors Julio Strassera and Luis Moreno Ocampo, who in 1985 dared to investigate and prosecute those responsible for the bloodiest phase of the Argentine military dictatorship, which fell only 2 years earlier. Without being intimidated by the regime, the expert Strassera and the young Moreno Ocampo formed a young legal team of unlikely heroes to wage an unequal battle.

Constantly threatened, together with their families, they fought against time to give justice to the victims of the military junta which in 1976 deposed Isabelita Martinez De Peron in a coup. The members of the junta were tried for crimes committed by the Armed Forces in those years, which resulted in over 30,000 disappeared in December 1985, many were sentenced to life imprisonment. The film has the advantage of effectively reconstructing, in the same places where the facts took place, the difficult investigative work and the four-month trial with 833 eyewitnesses and survivors of clandestine detention and torture centers.

Also using a surprisingly humorous tone, which makes the magistrate (played by an extraordinary Ricardo Darìn) more human, likeable his very young group of lawyers and affectionate his beautiful family reveals the private side of an honest man. The 1985 trial allowed the Argentine justice to recognize and reclaim a long denied right. It inaugurates democracy and condemns the use of violence as a possibility.

When state terrorism takes hold in society, there is always an attempt to annihilate citizens and eliminate the possibility of communication.

As Argentina begins reckoning with the violent torture and murder of its people by a ruthless military junta from 1976 to 1983, the task falls to prosecutor Julio Strassera (Darin) to prosecute the dictators. The constant death threats are shrugged off by his wife Silvia (Flechner) and children, and his deputy Luis (Lanzani) has no experience but a sharp mind. They assemble an unusually young team and set out to gather evidence of 709 specific crimes, representing thousands. But it seems unthinkable that these still-powerful armed forces leaders will ever be sent to prison.

Witty interaction gives the film a surprising electrical charge, making darker elements even more devastating. Without going into too much detail regarding torture, what's described is absolutely horrific, and scale could have been mind-numbing without such personal filmmaking. This also helps us identify vividly with characters, while seeing this situation echoed in present-day politics as former heads of state face consequences for actions taken when they felt above the law.

Veteran actor Darin makes Julio feel wonderfully competent; even when he's unsure, we know he's on the right track. His sardonic comments bring harsh things into perspective, and he has wonderfully abrasive camaraderie with his family and colleagues, drawing both strength and inspiration. His partnership with the likeable Lanzani's whip-smart Luis develops beautifully over the case. And as Silvia, Flechner adds fabulously sardonic moments that run very deep. Meanwhile, Paredes gets a show-stealing role as a key witness who resiliently recounts a staggering ordeal.

These true events are important in world history, a pivotal change in how leaders are held to account, eventually. A line in the film equates this trial with Nuremberg, but this is perhaps even more earth-shaking. And what sets this film apart is the way a young legal team bonds over their desire to set the historical record straight, because they are the ones who will inherit the leadership of their country. They want it to be a just place to live. Obviously, they're not there yet, but this first step was massive.

The movie starts pretty slow, but from the beginning on you can connect with the characters. The first half hour or so has A LOT of funny little moments, maybe even one or two to many, considering the tone and themes of the movie, but it still works somehow, especially because the actors do a very good job(Important sidenote: I watched it in the original language with subtitles).

The movie lacks a bit of structure though, and the first half feels a bit long and stretched in some parts, it doesn't really feel like we are getting somewhere anytime soon. But it picks up in the second half! What still lacks is real tension. BUT there are a lot of very powerful moments near the end, spectacularly delivered by the cast.

You should also not expect thorough explanations of argentinian history or the court case itself, the movie is about people fighting for justice and shows there struggles and emotions.

So if you want to see an emotional, yet funny, movie with some real heart, and you bring some patience with you, I can really recommend it!

You've been tasked to prosecute the fascist junta, they've been pulled into the court from their safe bunker, air force, navy and army, assortments of corrupt parties, but you'll feel like you're the hunted, not the hunter.

You'd be forgiven for thinking Ricardo Darin appears in most of the films of Argentine cinema if you only come across the features that receive international acclaim, but there's a good reason for that, and once again he delivers an impressive performance as the state prosecutor building a team and a case against those that destroyed thousands of lives during their vicious and brutal reign.

Coming in well over two hours, I wouldn't let that put you off as the tension builds and insurmountable barriers are removed, the time flies by. A fine piece of factual story telling that leaves more than a sense of satisfaction at the end.