Transformers 3: La face cachée de la lune

After the critical back-lashing Revenge of the Fallen, Michael bay stated that the third and possibly final Transformers would take away everything that failed in the last movie and give the audience what it wanted. But has he learned his lessons? Yes and no. Gone are the racially insensitive robots, the incredibly messy and clumsy plotting and much of the dizzying, incomprehensible camera-work. What remains is the poor geeky humour and questionable performances from the leads. Shia Labeouf was very enjoyable in the first movie but here has gone into overdrive, and his character Sam Witwicky has become much less relatable and interesting. His home life in particular (of which the first half of the movie focuses) is getting irritating. His girlfriend problems and embarrassing parents boring and we really couldn't care that much about how he feels unappreciated for saving the world twice. Then there's Megan Fox's replacement: Rosie Huntington-Whitely. She can't act. At all. It wasn't expected that the former model would be that great but she really is poor.

The first hour of the film is much like Rosie. Nice to look at (especially in 3D) but lacking any substance at all. We are left with Ken Jeong doing his Hangover thing in a 12A film, and not being funny, just very annoying. And John Malkovich doing his thing but really just embarrassing himself. There are reams of exposition, while the plot is better than the last two films it is still handed out poorly. Bay won't let the action tell the story, it has to be action, break, story, break, action. The rest of the first hour is just CGI and Shia going mental while Rosie watches blankly.

But all of a sudden the supporting comic actors are dropped and Michael Bay does what he does best: Explosions and fighting. An impressive freeway chase leading into a fight a plot twist (yes a plot twist in a Transformers movie) and a death of a significant character. The whole film gets better from here. The plotting gets tighter, John Tuturro and Frances McDormand are given more screen-time (there were so many Coen favourites in this movie I was expecting John Goodman to be voicing an Autobot) and the action is dished out in spades. Whe the decepticons invade Chicago all hell breaks loose. And we are given fights, battles, explosions and collapsing buildings galore. Robots kick, punch and rip each other apart. And this is where the third dimension comes into play. This is definitely the best 3D experience since Avatar. Watch in awe as Optimus Prime tears chunks of metal out of other giant robots and chucks them at the screen while in the depths of the background, aerial battles ensue. It is breathtaking and a triumph for 3D, proving that it can be done properly and amaze the viewer.

If you went an hour late to the movie, and make sure it's a 3D screening, this would be a 5 star experience of pure entertainment. But as it stands it's still a solid closer for the trilogy, an improvement on Revenge of the fallen but not as good as the first.

After their disastrous second outing, few people had faith in the third part, but Dark of the Moon rights a lot of the narrative faults and feels like the sequel the first film deserved.

A despondent Sam finds himself out of the limelight as the Decepticon threat appears to have lessened, Mikaela and Bumblebee have left him and he struggles to find a job and direction in life. But when Optimus Prime learns that humanity had found a vital Autobot ship crashed on the Moon, he rescues Sentinel Prime from the wreck, just when the Decepticons return with a plan to restore their homeworld of Cybertron.

Watching Dark of the Moon feels like an endurance test by the time it finishes, this is due to a ridiculously drawn out battle set in Chicago for the climax. While it makes up for Revenge of the Fallen's terribly underwhelming finale, it does become a blur of insignificance after a while because there's simply too much happening! But if there is one thing done right this time is a correct use of characters. A lot of the ludicrous padding and fluff from RotF is completely missing; our human characters are involved but not excessively (ie. Sam's parents hardly feature at all!) and let's say this film provides us with humans who aren't noble and just. There's a lot more of the Transformers too (you would hope so) and it feels like they have a lot more respect shown to them now. Decepticons genuinely appear threatening and the Autobots are shown to have personalities again, continuing from the first film's groundwork (a scene with a silent, brooding Optimus-in-truck-mode is a favourite). The action is off the rails too. More in keeping with the original film we see them transform during battles.

There are some deeply unsettling scenes too. The setup involves assassinations against humans who knew about the mission to the Moon, executed by Decepticon Laserbeak (great to see him too), one where he infiltrates a family's house by pretending to be a friendly Autobot playing with their daughter. Woah, woah! RotF was too cheesy, but this is really dark all of a sudden!

As a fan of the Transformer characters, this film sees a lot of deaths. Some are most unforgivable. We haven't seen this many prominent robot deaths since the slaughter that was the 1986 Transformers: The Movie! The only other gripe I mostly have about this film asides deaths and a bloated finale is Carly, Sam's new love interest (the forgettable Rosie-Huntington Whitely) who is given things to do thanks to the plot, but is far less notable than Fox's Mikaela (I cannot believe I just wrote that) but I do believe the film would be stronger without a love interest. But it is Michael Bay, we need a girl for those slow-mo shots.

It is a vast, vast improvement and a faithful sequel to the 2007 film. It is too long, and it does make some unforgivable decisions regarding Transformer characters, so it feels less perfect in those regards. It is still a fun film though.

Transformers Dark of the Moon being the third movie of the Transformers series you wouldn't think it would be as good as the first two, well it is. In this movie Megan Fox is no longer to be seen but we are gifted with a beautiful Rosie Huntington-Whiteley playing along side Shia LaBeouf. This movie added some serious effects to it with the robots. just like the first two it combines an action/love/comedy attribute. The action scenes in this movie are without a doubt awesome. The effects they used are amazing and to sort of let you catch up with whats happening they use slow motion to let you see things that are going on. I like how they've taken something that has actually happened like the moon landing and have put there own twist on what actually was happening. this was a very good movie and would recommend it to anyone interested in seeing robots you played with as kid come to life.

It's 'Bayhem' time again - and this time around demolition king Michael Bay presents his trademark 'Six-C's' in glorious 3D! In case you don't know, the six 'Cs' are: chases, clashes, crashes, combustions, carnage and cleavage. Spread over a bottom-numbing two-and-a-half hours, "Transformers: Dark Of The Moon" can also induce mental and metal fatigue, especially with the clanging robots smashing one another - and the whole exercise making little sense.

Technologically, however, "Dark Of The Moon" is Bay's best work so far - and action fans looking to be awed by scenes of massive mayhem and destruction in 3D should be satisfied. Story-wise, this one is better than "Revenge Of The Fallen", but not as fun and emotionally-connecting as the first.

The film opens with a flashback to the Sixties Apollo landing mission where history is rewritten (by Ehren Kruger) to incorporate the cover-up of an alien spaceship crashing on the moon. That spaceship, of course, is one of the remains of the epic battles between the Autobots and the Decepticons, and its 'discovery' sparks off another war that threatens to destroy planet Earth. Or at least the face of Chicago as we know it.

On the human level, we find that Sam Witwicky (Shia LaBeouf) has traded in his girlfriend Mikaela (Megan Fox) for a newer model (a Victoria Secret one, to be exact) in the shape of Rosie Huntington-Whiteley as Carly). Sam is being offered a job by Bruce Brazos (John Malkovich) but we soon learn that Carly's boss Dylan (Patrick Dempsey) may be up to no good. Then, when the conflict between the Autobots and Decepticons hots up, Captain Lennox (Josh Duhamel) and Sergeant Epps (Tyrese Gibson) of the elite Government squad NEST are summarily called into action.

We get lulled into believing that there may somehow be an intelligent plot coming from the conspiracy of the NASA lunar-landing cover-up which also involves the Russian space program and Chernobyl. These turn out to be just an exercise in 'historical name-dropping' to spur our interest before we get to the demolition derby created by the Transformers. Indeed, some of the robots seem to emote better that the live cast. Cybertron leader Sentinel Prime, for example, is even designed to look like Leonard Nimoy (who provides its voice), complete with stuff that looks like beard. Again, the problems of the previous installments recur - like the confusion between the good and bad robots in the clashes.

Unlike the first two movies, there are no more gags about the shock of humans interacting with the mechanical 'bots. Bay, however, insists on some comic sequences and he has hired Ken Jeong to do his in-your-face shtick as Jerry Wang. John Turturro reprises his role as former FBI agent Simmons but this time around, Turturro finds it fit to clown around with his role. The most striking inclusion to the cast is Rosie Huntington-Whiteley as Sam's love interest. However, with limited acting talent, she provides only eye-candy and beside her, Megan Fox would look like an Oscar-caliber actress.

Like the first "Transformers", this one is also a live-action cartoon on a grand scale. Scenes of Chicago buildings being toppled and destroyed can be as spectacular and brain-numbing as those of September 11; and the wing-suit flying sequences are breath-taking. Indeed, these are what most of Michael Bay's fans pay for and they will not be disappointed. The only problem for me is that Bay prolongs and repeats the robotic clash sequences to the point of being self-indulgent. Technically brilliant and visually arresting, "Dark Of The Moon" lacks heart and soul. (limchangmoh.blogspot.com)

I was highly disappointed with Revenge of The Fallen and I thought the script for Dark Of The Moon would be similar to the other films of the franchise. But surprisingly, it was fresh. Ehren Kruger cleverly used the Apollo 11 event to create a Decepticon world invasion storyline with few interesting twists...

Although I was amazed with the explosive action and brilliant special effects used in the film, the film itself lacks a lot of things...

It started very well with the whole history of THE ARK and it crashed throughout the second half of the film. The humour was still silly like Revenge Of The Fallen. For example, Ken Jeong was appalling and Sam's parents (Kevin Dunn and Julie White) tried to be funny and humorous but failed. Replacing Megan Fox with Rosie Huntington Whiteley wasn't much of a big difference. However, she was certainly better than Fox. There was pointless scenes around the last half of the film that made it a really long, boring film. Also, Michael Bay tried hard making the slow motion action scenes very 3D and realistic which was a bit irritating and ruins the film. The main antagonists haven't performed well enough to create an epic ending to the franchise In another point of view, however, this film was fairly enjoyable and the script was written very well. The soundtrack used was fresh and bends well with the film. There was some scenes that just blew me away and the CGI special effects definitely deserves an Oscar nomination. Shia Labeouf, John Turturro, John Malkovich and Alan Tudyk was enjoyable to watch.

Overall, Michael Bay definitely improved this film compared to Revenge Of The Fallen by creating really amazing CGI effects and a really interesting script, but it wasn't enough to deliver a spectacular ending to the franchise...