Linoleum

This movie has its funny moments but is definitely not a comedy. Jim Gaffigan is great. Rhea is great. The movie is more like Cloud Atlas though. When it all comes together at the end, one is pleasantly surprised. We were waiting for the funny that never really happened. Couple of plot holes that are never filled in. Glad it was only six dollars to watch. I'd recommend waiting till it's free somewhere. Jim Gaffigan shows he can do drama in this one. You see some of Rhea Seahorn's fun side toward the end but she could extend upon that. I'm glad I rented this flick but it was definitely not a typical comedy.

SXSW 2022 Greetings again from the darkness. For those of us who spend entirely too many hours of our life watching movies, it's always a welcome pleasure to stumble upon one that is creative and innovative and entertaining. The first feature film from writer-director Colin West is all that, plus it's funny and touching and features some science. As an added bonus, it features the always great Jim Gaffigan in a dual starring role.

Mr. Gaffigan stars as Cameron, a middle-aged guy who writes, acts, and films an educational children's science show for Public Access TV titled, "Above and Beyond". Imagine a blend of Carl Sagan and Bill Nye the Science Guy. It's a show he and his wife Erin (Rhea Seehorn, "Better Call Saul") started together, but now she works at the local Air & Space Museum as the two await the finalization of their divorce.

Cameron has been waiting patiently for a preferred time slot, and one day his producer delivers news that's both good and bad. The show is being picked up for distribution, but they have hired a new host. In what is anything but the oddest thing to happen so far in the story, Cameron can't help but notice how much he and the new host look alike - although the personality differences are startling. It turns out the new guy bought the house right across the street from Cameron and Erin, and new guy has a teenage son, Marc (Gabriel Rush), who awkwardly befriends their daughter Nora (Katelyn Nacon).

When a satellite crashes in his yard, Cameron seizes the opportunity to become the astronaut he always dreamt of being by attempting to re-build the tangled mess into a custom rocket ship. Obviously I have left out many details in an effort to avoid spoilers for a story that is at times surreal, and can be best enjoyed going in cold. Other familiar faces appearing briefly in supporting roles include Tony Shalhoub, Amy Hargreaves, and Michael Ian Black. We have seen parallel universe films before, but filmmaker Colin West treats us to something a bit different. It may seem like a low-key affair, but "it's not that simple." Narrative Feature Competition Category - SXSW.

Linoleum is a film that defies easy categorization. It starts as a realistic drama about Cameron Edwin (Jim Gaffigan), a struggling children's TV host and scientist who dreams of going to space. He lives with his wife (Anna Gunn) and two kids in a rundown house with a leaky roof and linoleum floors. He also has a secret project in his basement: a homemade rocket that he hopes will take him to orbit.

The film gradually shifts gears into a dark comedy and then into a sci-fi thriller, as Cameron's plan takes an unexpected turn that affects his family and the world. The film is full of twists and surprises that keep the audience guessing until the end. It also has a lot of humor and satire, poking fun at the media, politics, religion, and human nature.

The film's biggest strength is Jim Gaffigan's performance as Cameron. He brings depth and nuance to his character, balancing his passion, frustration, desperation, and madness. He makes us care about his journey, even when he does questionable things. The supporting cast is also solid, especially Anna Gunn as his loyal but conflicted wife.

Linoleum is not a perfect film. It has some pacing issues, some plot holes, and some tonal inconsistencies. But it is an original and daring film that offers something different from the usual Hollywood fare. It is a film that will make you laugh, think, and wonder.

There are a lot of little stories and side plots and characters that are subtly intertwined and come together in the end. That may not make a lot of sense, but it might once you watch the movie. I can't imagine how someone could have the creativity to think of this movie, let alone write it. It kind of renews your faith in movies as a whole; a creative, original work can still be put out there.

This movie is categorized as comedy, drama, and sci-fi, but it's actually mostly drama. Also, I was expecting Jim Gaffigan to be wacky and funny, and he is quirky and humorous in the movie, but his role is mostly serious and he does a surprisingly good job.

I thought I was watching paint dry as I watched this film play out and in many ways I was. The slow pace, bland(ish) story and somewhat fantastical elements left me wondering where the film was taking me and why they had to present such mundane elements of life to get there. But I nevertheless persevered, motivated only by the hope that some radical conclusion could bring this story together and redeem the past 90 minutes I had been watching it for.

These 90 mins mostly comprised of reflections of failed careers, past regrets and a budding teenage romance all interspersed across the backdrop of a dysfunctional family's lives uprooted by the collision of a rocket in their backyard. Of course these tropes have been played out many times before and the film struggles to find originality in these core themes, though is nonetheless entertaining as it presents them through the lense of pop-science and the spacecraft that fueled our imaginations as children; a thematic element that strikes a deep chord of nostalgia throughout the film.

But make no mistake, this is a fantastic movie, because not only did the movie tie these seemingly separate stories together brilliantly, the movie concludes with one of the most poignant endings i've experienced in film for a very long time.

As each brush stroke played out across the screen it was not until the final stroke and the drying of the paint that it was clear where this movie was heading, and had been heading all along. A perfect reflection of the underlying tragedies experienced by the characters and the beauty of love persevering through it all.

Though my mind did correctly glance across possibilities of the conclusion before it ended and perhaps some allusions to the climax were a little on the nose, I nonetheless found tears streaming uncontrollably down my cheeks as the movie ended. While the credits rolled I left the film in a state of deep reflection, pondering the true nature of each character and the film's diverse imagery, this state of reflection I can only attest to being the quality of a great film.