Le maître et Marguerite

The Master and Margarita (2023) is simply the best film I've seen released in years, visually stunning, the iconic novel is adapted in the most thought-provoking perspective & grabs your imagination instantly. What I loved the most is that, IS NOT about the political prosecution of the author/protagonist; but about how the love of Margarita totally frees him, more than his muse -he writes for her, aware that the manuscript will probably end up in the fire- is the force that binds the book and his world together. Reality and fantasy are beautifully intertwined, and the writer can't tell what goes on in his mind from the outside world. All actors (incl. The cat Behemoth) are fantastic; particularly Yulia Snigir as Margarita, it is simply impossible not to fall in love with her from the moment she appears on the screen. The Devil / Voland here is also playful & more than perverse brings much needed humour, like a fellow who enjoys taking the piss ruthlessly at any price. So people keep comparing it to the series of 2005, well, i do not compare all love stories to Casablanca or Gone With the Wind, each period has different takes and creative freedom, I like this film more even than the book, which, let's face it, was an unfinished draft assembled by Bulgakov's widow, so let's stop slagging masterly done stuff when the original story wasn't even finished. Do not miss, real cinema lovers!!!!

Great movie!

At times, quotes from the novel are spoken word for word, at times the director changes details, but clearly just to fit everything in - the runtime is already huge.

Voland and the Master are miscast, especially the Master. They confused a melancholic alcoholic with a gothic metrosexual. The cat remains undeveloped. How the actor who played Ivanushka ended up in this movie is a mystery.

But Gella, Margarita, Koroviev, Pilate, and Maigret are good choices.

Stravinsky is very good!

Stepa Likhodeev is brilliantly played, the best role (it's a pity it's not bigger).

All the most important quotes from the book are spoken, but there wasn't enough time for the funniest ones.

The director, praise Satan, didn't fill the movie with funny scenes, although there are plenty in the book, and instead focused on exactly what Bulgakov's novel is about: censorship under a dictator, which drives not only writers but also ordinary citizens insane.

The movie adaptation of the classic book is a rare gem that successfully captures the essence of the story, the tragic lives of the Master and Margarita. The film explores the absurdity of communism, the struggles a creative writer has to endure under a suppressive regime, and features a beautiful love story that adds to the movie's emotional depth. The execution of the film is excellent, with fantastic actors bringing the characters to life, including August Diehl as Woland, Yevgeny Tsyganov as the Master, and Yuliya Snigir as Margarita. In all, I loved the different themes interwoven in this lovely tragedy.

The movie is done really well. It looks great, it's well edited, has great sound design and all the performances are flawless.

The timelines and realities are so convoluted that it would make Nolan scratch his head. However, the movie does a great job at keeping the story comprehensible and engaging.

I usually don't like long movies, but in this case the two and a half hours runtime is well justified and passed by quickly. There's no runtime padding and everything feels essential.

The only reason I subtracted one star is that the humor from the book didn't properly precipitate into this movie (but that's super subjective so take with a grain of salt). Otherwise it's a nearly perfect and innovative adaptation of a good book.

The latest cinematic rendition of Mikhail Bulgakov's "Master and Margarita" is a compelling and artistically rich adaptation that both honors and reinterprets the classic novel. Differing from the beloved 2005 series starring Oleg Basilashvili, this new version presents a fresh perspective on the timeless story, offering a unique visual and narrative experience.

At its core, the film remains faithful to Bulgakov's narrative, weaving the parallel tales of the Master, a writer persecuted for his work, Margarita, his devoted lover, and the fantastical events surrounding the devil's visit to Moscow. However, the director's approach infuses the story with a distinct contemporary flair, setting it apart from previous adaptations.

Visually, the film is a feast for the eyes, combining stunning cinematography with imaginative special effects that bring the mystical elements of the story to life. The portrayal of Woland's entourage is particularly noteworthy, capturing their eerie and whimsical nature.

The performances are exceptional, with each actor bringing depth and nuance to their characters. The chemistry between the Master and Margarita is palpable, adding an emotional weight to their tragic romance.

The film's pacing and tone do justice to Bulgakov's complex narrative, balancing the dark, satirical elements with moments of profound emotion. The modern touch to the story's presentation may divide traditionalists but is sure to captivate a new generation of viewers.

In conclusion, this new adaptation of "Master and Margarita" is a daring and visually stunning film that breathes new life into Bulgakov's masterpiece. It is a must-watch for fans of the novel and for those seeking a thought-provoking and beautifully crafted cinematic experience.