Compétition officielle

As "Official Competition" (2021 release from Spain; 115 min.) opens, the now 80 yr old ultra-rich CEO of a pharmaceutical decides that he wants to be remembered for something special. Maybe build a bridge? No, he decides to finance a movie with the best director and the best actors. Shortly thereafter he is introduced to Lola Cuevas, and she suggests ti adapt a book called "Rivalry" to the big screen, and cast the 2 best actors in the world, Felix and Ivan, in the roles of the two brothers. At this point we are 10 min into the movie.

Couple of comments: I can't say that I was familiar with the co-directors from Argentina, Gaston Duprat and Mariano Cohn, but all you need to know about this film is that it stars Penelope Cruz (as Lula), Antonio, Antonio Banderas (as Felix), and Oscar Martinez (as Ivan). Much of the movie feels like a theater play, as the movie plays out mostly among the three of them in rehearsals for the upcoming shoot. But then the last half hour comes... Just watch! As I was watching the movie, I was debating with myself who among these three performers was going the "best" job, but in the end that is an impossible task to determine. Instead, sit back, relax and enjoy the film for these outstanding performances, nothing more, nothing less.

"Official Competition" premiered at last yea's Venice Film Festival to immediate acclaim, and it is currently rate 94% certified fresh on Rotten Tomatoes. The movie opened this weekend at my local arthouse theater here in Cincinnati. The July 4 Monday matinee show was not attended well (exactly 8 people including myself). No matter. If you are interested in a foreign movie that featuring 3 performers at the top of their game, I'd readily suggest you check this out and raw your own conclusion.

The three stars of this movie are Penélope Cruz as famous director Lola Cuevas, Antonio Banderas as famous actor Félix Rivero, and Oscar Martínez as another famous actor Iván Torres. In a stroke of good planning the three actors also are the producers.

A wealthy businessman turning 80 wants to be remembered for something. Maybe build a bridge and name it for him? No, he finally decides to buy the rights to a novel and have a movie made. Lola will direct, Felix and Ivan will star as the brothers in a broken family relationship.

The two actor characters each have large egos, the title could be a reference to their competition with each other during rehearsals. But also near the end, when a news conference is being held, it is at an "official competition."

I will not say more about the contents of the movie, suffice to say it is brilliantly scripted and executed. Some small, seemingly insignificant, things we see during the middle of the movie return to be very important as the final scenes roll. A really entertaining and thinking person's movie.

It is in Spanish with English subtitles, which isn't my favorite way to watch a movie, but it was not difficult to both read and watch.

Greetings again from the darkness. Satire is one of the most challenging cinematic genres to get right. The script and performances are crucial, and the director must walk a fine line between too subtle and over-the-top. The long-time collaborative filmmaking team of co-writers and co-directors Mariano Cohn and Gaston Duprat, along with co-writer Andres Duprat, strike just the right chord and deliver a gem that is funny, insightful, and quite entertaining. The film was well received at last year's Venice Film Festival, but is only now getting distribution.

We open on Don Umberto Suarez (Jose Luis Gomez), a wealthy pharmaceutical businessman, as he peruses the many gifts that have arrived for his 80th birthday. He's in a reflective mood and wonders what he can do to secure his legacy so as not to be forgotten. Suarez debates between building a bridge or financing a "great" movie, one that will stand the test of time. He knows nothing of the film industry, and doesn't bother to read the best-seller book he secures the rights to. He then meets with eccentric film director Lola Cuevas (Oscar winner Penelope Cruz, VICKY CRISTINA BARCELONA, 2008), yet seems oblivious to what we see - her vision runs contrary to his, as evidenced by her production notebook that looks like a teenager's scrapbook from summer camp. She buys in to his "best cast" demands and leaves him believing "his" film is in good hands.

Ms. Cruz is so perfect in this role that even her giant frizzy flame-red wig is simpatico with director Lola's intense personality as an auteur. Things really take off when rehearsal begins and her two lead actors arrive. Antonio Banderas plays Felix Rivero, a global movie star who lives the rock star life with women and sports cars. He's the personality antithesis of his co-star Ivan Torres, played by Oscar Martinez, a self-absorbed stage actor who views his world as prestigious, while mocking the glitz, glamor, and money that rules Felix's world. An architecturally stunning art institute funded by Suarez serves as the rehearsal site, since it sits empty and unused.

Felix and Ivan are to play rival brothers, and the tension that develops between the two men is hilarious ... and further spurred by Lola's acting exercises. She prods Ivan on the simple line, "Good evening", forcing him to repeat it multiple times, just as she toys with Felix on his level of intoxication (a range of 1 to 10). To increase the tension, Lola has the men rehearse underneath a giant boulder dangling overhead by crane. As the two actors battle it out for respect from the other and favoritism from Lola, the humor escalates at the same pace as egos are wounded. After scoffing at the mention of Felix's awards, Ivan secretly practices his Oscar-acceptance speech in his dressing room. It becomes clear that each of the men want what the other has: Felix wants prestige, while Ivan wants recognition.

There are so many terrific scenes and moments here, including a foreshadowed twist and a sequence that combines industry awards, an industrial shredder, and the strength of Saran Wrap. All three lead actors are having a blast, and the supporting cast lends authenticity to this skewering of wealth, ego, art, and the film industry. Especially effective in support are Irene Escolar as Suarez's daughter who has been cast in the film, and Pilar Castro as Violetta, Ivan's equally pretentious wife. This is satire at it's finest, and the filmmakers (and Ms. Cruz) even nail the ending. Kudos to one of my favorite movies of the year.

This movie is marketed as black comedy (it could be blacker for my taste) but it is basically a vehicle for great actors to overact, making fun of their profession but also show facets of their craft (there are many ways to say "Good Day"). On the other hand the movie draws attention to some facets of filmmaking that is usually neglectet, e. G. the importance of how sound is recorded.

We've seen many films about filmmaking and art, and this is definitely not one of the worst of its kind.

A very original film with subtle humour. The film makers are clearly afficionados of classic art films and their work is positively influenced by masters like Luis Bunuel and Jacques Tati.

All three main actors (Penelope Cruz, Antonio Banderas and Oscar Martinez) are at the top of their game. The script is brilliant and, without being didactic, is conducive to further meditation on what is acting, what is fiction and what is real. Although many films tackle the subject of "film within a film" showing the process behind the camera and the long preparations before actually shooting, "Official Competition" shows what actors' egos is really like (even the character played by Oscar Ramirez who pretends not to be interested by awards, secretly rehearses a speech in case he wins an Oscar...), and we get a glimpse into the director' s mind and vision and insistence on perfection, with doubt never too far away (brilliantly conveyed by Penelope Cruz).

A treat ! Not to be missed !