Chacune des femmes incarne l'un des personnages représentés dans la collection de vingt poèmes, révélant différentes problématiques qui touchent les femmes en général et les femmes de couleu... Tout lireChacune des femmes incarne l'un des personnages représentés dans la collection de vingt poèmes, révélant différentes problématiques qui touchent les femmes en général et les femmes de couleur en particulier.Chacune des femmes incarne l'un des personnages représentés dans la collection de vingt poèmes, révélant différentes problématiques qui touchent les femmes en général et les femmes de couleur en particulier.
- Prix
- 14 victoires et 17 nominations au total
- Tangie
- (as Thandie Newton)
- …
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I have to say, I was pleasantly surprised. First of all, the play is not something that can be easily rendered into a movie. It's more of a performance than a traditional "play". There is not a coherent plot, and even the vignettes are often incomplete stories. The men that are central actors in the womens' stories are completely voiceless and have no role in the play whatsoever. The dialog from the different characters is beautiful and elegant and haunting, so to be true to the story you have to keep the language that is used.
So, it's a difficult situation to be in, no plot really to paraphrase or "adapt" with very precise language that needs to be incorporated to keep the beauty of the piece. It is a task that a better filmmaker than TP should have tackled....but it's doubtful that anyone who had the talent AND the juice to make this movie actually would have, so TP is all that's left.
The film is choppy at parts...NOT seamlessly interweaving the added plot-driven dialog with the elegant and colorful soliloquies from the original play. Also, some of the particular poems seem oddly-placed, and out of context.
However, the performance of the pieces did give a meaning that reading the play does not. Pieces that I understood in one way when I read them took on a different and more potent meaning when I saw them being performed in the context of the film. The delivery of most (not all) of the poems and the character portrayals generally was excellent.
There is some overacting (Kerry Washington in particular stood out as overdone to me), and some of Tyler Perry's typical caricatures (if you are a light-skinned man with a high paying job....you are a bastard!), but if I evaluated this movie based on whether my understanding and experience of the text was expanded by this film, I would say it was.
Perhaps if I had seen the performance I would evaluate this film less kindly, but I think that if you come in understanding 1) it is a lofty performance piece being rendered as film, and 2) it has incorporated some of the performance aspect of the play into the film, I think you could appreciate it and enjoy it.
That being said, I am very disappointed that one poster decided to comment not about the movie but about their own personal prejudices about black women, and probably black people in general. I'd like to point out, that NOT ONE woman in this film was on welfare. NOT ONE woman in this movie was living off "the tax payers" and NOT ONE woman in this film was living on easy street. If you just want to rant about your own personal prejudices then go to one of the political blogs. This is supposed to be an honest discussion about the movie.
Lets start with the good: The acting was great. Loretta devine's voice was very annoying at times, but she made me laugh and knew how to play with the character. Anika Noni Rose did very well from being on top, then falling, then picking up the pieces. She has great potential for being something great. Tessa Thomas made me fall in love with her!!!! OMG!!!! With hard work, she can do something spectacular. She did very well with her emotional scenes and was very believable. Whoppi was hilarious but it wasn't Oscar worthy. She's still got it though. Kerry Washington did well with what she was given. I wish she stood out more but it was great seeing her on screen. The entertainment factor was on point. There were some scenes hard to watch and some things unexpected, but it kept you enthralled in the film
THE BAD: OMG... JANET!!!!! I had so much faith in her performance but once again, I was let down. She just doesn't have it! Her lines and acting was so frozen and she looked like a mannequin in tears. Its so frustrating because I know she can do so much better. Phlyica Rashad's character was absolutely wasted. But for what she was given, she was amazing. Tyler should have used such a great actress more extensively and I was waiting for Phlycia to steal my heart. I did love the way Phylicia recited her poem to Thandie in her apartment room. Her reading was sooo believable and well executed. The transition from the poem to the Tyler's language was so drastic and not fluid at all. You could easily tell when the actresses went from his writing to the books. It just didn't work for me but it was challenging working with great choreopoems. I love Thandie Newton to death and she did a good job acting in this movie, but in some scenes, she overdid it. It was a little too much that she was giving, but overall it was a good body of work.
Finally: OMG!!!! Please give Kimberly Elise an Oscar Nomination. She took my breath away with her performance. It was heartbreaking and spellbinding. If she doesn't get a nomination, I will be floored. She is long overdue and her acting was superb!!!!!!!
Overall, this is Tyler's best but he still has room to grow. Just go and see the movie for yourself and please have an open mind. Good job Tyler and I expect you to grow from this point forward.
The cast was pretty strong over-all. Kimberly Elise, by far, led the pack with her amazing skill. Every time she graced the screen, the emotion and sorrow in her eyes pierced through my heart. She was absolutely PHENOMENAL and I expect her to be well recognized come award season. Thandie Newton was GORGEOUS as always, and did great, but seemed slightly overdone at times, especially when she tried to speak ebonics. (But that is expected, as she has a natural foreign accent.) I've noticed a lot of people criticize Kerry Washington's character as "overdone," but I really liked Kerry in this film and believed her completely. Anika Noni Rose, Tessa Thompson, and especially Phylicia Rashad also stood out to me, though they had some of the lesser roles. All three did wonderfully with what they were given. Janet Jackson...eh. I don't know what it is about her, but I have never been impressed with her acting. I don't know if she's not digging enough or if screen just isn't her forte, but she never feels believable to me and I feel uncomfortable watching her. I would definitely call her the weakness in the film.
A controversial topic regarding this movie is its "theme" (many label it a Sisters movie) and the message it portrays. A male friend of mine who was dragged along to see this movie with his cousin found it highly offensive to black men. I'm not going to lie---it certainly does label black men as "douches." All black men, with the exception of Kerry Washington's husband in the film, are portrayed as either emotionally, verbally, sexually, or physically abusive, selfish, and heartless---which as we all know is NOT true in real-life. There are plenty of great black men in this world that are educated, good providers, loving, respectful, honest, and that know how to treat women like princesses. I don't think was a man-bashing movie, but more-so a film that highlights many issues women experience that come hand-in-hand with broken families, absent fathers, violent men, rape/sexual abuse. I would recommend this to not just all black women, but to women of all races, as we ALL know someone---whether it be ourselves, our moms, our daughter, our sisters, our aunts, our cousins, our friends---who can relate to the struggles shown For Colored Girls.
Yes it was graphic, yes it was vulgar and yes it will make you cry. However, the women in this movie all had issues I know myself and most other women of color could relate to in some way. If you were one of the people who may have thought there was just too much going on in this movie to be real I would say praise God you were afforded the opportunity to live in a box your entire life. I am a triple degree college graduate who came from the ghetto and an abused home so I know this stuff really happens. I am just happy for a change it wasn't sugar coated.
This was one of Tyler Perry's best work even if it did make me sad. Sad because I can just think of all the people I know and women who are just like those in the movie living on no hope or false hope. In the end it reminded me I need to do a better job in sharing my Witness the gospel of Jesus Christ. Great Movie!!!!!
Le saviez-vous
- AnecdotesThe first film directed by Tyler Perry to be rated R by the MPAA.
- GaffesWhen the "Lady in Green", Loretta Devine, does her solo of "Someone took my stuff" because her boyfriend walked out on her; she has on two different green earrings.
- Citations
Yasmine: A rapist doesn't have to be a stranger to be legitimate. Someone you never saw. A man with obvious problems. But if you been public with him, danced one dance, kissed him goodbye lightly with a closed mouth, pressing charges will be as hard as keeping your legs closed while five fools try and run a train on you. These men friends of ours, who smile nicely, take you out to dinner, then lock the door behind you...
- ConnexionsFeatured in The Tonight Show with Jay Leno: Episode #19.26 (2010)
- Bandes originalesWhat More Can They Do
Written and Performed by Laura Izibor
Published by Imagem (IMRO) and Universal Music Z Songs (BMI)
Courtesy of Atlantic Recording Corporation
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 37 729 698 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 497 324 $ US
- 7 nov. 2010
- Brut – à l'échelle mondiale
- 37 981 984 $ US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1