Wai dor lei ah yat ho

"Dream House" was somewhat of a great surprise. I love Hong Kong cinema and watch anything I can get my hands on. Though I wasn't familiar with "Dream House" prior to finding it by sheer random luck on Amazon, and decided to get it as it sounded interesting and was at an okay price.

And to make it all the more interesting, then the movie is based on true events that shook Hong Kong, and I got that confirmed from a friend living there, so it wasn't just something that was flaunted in the movie to make it more interesting - there was some truth behind it.

The story in "Dream House" is about Cheng Lai (played by Josie Ho) who has been saving money her entire life to buy her own dream apartment, a home of her own. She is living with her family, which is normal in Hong Kong, up until you get married, usually. Things seem to sort themselves out for her, except that the sellers raise the price, and other people are interested in the one and only specific apartment she wants. Cheng Lai sanity flickers and she is driven to inhuman actions.

"Dream House" was driven by a great story that sweeps you up and takes you along for a great ride. Plus it was really well acted, and it was mostly Josie Ho who pulled the weight. I, personally, do not care much for Eason Chan (playing Siu To) and his acting skills (or lack thereof).

The movie is filmed in a great way that makes it come off as right in your face, almost as if you were right there with the actors. Plus the camera work really helped the movie along as well, especially when Cheng Lai was having a breakdown on the street. That scene was just so amazingly nice.

And as a major plus, for all gorehounds out there, then there is a rather good amount of gore and really good effects in the movie, which makes it well worth checking out for the mayhem alone. I was impressed with some of the scenes. And I will say this, without giving away anything here; the scene with the pregnant tenant and her maid was one of the most brutal and graphically disturbing scenes I have seen in a long, long time. That really got my attention, as I had never expected that kind of graphic violence in this movie.

If you enjoy Hong Kong cinema, then you definitely should treat yourself to this movie, as it is a rather unique addition to the collection of Hong Kong cinema.

Josie Ho plays a young woman desperate to own her own flat. She makes the perfect deal for her dream home, but then the owners decide that the property is too valuable to part with. Ho decides to take matters into her own hands and lower that property value - by killing the crap out of everyone who lives next door to that place. I've never quite seen anything like this. The structure, which moves back and forth in time, is a bit confusing at first, but it all comes together in the end. The film is most notable for its violence. These are some of the nastiest, most disturbing murders I've seen in a long time. I can't remember the last time I was actually shocked by a movie.

"Dream Home" has been a title I've been waiting to watch since it's release. Most reviews I had read pinned it as a "darkly hilarious" satirical horror film with high levels of style and gore. The style and gore are there alright, but as far as humor is concerned, I was a little let down. The film does have it's quirks and witty lines, not to mention a few "so-bad-it's-good" effects, but it didn't quite live up to the reputation that I had known it for. That being said, the film is shot beautifully and uses a wide variety of creative shots and transitions. It plays with the time-line well and develops Cheng's character at a very nice pace. Many of the deaths are drawn out and disturbing, which would make this a difficult film to watch if the effects were done with more care. Some over-the-top gore may be humorous to some, but in using characters that the audience can relate to, it is more easily said to be horrific. All in all, though it fell a little short of the hype I've been hearing, "Dream Home" is a must for any Chinese or Asian horror fans!

This is pretty awesome for what it is. Remember CATIII films from some twenty years ago? The most gruesome violence, a seamy social underbelly, usually a plot involving revenge and some terrible crime spree; bleak, nihilistic, amoral affairs of a world abandoned to the most deviant whims and sexual appetites. On at least the matter of violence, this one is a slick return to splatterfests of yore. There is no body part that isn't horribly mangled in some way. The pregnant woman isn't spared. Police don't save the day when they show up. There is no safe moral center to pivot around.

This part works, is senselessly brutal and exciting. But every now and then we veer off into extensive childhood flashbacks meant to contextualize and explain. Backstory is gradually pieced together from that direction that allows us to discern pattern in yawning madness, minutely calculated obsession. Every wild stabbing of the knife is gradually imbued with purpose.

The idea on the part of the filmmakers was probably that this was drama and human interest that would trouble how we handled violence from our end. The shift in tone would unsettle: here is a perfectly innocent young girl, and on the other end a raging psychopath.

This would grace the whole with some complexity, even respectability. The film would not be easy to dismiss but would recast aimless slaughter as greater social consequence. We learn for example that government and land proprietor thugs are ousting poor tenants from their shabby apartment blocks, in order to flatten them and build luxurious high-rise towers in their place. Prices artificially skyrocket. This is brought full circle in the end with the first news as of '08 of the coming global economic crisis. The problem is this is not handled in terribly interesting ways. It's shoe-horned at the end of a bloodbath for some weight but only drags the superficial pleasures down.

So we just learn stuff someone presumed we would need to know. The whole is tied into something someone presumed would be relevant to us all. It is but I'd rather get this part from a newspaper. A newspaper doesn't have excellent gore. So every minute spent away from cartoonish carnage and into hamfisted drama and social commentary is a minute lost for me.

Being from Hong Kong, the makers perhaps felt it was their part to address all this. Perhaps the ire is honest and comes from experience. But as far as a horror film goes, I'm surprised they allowed the lesson of A L'Interieur go wasted: brutality even more sharpened by complete awareness of the present moment.

Still, it's pretty awesome for what it is. It just means we'll have to concentrate on what was clearly poured into the most effort; the slick, ultraviolent slasher film.

I saw this for the first time recently n in my opinion the filmmakers shud have removed the pregnant woman's turmoil scene.

The story is bah Lai sheung n thru mixed chronological order, we see Lai-sheung as a child whose family and friends are evicted from their low-rent housing so that developers can build expensive flats but she vows to buy her mother and father a new apartment, specially an apartment with a view of the Victoria Harbour.

As an adult she is working in a bank, having a relationship with a married man, taking care of his ailing father n a young brother. Due to bad circumstances, Lai-sheung goes into a frenzy where she goes to the flats and attacks people who live and work there, killing them without any mercy.

This film has shades of Inside (2007). It is one of the best slasher of modern times n the effects r amazing. The film is very very violent with some very heavy stuff which made me squirm.