Un village français et ses habitants traversent les hauts et les bas de l'occupation de l'armée allemande de 1940 à 1945. Le médecin du village est nommé maire et confronté aux défis, dilemm... Tout lireUn village français et ses habitants traversent les hauts et les bas de l'occupation de l'armée allemande de 1940 à 1945. Le médecin du village est nommé maire et confronté aux défis, dilemmes et demandes et situations contradictoires.Un village français et ses habitants traversent les hauts et les bas de l'occupation de l'armée allemande de 1940 à 1945. Le médecin du village est nommé maire et confronté aux défis, dilemmes et demandes et situations contradictoires.
- Prix
- 2 victoires et 10 nominations au total
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This is a truly remarkable, riveting, and even addictive TV series, certainly one of the best I have ever seen, regardless of language. (I'm 64. I've seen a lot of TV series.) What makes it remarkable? The acting is uniformly first-rate, the direction very good, the script even better than first-rate. Each episode holds you from the get-go, and many end with cliff-hangers that make you want to start the next episode. As I said, it is downright addicting.
Are there any flaws? I don't know that I would call them flaws, but I can see that those interested in the history of the Occupation in France could have several issues with the series.
1) A previous reviewer wrote that it is an "Excellent TV show explaining the life of ordinary people in Nazi occupied France." Not really true. The main French characters are almost all members of the haute bourgeoisie: a leading doctor, a factory manager, the chief of police, etc. They do not deal with the issues that friends of mine remember from the Occupation: the shortage of everything, starting with food and fuel to heat homes. For ordinary French people, the Occupation was four years of waiting in line every day for bare necessities, punctuated by an occasional dramatic event. That wouldn't make for good TV drama, though, so this series has made the dramatic more "common" than it evidently was in the life of the average French person. The episodes almost all focus on dramatic events. It makes for riveting viewing, certainly, but it gives a skewed view of daily life during the Occupation.
2) Much of the focus is on sex and marital infidelity, rather than issues specific to the Occupation. (It reminds me a lot of Zola's Germninal in that sense.) This holds audiences, certainly, but there is nothing particularly related to the Occupation here. Almost all the wives turn out to be unfaithful to their husbands. I'm not sure how a feminist would react to that, or indeed many French women, faithful to their husbands or boyfriends, who lived through the era.
3) The depiction of the Communist Party leaders is uniformly negative. Again, the focus seems to be very bourgeois, very much Gaulliste. I noticed, for example, that when others, even Gaullistes like Bériot, refer to the Communists as Bolsheviks, that just gets translated as Communist. There is, of course, a big difference there. It is very true that many non-Communists feared the Communist Resistance and feared that their goal was to lead France into another class war/revolution, but that was not in fact the goal of all the FTP/Communist resistants.
All that said, I repeat that this is a riveting series. You will not regret watching it - except that you may well become addicted to it.
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I have now watched through the end of Season 6, which is as far as the American distribution has gone as of January 2017. (Season 7 is announced for mid-February.) All I have to add to what I wrote above is that this series does a remarkable job of making all the lead characters, no matter what their political position, very human and very three-dimensional. No one is all bad, and virtually no one is all good. That becomes very problematic for me in the case of the Militiamen and some of the Germans, the SS and the Gestapo. I don't like feeling sympathy or compassion for individuals who have committed monstrous crimes, as some of these characters do. Nevertheless, I will concede that even someone who can shoot two little children in cold blood - that is a VERY difficult scene to watch - might also have human qualities. I don't like conceding that, but I will.
The end of episode 12 of Season 6 turned my blood cold. It focused on some of the worst events of the Liberation, and made it anything but a joyous event. I know, having interviewed people who lived in a small town in France at that time, that what is described did indeed take place across France. Some of it is even toned down, like the shearing of the women accused of collaboration with the Germans. Still, it is a particularly somber note on which to end the penultimate season.
Are there any flaws? I don't know that I would call them flaws, but I can see that those interested in the history of the Occupation in France could have several issues with the series.
1) A previous reviewer wrote that it is an "Excellent TV show explaining the life of ordinary people in Nazi occupied France." Not really true. The main French characters are almost all members of the haute bourgeoisie: a leading doctor, a factory manager, the chief of police, etc. They do not deal with the issues that friends of mine remember from the Occupation: the shortage of everything, starting with food and fuel to heat homes. For ordinary French people, the Occupation was four years of waiting in line every day for bare necessities, punctuated by an occasional dramatic event. That wouldn't make for good TV drama, though, so this series has made the dramatic more "common" than it evidently was in the life of the average French person. The episodes almost all focus on dramatic events. It makes for riveting viewing, certainly, but it gives a skewed view of daily life during the Occupation.
2) Much of the focus is on sex and marital infidelity, rather than issues specific to the Occupation. (It reminds me a lot of Zola's Germninal in that sense.) This holds audiences, certainly, but there is nothing particularly related to the Occupation here. Almost all the wives turn out to be unfaithful to their husbands. I'm not sure how a feminist would react to that, or indeed many French women, faithful to their husbands or boyfriends, who lived through the era.
3) The depiction of the Communist Party leaders is uniformly negative. Again, the focus seems to be very bourgeois, very much Gaulliste. I noticed, for example, that when others, even Gaullistes like Bériot, refer to the Communists as Bolsheviks, that just gets translated as Communist. There is, of course, a big difference there. It is very true that many non-Communists feared the Communist Resistance and feared that their goal was to lead France into another class war/revolution, but that was not in fact the goal of all the FTP/Communist resistants.
All that said, I repeat that this is a riveting series. You will not regret watching it - except that you may well become addicted to it.
-----------------
I have now watched through the end of Season 6, which is as far as the American distribution has gone as of January 2017. (Season 7 is announced for mid-February.) All I have to add to what I wrote above is that this series does a remarkable job of making all the lead characters, no matter what their political position, very human and very three-dimensional. No one is all bad, and virtually no one is all good. That becomes very problematic for me in the case of the Militiamen and some of the Germans, the SS and the Gestapo. I don't like feeling sympathy or compassion for individuals who have committed monstrous crimes, as some of these characters do. Nevertheless, I will concede that even someone who can shoot two little children in cold blood - that is a VERY difficult scene to watch - might also have human qualities. I don't like conceding that, but I will.
The end of episode 12 of Season 6 turned my blood cold. It focused on some of the worst events of the Liberation, and made it anything but a joyous event. I know, having interviewed people who lived in a small town in France at that time, that what is described did indeed take place across France. Some of it is even toned down, like the shearing of the women accused of collaboration with the Germans. Still, it is a particularly somber note on which to end the penultimate season.
"Un village français" is one of these rare TV series which suck you in through realistic plots mixing suspense, love, betrayal without being sensationalist, and staying simple (although the numerous love triangles are a little too much at times). French TV being filled with painfully mediocre, if not absolutely bad series, "Un village français" stands out as the best one out there, by far.
The realism of it is one of the factors which make it great. The actors are superb, their characters genuine, the women beautiful in a classy way (not tasteless bombshells), and the plots explore simple people's decisions during the hard circumstances of the Occupation, without ever openly judging their acts.
The series starts kind of slow. I'd say the first season is the weakest yet, even though it has the ultimate spectacular scenes when the German army takes control of the village. The series only gets better as the viewer is more familiar with each character, and follows their individual paths, their interactions, their fears and decisions. It takes its time. It doesn't rush into the events of the Occupation, and rather presents the slow evolution of French Collaboration as things get harsher and more fixed, and the characters ultimately need to find themselves and chose their definite side, or remain torn.
As said before, "Un village français" doesn't judge, staying remarkably neutral when possible, not opting for an easy manichean presentation of the Occupation. Many characters turned collaborators are not bad people and even try to do good, like the mayor of the village, or one young woman who has an affair with a German soldier. Even the young chief of police (Jean Marchetti) is likable. As I'm writing this, the series is only in its fourth season, so I can't wait to see how these characters will be treated in the last season which will presumably depict the Liberation. Hopefully, it will continue to show the harsh reality (I'm expecting head shavings, trials, public dishonor, executions, escapes and pardons... the characters are so diverse that each fates are possible).
A great TV series, which I highly recommend to those who have a chance to see it.
The realism of it is one of the factors which make it great. The actors are superb, their characters genuine, the women beautiful in a classy way (not tasteless bombshells), and the plots explore simple people's decisions during the hard circumstances of the Occupation, without ever openly judging their acts.
The series starts kind of slow. I'd say the first season is the weakest yet, even though it has the ultimate spectacular scenes when the German army takes control of the village. The series only gets better as the viewer is more familiar with each character, and follows their individual paths, their interactions, their fears and decisions. It takes its time. It doesn't rush into the events of the Occupation, and rather presents the slow evolution of French Collaboration as things get harsher and more fixed, and the characters ultimately need to find themselves and chose their definite side, or remain torn.
As said before, "Un village français" doesn't judge, staying remarkably neutral when possible, not opting for an easy manichean presentation of the Occupation. Many characters turned collaborators are not bad people and even try to do good, like the mayor of the village, or one young woman who has an affair with a German soldier. Even the young chief of police (Jean Marchetti) is likable. As I'm writing this, the series is only in its fourth season, so I can't wait to see how these characters will be treated in the last season which will presumably depict the Liberation. Hopefully, it will continue to show the harsh reality (I'm expecting head shavings, trials, public dishonor, executions, escapes and pardons... the characters are so diverse that each fates are possible).
A great TV series, which I highly recommend to those who have a chance to see it.
10cochet
This TV show describes the life of ordinary people in a small town of rural France during the German occupation in WWII. It is extremely well documented, cleverly written and very well played. The great plus of this series is that it meticulously analyzes the mechanisms which brought some people to collaborate with the Germans and others to resist, without judging, without falling into easy generalizations. The treatment of the small communist cell's actions is particularly spot on. I highly recommend this show to anyone interested in WWII, and anyone who wants to understand life during a war, and how good people can come to serve a fascist regime.
This series is one of the best I've ever seen, the acting, the setting, and all of the historical details done so extremely well. It truly is a shame that this series does not have broader coverage here in the U.S., it would be an excellent choice for airing on HBO. The broad history behind this series is true, the experiences and brutal choices that have to be made by a population under occupation; and it makes one think "How would I cope under the same circumstances?" In watching each episode, I can't wait to see the next one. The cast of characters with different perspectives and story lines blends together flawlessly, and you end up caring about all of them. Truly well done.
I wasn't sure about watching this series but I was really hooked by Episode 3 of the first season. However, a couple of my favorite French stars, Thierry Godard and Audrey Fleurot, drew me to the series. It was well worth it. I just completed the last season and have since purchased the entire series. I have never done that before.
The story behind the citizens of the town is intriguing all through their lives and to the final episodes as I watched them decline in health and appearance. It is a fascinating story of the Occupation and how the war affected these citizens of an obscure French village. Viewers were introduced to the harsh reality of war in France if you watched "Band of Brothers" but this shows the sorrow, death and troubling decisions citizens had to make as the war and occupation moved on.
I recommend this to all viewers. Yes, it takes a lot of time to watch it but it is worth it.
The story behind the citizens of the town is intriguing all through their lives and to the final episodes as I watched them decline in health and appearance. It is a fascinating story of the Occupation and how the war affected these citizens of an obscure French village. Viewers were introduced to the harsh reality of war in France if you watched "Band of Brothers" but this shows the sorrow, death and troubling decisions citizens had to make as the war and occupation moved on.
I recommend this to all viewers. Yes, it takes a lot of time to watch it but it is worth it.
Le saviez-vous
- AnecdotesThe town depicted in the series, Villeneuve, is fictional.
- GaffesIn a first-season episode set during 1940, a German soldier is shown wearing the Close Combat Clasp, a decoration which first began to be awarded in November, 1942.
- ConnexionsReferenced in Séries express: Episode #2.30 (2009)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- A French Village
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée52 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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What is the Brazilian Portuguese language plot outline for Un village français (2009)?
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