Le survivant

The dead are returning to life and attacking the living. After surviving a plane crash American Air Force Engineer Lieutenant Brian Murphy teams up with a local army Sgt. Daniel Dembele and they try to stay alive in dead infested war-torn Africa.

It's well filmed with the competent naturalistic visual style reminiscent of Monsters, less is also more in The Dead's case. Imran Ahmad's music score complements the on screen deeds and while not particularly memorable it is subtle and effective enough.

The African setting is a welcomed change, the on location shoot gives it an eerie real feel. The costume design appears authentic. Dan Rickard's special effects and Max Van De Banks' makeup are first rate, bones sticking out of legs, wounds, bites and the dead getting hit and shot at are executed perfectly. The traditional shambling sluggish dead are creepy enough and retain an air of menace.

The zombie/virus market has been saturated with countless sub-par films. There have been a few welcomed additions arguably - the Dawn of the Dead remake, cross genre Australian film Undead, 28 Days virus flicks, comedies including Shaun of the Dead, Zombieland and actioner Le Horde, Eaters, Mutant to name a few. I personally I like sober zombie films and The Dead is probably the most grounded undead film since Romero's original trilogy. Director and writer team Howard and Jonathan Ford manage to give their zombie offering scope, emotion and anxiety that arguably lacked in Land and Survival of the Dead respectively.

Due to the constraints of the story there's little dialogue. That said, what there is rings true and the characters are given time to develop. The acting all round is of a high standard, with fitting performances from both leads Rob Freeman and Prince David Oseia.

My only grumble is that there's been so many zombie films lately it mars the freshness that The Dead delivers. Intentional or unintentional as with Romero's films there is indeed a social commentary running though The Dead and the African setting is debatably no accident. The Dead may lack comradely wordplay but it doesn't try to reinvent the wheel.

Overall, The Dead gives the viewer a much needed solid piece of realistic zombie entertainment. Recommend.

The Dead is a stunningly shot zombie movie with some notable differences. The most obvious is the African setting, but that's not all. The zombies themselves are haunting and macabre: many were played by locals, some of whom were amputees. They seldom make any noise but are present throughout almost all of the film, often seen in the distance wandering in somnambulistic trances without any of the over-acting that's usually associated with these films. They are understated, and scarily so. However, once they get close they are as gruesome as anything in a Romero film.

At times the feel of the film reminded me of Zombie Flesh-Eaters. Some of that was down to the edits - none of that "blink and you'll miss it" MTV generation editing here. This had the epic feel of late 60s and early 70s movies (think the original "Planet of the Apes"). The vastness of Africa was captured wonderfully, and this only added to the typical zombie existentialist theme of there being no exit: no one ever gets out alive (or do they?)

Rob Freeman does a great job in the central role and there were some terrific supporting actors. The only slight gripe I had with this film was the dialogue. Mercifully there wasn't much of it, but such lines as we got to hear were rather stilted. The characters were used more as "talking heads" to explain things to the audience, and were always weakest when speaking.

It's hard to believe this was shot on a low budget. The directors have done a great job generating remorseless tension (another slight issue is that there is no lightness in the film - it piles tension upon tension and never lets go; it's not an easy ride). The cinematography is first rate and the soundtrack is haunting, evocative, and never obtrusive.

As a zombie movie, this is right up there with the 2005 Dawn of the Dead and the excellent Quarantine. One of the best zombie films I've seen, and (dialogue aside) up there with the TV series, The Walking Dead.

"I'm just trying to survive." Lt. Brian Murphy (Freeman) is part of the last evacuation plane out of Africa. The country is in a war where the dead come back as zombies. When the plane crashes he is the lone survivor and now he needs to make it to the airport on his own. When he meets a local sergeant they decide to work together to make it to safety. I will start by saying that I have never really liked zombie movies (except for "Shaun of the Dead"). The "Dawn Of The Dead" and "28 Days" movies never were my thing. This movie however was great. Much like the movie "Let Me In", which I thought was what the world would be like if vampires actually existed, this movie is the most "realistic" zombie movie I have ever seen. If zombies did exist I think it would be like this movie and not the glorified gore that other movies show. For someone who doesn't like movies like this I was very impressed. Overall, one of, if not the, best zombie movie I have ever seen. I recommend this. I give it a B+.

I didn't expect that much from this movie. My first thoughts were: it is not even B-movie, rather C. But from the first minutes I realized that it leaves an impression of..."28 Days Later" and "The Walking Dead". It's kind of long shot, but that's what came to mind. While it is not as detailed and well played as those two, it has it's own new look on the old theme. Decent make-up, good camera work, the interesting contrast between gore images and beautiful "vues d'Afrique" savannah - all together with natural actor's work exceeds the initial shallow (to say the least) expectations. I don't think I will watch it again (well, not any time soon), but certainly I would not mind to see the next chapter. It looks like there is some space left for the Part II. PS: there is no cheap synthetic music (you all know it;)), that usually fills in the "wordless" episodes in some really boring movies. On my opinion, this sort of mindless soundtrack always serves as indicator. Sometimes I wonder if they use that sort of "music" as a warning: "it is going to be boring..." It's absence is a huge plus.

The Dead. Its not the most creative of titles, reading it you pretty much know it's either going to be a James Joyce adaptation or a film about zombies. This time it's the latter and the stripped down title actually works, since this is pretty much a stripped down zombie film. Moving away from fast zombies, crowd pleasing style and "fun" gore gags, The Dead is bleak, numbing and even repetitive, an approach I actually enjoyed as it seems to get far closer than many films to the real horror of such events. It stuns with visuals and draws the heart with an inspired central heroic partnership, but by and large is many leagues away from the shallow silliness of all too many popular zombie films these days. Following at first the journey of Lt. Brian Murphy, wanting nothing more than to return home from a zombie outbreak stricken Africa, then Murphy and Sgt. Daniel Dembele, the latter trying to find his son, this is a quest film as much as horror, the journey as important as the grue. A first time feature for writers/directors/brothers Howard and Jonathon Ford (the latter also co handled cinematography with Jon Ford), The Dead moves at a dignified, steady paced, sporadically shot through with brief but intense bursts of tense violence heavy on head shots, laced with a growing respect and friendship between the two heroes and occasionally touched with poignancy shining in the gloom of the situation and ardour of the trek. Its skilfully handled, laconic stuff with a documentarians eye for the location (I never knew Burkina Faso was such a beautiful place), characters suitably rounded and likable and a powerful finale, overall it's a film with a punch. Rob Freeman as Lt Murphy plays things like a tough guy character actor of yore, impassive and resourceful determination with a human edge, while Prince David Oseia does equally well as Sgt. Dembele, carrying himself with authority and intelligence. As with any such film, the zombies are a major part of the experience, and The Dead succeeds nicely here. Make up effects are handled by Max Van De Banks and the zombies are simply portrayed, dead eyed, pallid, dirty and some bloodied, they move at a refreshing ominous creep as well, taking after the terrors of Romero pictures rather than any cheese of recent years. Gore is decent too, a realistic approach is taken over setting up lots of fun gimmicky kills, the headshots can get repetitive but there are a few other methods on display, a couple of which are real grisly crowd pleasers. By and large I had a fine time with this one and I hardly even expected too, having gone to watch it on a whim. The film does lag in the middle, stuttering a bit even in its already measured pacing, but it doesn't take too long to return to its groove. More irksomely, there are one or two undeveloped scenes which are too rapidly glossed over, as if time or the budget ran too short, there are some editing blips as well, though this may well have been intentional it still comes across a bit of a niggle. Still one of the best zombie films I've seen in a while though, well recommended.