L'ascension du chevalier noir

Possibly my personal favourite of the Nolan Batman films, and I do like Batman Begins and The Dark Knight very much. Is it perfect? For me, not quite, there are so many plot strand in a long running time that the film occasionally(and there is a big emphasis on that) sags in momentum and some of the strands in the ending could have done with more development. It is a brilliant film all the same, one of the highlights so far of the year. As to expect from Christopher Nolan, it is a visually audacious film, with gorgeous cinematography, a beautifully realised Gotham City and great special effects. Hans Zimmer's score is not one of his very best for me, but there is still an epic and haunting quality that is just perfect for this film. The dialogue provokes thought and makes an emotional impact, and a vast majority of the time The Dark Knight Rises is ambitious and gripping. I don't consider Christopher Nolan one of my favourites, this said he is a hugely impressive director who shows great ambition and a willingness to make his subject matters interesting. He does a really wonderful job here, as the set/action pieces including the plane hijack and Bane's assault on Gotham are enough to make the jaw drop. The performances are just terrific from all involved, Matthew Modine fares weakest but he is far from bad. Christian Bale is still a charismatic presence, Matthew Caine appropriately loyal and Gary Oldman and Morgan Freeman subtly understated. Joseph Gordon Levitt captures his character's idealism wonderfully. Tom Hardy is in beefed-up terrifying mode as Bane, a worthy successor to Heath Ledger's iconic Joker. Anne Hathaway was a curious casting choice, but as Catwoman she is spot on, here is a Catwoman who actually does much more than acting sexy(which she still is), she is very ruthless and no-nonsense here. All in all, a hugely impressive film, the best of Nolan's Batman trilogy- though I'm prepared for any flaming I'll get for this opinion- and one of the highlights so far of 2012. 9/10 Bethany Cox

Christopher Nolan has outdone himself with this one. At 3.30 in the morning, I was tired. Just getting out of it, I've never been so awake.

Perhaps what set this film apart from his other films was that it had a genuine emotional heartbeat. I felt that this was a flaw of Nolan's other films - the vision of emotion was there, but it was hollow. In this I bought it. I felt it, hero and villain alike.

Christian Bale was typically brilliant as Batman, and I felt that Bruce Wayne was more heavily embraced in this final installment. Bale added emotional depth to the character - a plot point that I think went astray in The Dark Knight - picking up from the development made in Batman Begins.

Tom Hardy as Bane was quite simply, terrifying. No longer a dunderhead "enforcer", but one of the criminal masterminds behind "Gotham's Reckoning", coupled with a physical dominance strong enough to send shivers down your spine.

Anne Hathaway as Selina Kyle defied my expectations. Hands up who was not entirely convinced that that girl from the Princess Diaries could handle an intensely physical role like Catwoman. But here I am, hugely impressed. She added immeasurably to the value of the film.

Marion Cotillard fulfilled the role of Miranda Tate admirably, though I suspect this was the most underdeveloped character of the film - though after watching, I can see why.

The unsung hero of The Dark Knight Rises is Michael Caine as Alfred. A heartfelt performance that helps drive the emotional content of the film, helping Nolan sell his most well-rounded film to date. Caine's performance in both presence and absence.

Special mention goes to Joseph Gordon Levitt, who is consistently proving himself to be a big player in the Hollywood game. His role as officer Blake felt like there could've been more, but it may just have come all a bit much. It was a great performance, and Levitt sunk his teeth into role.

If you can, go see this in IMAX. If any film was to sell the format to skeptics, The Dark Knight Rises would be IT. I'm happy Nolan stuck to his guns and shot in 2D. 3D would have been unnecessary.

I suppose at this point, I have to turn my focus on Nolan. If he ever reads this... aspiring filmmaker to filmmaker, I've never been so envious, jealous in all my life. It's a film that leaves me floundering, wondering what I could possibly do to get anywhere near this ballpark. Well done. I think an Oscar Nomination is in order.

From here, I'm not sure what to expect of the future. Does our imagination carry us forward, or do the studios? Time will tell.

10/10

Not being a huge fan of superhero movies, I didn't have much expectations for Batman Begins. However viewing the 2005 Christopher Nolan production, I was pleasantly shocked. Then after my huge expectations for, "The Dark Knight", Christopher Nolan blew my expectations to the dust. Will the same happen with the 3rd and last film, "The Dark Knight Rises"? Quite simply, Yes! My big expectations were once again, blown away. What a production! This is a true cinematic experience, to behold. The movie exceeded my expectations in terms of action, and entertainment. The editing, sound, score, visuals, direction and action are all top notch.

The film contains a fine cast of talented actors. Christian Bale, of course still makes is a great Batman. Michael Cain is fantastic, as he always is. He gives such a powerful performance, he really ought to be considered for an Oscar nomination. Tom Hardy as Bane is utterly terrifying, at times, and completely ominous. Anne Hathaway as Catwoman/Selina Kyle is a scene stealer. She is completely engrossing. Everyone is so great, the dynamic scenes between the actors are so well done, so well written, and so well directed. The Dark Knight Rises is is emotionally riveting and amazing to view.

At a running time of almost 3 hours, the film never becomes dull, which is pretty impressive. The movie's action sequences are spectacularly well created and very intense. The dialogue between the character's are intelligent and highly believable. The movie's soundtrack is terrific and really exemplify's many of the movie's scenes. Extremely well editing and sound use really develop many of the movie's action scenes, so it's not just explosions and visuals like in many other movies. Nolan creates a grand, dirty, engrossing world, and his action sequences just hum.

In conclusion, this film is a gorgeous reminder that great writing and direction can enhance any movie-going experience, even superhero movies, which are usually thought of as mindless entertainment. I am wholly satisfied with Christopher Nolan's vision and thank all who worked on this film for bringing such an intricate interpretation of its very famous literary source. I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it. 10/10"

Christopher Nolan was assigned with the job of coming out with a new Batman movie comparable to The Dark Knight. Did he succeed? In short, yes. Is it better than The Dark Knight? No. But is it incredible, awesome, and everything we could have hoped for? Yes. This movie would be the best Batman movie and even one of the best movies ever if Heath Ledger wouldn't have put on the face paint. That's what I think is the biggest difference between the movies. While Tom Hardy's Bane is very very well done and flat out frightening at times, nobody can top Ledger's Joker. But don't think for a second that TDKR is any worse because of that.

The Dark Knight Rises brings the biggest threat of all three movies to Gotham in the form of Bane. Bane is Batman's biggest threat he's ever had physically and forces Bruce Wayne to return as Batman after entering an isolated state. Much less happens in this movie than in the previous two and I think it's because of the villains. In Batman Begins, Batman had to fight the Mob, Scarecrow, and Ras Al Ghul. In The Dark Knight, Batman had to fight the Mob, The Joker, and Two-Face. In The Dark Knight Rises, Batman has to fight Bane, and only Bane. From beginning to end, all Batman has to do is figure out how to defeat Bane and stop him from finishing his evil plot. While Batman Begins is some what lessened in genius because it has to tell the origin story of Batman, and The Dark Knight is just obviously amazing to everyone who sees it, The Dark Knight Rises has more of a hidden genius. Most people will miss all the symbols and why this movie is so brilliant and such a masterful ending to the Dark Knight's Legacy.

There's so much I wish I can say, but I don't want to spoil it for you. All I should say is see it. See it and be amazed by it. 10 Stars out of 10.

After eight years in seclusion, Batman resurfaces to face Bane, a mastermind bent on destroying Gotham and has ties to Bruce Wayne's past. Christopher Nolan's conclusion to his Dark Knight trilogy should be treated as a wrap up rather than a third installment. Despite many new characters being introduced, even their conflicts and motives are derived from events that occurred in the previous two films. Such an approach could be seen as a weakness, since the conflict could just end up being sort of a rematch rather than moving the story forward; however, Nolan's approach works terrificly. Over an hour is shot in stunning IMAX, but the film is more touching than it is intense… and that's its best quality. Hardy steps in as the genius mercenary Bane, who is slightly bigger, slightly stronger and slightly smarter than Batman, thus making him a challenge best suited for the grand finale. The Joker works best as Batman's arch-nemesis since they are polar opposites, with The Joker standing for everything Batman stands against. Two-Face works best as Batman's most tragic enemy because Harvey Dent is very much like Bruce Wayne… the only difference is: Dent copes with his tragedy through revenge rather than seeking justice as Wayne did. Bane works best as Batman's most challenging villain because of his physical and mental superiority—forget the Bane you saw in "BATMAN & ROBIN". Nolan carefully chose all his villains in the series wisely and executed them perfectly. Hardy had big shoes to fill following Ledger's posthumous Oscar winning performance; while Bane is no Joker, Hardy does a satisfying job and should not be compared to Ledger's performance as they are completely different roles. It is Michael Caine, however, that delivers the most memorable and touching performance of the entire film. A wonderful conclusion to a wonderful trilogy.

**** (out of four)