L'américain

As an action thriller, I'd give this film maybe a 2/10. But that is not what it was intended to be. The ads and marketing of the film falsely suggest this is an action film, and that is a great disservice both to the film and to the audience. I suspect that the film's rating would be higher had the marketing been honest. It is almost the opposite of action: it's a quiet, introspective film. I didn't expect a thriller and so I wasn't disappointed.

As usual in this kind of film, there is not a lot of backstory. We never find out exactly where Jack came from, how he found his job, why he could take such a job, etc. But that's not really the point. We never really find out much about the back story on the other characters, either. I think we actually found out more about the priest.

I enjoyed the film in about the same way I would enjoy a short story, which focuses on a few points rather than furnishing a history and full explanation.

This movie has been unfairly judged by IMDB members. People are jealous of George Clooney, and the life he has created for himself. Full disclosure - this is one of my favorite movies. I love the minimal dialogue - it creates a certain tone and realism. I love the soundtrack - impossible to find, but worth the search. I love the cinematography - you can watch this film in HD on mute and it is still enjoyable. And, then there is Violante Placido - one of the sexiest women ever captured on film.

Here's the thing - if you want an exciting movie about a trained killer with tons of dialogue and action, watch The Bourne Identity, or a James Bond film, or Bad Boys II. The American is not an over-the-top action movie and it has no larger-than-life characters. For that exact reason, it is an outstanding film.

RealReview Posting Scoring Criteria: Acting - 1/1 Casting - 1/1 Directing - 1/1 Story - 1/1 Writing/Screenplay - 1/1

Total Base Score = 5

Modifiers (+ or -) Originality: 0.5 Cinematography: 1 Music/Soundtrack: 0.5 Believability/Consistency: 1 A Personal Favorite: 1

Total RealReview Rating: 9

The American (2010), directed by Anton Corbijn, is a vehicle for the talents of George Clooney. Clooney is too tough, too handsome, and too much the strong, silent type to do well as a gentle, caring human being. Accordingly, director Corbijn has typecast him as a professional assassin.

Unfortunately for his character, Jack, "the Swedes" are after him. The film begins in a beautiful Scandinavian location where Jack avoids being killed, and kills his would-be assassins. Unfortunately, this causes him to commit an inexcusably violent crime against an innocent person. The attempt on his life also causes him to hide out in a small Italian village, where he is "The American."

In the village he meets three people. Two of them are pretty much from Central Casting--a kindly priest, played well by Paolo Bonacelli, and a hooker with a heart of gold, the beautiful Violante Placido. The third person's role is more surprising--Thekla Reuten, as Mathilde, surely the world's most attractive female professional assassin.

The plot isn't terribly creative and, in fact, it's somewhat confusing. However, the movie is worth seeing, in my opinion, for the excellent acting that Clooney brings to his role. He is a man who is never at ease, never at rest, and clearly no longer comfortable with his role as a hired killer and gunsmith for hired killers. He is always (literally) looking over his shoulder, and probably will be forever. Not a happy profession, and not a happy life.

Reviewers have remarked about the beautiful scenery in this movie, which I did not appreciate on the small screen. However, the acting and plot come across well enough on DVD. The film isn't worth seeking out, unless you have a particular interest in this genre. However, it has some episodes of intense action, and it's never boring.

The cinematography is breath taking, but with top photographer Anton Corbijn at the helm, you wouldn't expect anything less. There's very little dialogue in this film, about 500 lines in total, which emphasizes the acting and the visual spectacle. Don't expect any CGI or amazing action scenes. It's just not that kind of film. It's a homage to C'era una volta il West by Sergio Leone, to The Day of the Jackal (the original!) by Fred Zinnemann and writer Frederick Forsyth, to Italy and in a way to Clooney. The deliberate slow pace will put a lot of people off. The movie is about professionalism, betrayal, loneliness, revenge and love. How good "bad" people can be. A wonderful film, that will not be valued by the average Hollywood loving movie goers, but a must see for people who love movies and for whom movie-making is an art.

"And above all, don't make any friends, Jack. You used to know that."

First, a warning. The American is an atypical spy-thriller. If you're wanting to check out an adrenaline-fueled action film, you should check out Salt. The American is a slow- burner, and more of a character study than anything else. 

The main character Jack is an assassin and weapons maker who at his heart, is a lonely man. His last engagement was marred by an incident where he had to kill the woman he was involved with, and he's forced to move on to a small town in Italy where he's given another assignment and told to wait. But he finds himself drawn again to another woman, and that complication may turn his employer against him.

Clooney gives a great understated performance as the quiet, complex Jack, and he's joined by a pair of excellent, beautiful female leads in Violante Placido and Thekla Reuten. Their beauty is matched by the beauty of the small Italian towns and countryside where the majority of the movie takes place. The sedate pace of the film gives you time to absorb the mood of the setting, as well as understand the effect it has on Jack. 

The American will definitely not appeal to everyone. There are two or three effective action scenes, but at no point is that kind of thing the focus of the movie. Imagine the tone of The Assassination of Jesse James by the Coward Robert Ford, and you won't be far off the mark.